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Irish writer Hugh Leonard has made a career out of coming to terms with his father's death, writing first a book and then a theatrical play about the experience, and now a screen adaptation of the same play, each of them an unashamedly sentimental vehicle for his memories of the proud but playful old man. Of the three it probably works best on screen, where the episodic timeline and playful unreality of the script are better served by creative editing, and by some handsome location photography (in the Irish seaside village of Dalkey). Martin Sheen, fatally miscast, portrays the expatriate Irishman who returns to the Shamrock Shores to bury the body and memory of his father, but not before trading some serio-comic banter with the old man's spirit and reviewing with him the key episodes of their life together. The screen version makes little attempt to camouflage the awkward stage dialogue, but does at least serve it with a gentle air of whimsy and plenty of local brogue. Barnard Hughes recreates his award-winning performance in the title role, but the entire cast is upstaged by a pet dog with an aversion to the Catholic Church.

The caption for this film was "Charlies father is dead, he won't lie down and he won't shut up!" Charlie is played by Martin Sheen (who also shared executive producer roles)returning to his home town in Southern Ireland to attend to his late father's (Barnard Hughes) affairs. from here he relives his childhood and confronts the past with comic results. the comedy is in the dialogue rather than the action. The film avoids Irish cliches and captures 1950's Ireland well.

I am not a fan of Martin Sheen by any stretch of the imagination. I will move on to another channel by instinct if he happens to appear on the screen. However, I remember seeing this on TV many years ago and never seeing it again. It must have been one of his best performances. This came out shortly after my father passed away, and I was mesmerized by the mental conflicts that were haunting Charlie as he attempted to come to terms with the death of his father. The mix of humor and mental anguish brought me up and then plummeted me to the ground throughout the film. It was much like a roller-coaster ride, cautious at one moment at what might come next, but yet anxious to see what it might be. I would like to see the film again, Martin Sheen's performance was outstanding.

... and yet virtually no one I know has ever heard of it. A story of reminiscence, regret, and reconciliation (a little too late), as Charlie, a successful Broadway playwright, returns home to Ireland for his father's funeral. His father, though dead, is very much alive in Charlie's thoughts.

Every character in the movie is 100% believable, and real. The dialogues are genuine, ordinary, but insightful, and keenly sculpted. It's clear that Hugh Leonard crafted this as a play, and the cinematography leaves you with more of a stage feeling, than a film setting, but this doesn't detract from some stellar performances by the venerable Bernard Hughes, and what is probably Martin Sheen's finest performance.

Funny, timeless, and ultimately very sad and touching. I hate to gush, but this movie brings it out in me. Flawless.

The movie was interesting but the sad thing is that when a movie is not in Midwestern English dialect it very hard to follow. The Irish brogue has a person trying to figure out what was said and by the time you figure it out you is in another seen. Close Captions are a great learning tool for all ages.