Yee dam hung seon

City War is yet another Hong Kong-action flick with friendship, vengeance and honor as the main-ingredients. Chow Yun-Fat and Ti-Lung makes this a good movie, and its worth seeing if you like these films. But I would also like to mention that there are other far better Hong Kong-movies available like The Killer, Hard-Boiled and the A Better Tomorrow-series (chapter one and two).

City War is just another action flick from Hong-Kong, but it is viewable because Chow Yun-Fat is in it. 7,5/10

Oddly paced and strikingly shot, City War could have been a stone-cold classic of Hong Kong's vastly impressive line-up of heroic bloodshed actioners, unfortunately, it has to make do with writing that's painfully formulaic, extremely uneven and occasionally mindless. Yet, it's not all bad. The first two-thirds of the film takes on the form of a joyful romantic comedy, dominated by the happy-go-lucky presence of Chow Yun-fat's character. Then suddenly, with no warning whatsoever, the last third hits, and we are plunged into an abyss of gritty drama, graphic violence, tragedy and death. The massive tonal shift really upsets the film's balance but largely gets carried through the weaker moments thanks to the chemistry of Chow Yun-fat and Ti Lung being onscreen together again. It's all slickly directed by, Shaw Brothers graduate, Sun Chung with a bold use of colour while Michael Lai's score is suitably epic. Mashing together the stylings of Miami Vice with the Hong Kong criminal underground, City War isn't a classic by any means, it is a fully entertaining slice of 80s action and more than worthy of watching at least watch.

The second to last film of Shaw director Sun Chung's career reunites him with his long time best actor Ti Lung. It's also Chung's only effort to work in the new style action cinema of late 1980's Hong Kong.

The film has many of the hallmarks of HK cinema of the late 1980's and early 1990's, frenetic action, over the top near hysterical acting, stunt men being throw over all sorts of hard objects, extreme pessimism with the system and a feeling that chaos and crime is just around the corner. Distrust of Mainland China is a repeated theme as the HK criminals smuggle in assassins from there. While the character of "Dick", played by Chow Yun Fat, behaves like a clown at times and many of the early scenes reflect that, the film is really about as downbeat as one can get. If the citizens of Hong Kong really felt that the system was as bad as portrayed here, it a wonder anyone stayed there before China took over.

As a film it certainly has the solid and stylish direction that Sun Chung put into all his work even with the lower budget he clearly had to work with here. The action scenes are generally well done, better than other films of the time, but the plot leaves a bit to be desired. A fascinating husband and wife assassination team is introduced at the beginning of the film only to be seen going back to China by train in the middle, never to return. Why bother introducing them at all if the heroes are never going to battle them?

Not bad if you like this genre, the actors are great, and the film isn't too long.

while not a great film, of the first round of 'new wave' action films to come out of Hong Kong in the later 1980s, this has been the most imitated - not the films of Woo and Lam.

Probably the main reason for this is that the characters wear their emotions on their sleeves. When it's time to have fun, they do nothing but have fun, when it's time to cry, they cry rivers. And of course, when it's time to fight, they go at it with a fury rarely seen in action films - which of course makes this a very good action film, since such fury is really what action film fans want to see.

This emotional openness invites over-acting, and there are certainly moments of that here, especially from the usually more guarded Chow Yun-Fat. On the other hand, this is a perfect venue for Ti Lung, who was trained in the more histrionic method expected of all Shaw Bros. stars of the '70s; and Ti Lung's performance really makes this film believable, despite some rather twists in the relationships presented here (such as the odd respect everyone pays to the aging triad boss).

It's a tough, dramatic story, and the gun-fight at the end is among the best in Hong Kong action cinema. Certainly not a classic like "The Killer" or "City on Fire", but you won't go wrong watching this, even a couple times.

Oddly enough, then I hadn't heard about "City War" (aka "Yee dam hung seon") before now in 2021, as I had the chance to sit down to watch it. And with it being a Hong Kong movie that I hadn't already seen, of course I jumped at the chance to watch it.

And with it being watched now, I must admit that "City War" was a fairly typical movie in the Hong Kong action genre. Sure, if you are new to these movies, then "City War" will prove to be quite interesting. But if you are familiar with the genre and have seen more than your share of the movies, then chances are that you will find "City War" to be just another generic run-of-the-mill action movie that are found in great abundance in this period of the Hong Kong cinema.

For me, it was the somewhat stale storyline that was holding the movie back, because the action sequences in the movie were definitely good, and there was quite a bit of action throughout the course of the movie. But the storyline was just a bit too generic and mundane to properly entertain me. Now, don't get me wrong here, because "City War" is certainly a watchable movie, it just wasn't and outstanding movie.

The movie did have some good lead actors to portray the main characters, those being Yun-Fat Chow and Lung Ti.

Writers Lu Tung, Wai Ting Leung and Kai-Cheung Chung just seemed to put their money on the safe bet and go for something that everyone else was doing at that time in the Hong Kong action cinema. And that made for a somewhat mundane addition to the genre.

My rating of "City War" lands on a mediocre five out of ten stars. If you enjoy Yun-Fat Chow movies, then there are far better action movies with him in the lead role.