Da

The movie was interesting but the sad thing is that when a movie is not in Midwestern English dialect it very hard to follow. The Irish brogue has a person trying to figure out what was said and by the time you figure it out you is in another seen. Close Captions are a great learning tool for all ages.

"Da" is such a wonderful movie. The acting is superb and the grief process wonderfully dramatized. As a descendant of Irish families this story made me laugh and cry - I recognized the antics and special ways of many of my relatives who filled my life with color and drama! Hugh Leonard has told a story of deep emotion in a very human and down to earth way - it comes across as true and then the actors, especially Bernard Hughs and Martin Sheen, carry it out magnificently. I have searched and searched for a DVD copy and have been informed that the Australian DVD will not work here in the USA. Please produce this movie on DVD for the USA. Please.

Loved this movie and have played it several times over. This is the only project to top "The Quiet Man" as my favourite Irish film.

William Hickey as Drumm comes out with the keenest observations in the film, Doreen Hepburn captures the spirit of all Irish "mammies" (bless them) while the peerless Barnard Hughes adds the mischief and humour. Other parts (young Charlie, Boy Charlie and Oliver) are portrayed beautifully by a wealth of young Irish talent. The scene at the wake when the various mourners talk about the departed is 100% on the nail for accuracy.

I had the very great pleasure of meeting Martin Sheen on the set of "Da" in Ardmore studios and he was utterly charming.

... and yet virtually no one I know has ever heard of it. A story of reminiscence, regret, and reconciliation (a little too late), as Charlie, a successful Broadway playwright, returns home to Ireland for his father's funeral. His father, though dead, is very much alive in Charlie's thoughts.

Every character in the movie is 100% believable, and real. The dialogues are genuine, ordinary, but insightful, and keenly sculpted. It's clear that Hugh Leonard crafted this as a play, and the cinematography leaves you with more of a stage feeling, than a film setting, but this doesn't detract from some stellar performances by the venerable Bernard Hughes, and what is probably Martin Sheen's finest performance.

Funny, timeless, and ultimately very sad and touching. I hate to gush, but this movie brings it out in me. Flawless.

Irish writer Hugh Leonard has made a career out of coming to terms with his father's death, writing first a book and then a theatrical play about the experience, and now a screen adaptation of the same play, each of them an unashamedly sentimental vehicle for his memories of the proud but playful old man. Of the three it probably works best on screen, where the episodic timeline and playful unreality of the script are better served by creative editing, and by some handsome location photography (in the Irish seaside village of Dalkey). Martin Sheen, fatally miscast, portrays the expatriate Irishman who returns to the Shamrock Shores to bury the body and memory of his father, but not before trading some serio-comic banter with the old man's spirit and reviewing with him the key episodes of their life together. The screen version makes little attempt to camouflage the awkward stage dialogue, but does at least serve it with a gentle air of whimsy and plenty of local brogue. Barnard Hughes recreates his award-winning performance in the title role, but the entire cast is upstaged by a pet dog with an aversion to the Catholic Church.