[go: up one dir, main page]

    Release calendarTop 250 moviesMost popular moviesBrowse movies by genreTop box officeShowtimes & ticketsMovie newsIndia movie spotlight
    What's on TV & streamingTop 250 TV showsMost popular TV showsBrowse TV shows by genreTV news
    What to watchLatest trailersIMDb OriginalsIMDb PicksIMDb SpotlightFamily entertainment guideIMDb Podcasts
    OscarsEmmysSan Diego Comic-ConSummer Watch GuideToronto Int'l Film FestivalIMDb Stars to WatchSTARmeter AwardsAwards CentralFestival CentralAll events
    Born todayMost popular celebsCelebrity news
    Help centerContributor zonePolls
For industry professionals
  • Language
  • Fully supported
  • English (United States)
    Partially supported
  • Français (Canada)
  • Français (France)
  • Deutsch (Deutschland)
  • हिंदी (भारत)
  • Italiano (Italia)
  • Português (Brasil)
  • Español (España)
  • Español (México)
Watchlist
Sign in
  • Fully supported
  • English (United States)
    Partially supported
  • Français (Canada)
  • Français (France)
  • Deutsch (Deutschland)
  • हिंदी (भारत)
  • Italiano (Italia)
  • Português (Brasil)
  • Español (España)
  • Español (México)
Use app
  • Cast & crew
  • User reviews
  • FAQ
IMDbPro

Call Me

  • 1988
  • R
  • 1h 36m
IMDb RATING
5.3/10
1.2K
YOUR RATING
Call Me (1988)
DramaThriller

In New York, under the mistaken impression that she is talking to her normally staid boyfriend, a woman journalist agrees to meet an obscene caller at a bar, but then ends up witnessing a br... Read allIn New York, under the mistaken impression that she is talking to her normally staid boyfriend, a woman journalist agrees to meet an obscene caller at a bar, but then ends up witnessing a brutal bloody murder. With the perpetrator being an NYPD cop.In New York, under the mistaken impression that she is talking to her normally staid boyfriend, a woman journalist agrees to meet an obscene caller at a bar, but then ends up witnessing a brutal bloody murder. With the perpetrator being an NYPD cop.

  • Director
    • Sollace Mitchell
  • Writers
    • Karyn Kay
    • Sollace Mitchell
  • Stars
    • Patricia Charbonneau
    • Stephen McHattie
    • Boyd Gaines
  • See production info at IMDbPro
  • IMDb RATING
    5.3/10
    1.2K
    YOUR RATING
    • Director
      • Sollace Mitchell
    • Writers
      • Karyn Kay
      • Sollace Mitchell
    • Stars
      • Patricia Charbonneau
      • Stephen McHattie
      • Boyd Gaines
    • 19User reviews
    • 15Critic reviews
  • See production info at IMDbPro
  • See production info at IMDbPro
    • Awards
      • 1 win & 1 nomination total

    Photos126

    View Poster
    View Poster
    View Poster
    View Poster
    View Poster
    View Poster
    View Poster
    + 120
    View Poster

    Top cast14

    Edit
    Patricia Charbonneau
    Patricia Charbonneau
    • Anna
    Stephen McHattie
    Stephen McHattie
    • Jellybean
    • (as Steven McHattie)
    Boyd Gaines
    Boyd Gaines
    • Bill
    Sam Freed
    Sam Freed
    • Alex
    Steve Buscemi
    Steve Buscemi
    • Switchblade
    Patti D'Arbanville
    Patti D'Arbanville
    • Cori
    John Seitz
    • Pressure
    David Strathairn
    David Strathairn
    • Sam
    Ernest Abuba
    • Boss
    Olek Krupa
    Olek Krupa
    • Hennyk
    Pi Douglass
    • Nikki
    • (as Pi Douglas)
    George Gerdes
    George Gerdes
    • Fred
    Kevin Harris
    • Dude
    Gy Mirano
    • Waitress
    • Director
      • Sollace Mitchell
    • Writers
      • Karyn Kay
      • Sollace Mitchell
    • All cast & crew
    • Production, box office & more at IMDbPro

    User reviews19

    5.31.1K
    1
    2
    3
    4
    5
    6
    7
    8
    9
    10

    Featured reviews

    6gridoon

    Standard, well-made thriller.

    Reasonably entertaining thriller, which maintains an intriguingly ambiguous atmosphere for at least its first hour, when you don't know who might turn out to be a villain and how the two parallel plotlines are going to merge. The director also makes good use of the N.Y locations, but the story is filled with too many coincidences and improbabilities. An early showcase for the talent of Steve Buscemi. (**1/2)
    4LW-08854

    Unpleasant sleazy feeling movie

    A film you really don't enjoy. The premise is very odd, mostly about a series of obscene phone calls a woman has been receiving, she also finds herself being hunted by thugs after getting mixed up in a murder, though throughout the movie the thugs are utterly useless, it's almost laughable how inept they are. The main character also makes so many bad choices in the movie it's so frustrating, it also doesn't help you're so far ahead of her. The characters are very tiresome and the pacing drags a lot too. The film has a weary toughness to it, and makes some good use of its gritty urban locations but I can't recommend this film.
    10lapsus53

    Fun little 'B' movie!

    Diverting and fun, with a few thrills thrown in. Mixes two plot lines cleverly, if with a little too much coincidence! Very atmospheric with hidden corners of New York City, especially at night. A really cool, nicely executed look - sort of film noir in color. Good work by the DP and production & costume designers. (look at all the oranges & blues)

    Fun cast - young Steve Buscemi, David Strathairn, Boyd Gaines (double Tony winner on B'way!), Patti D'Arbanville. Patricia Charbonneau is attractive in the lead, and Stephen McHattie is coolly creepy as the chief baddie.

    Not great, but a solid B movie - a guilty pleasure. (It's even a little erotic - but watch out for strong language, if you're squeamish about 'bad' sex words.)
    5UnknownDoomer

    Dark corners

    One day the measured everyday life of a girl working as a journalist in one of the publishing houses is interrupted by a strange call. For some obscure reason, she, without any ulterior motive, takes the stranger for her friend, with whom she has a rather contradictory relationship. Starting from this, at first glance, insignificant detail, the further cycle of events begins. At the insistence of the caller she arrives at a nearby bar and becomes a witness to a spontaneous murder. Then there is a generally typical set for any simple thriller - a corrupt policeman, dark streets of an average city somewhere in the USA, a friend who will always give a couple of useful (and not so useful) pieces of advice, indifferent colleagues, as well as a couple of moderately colorful criminal elements. In essence could have finished here, but some components of this picture taken separately allow it to stand out a little against the background of numerous, often completely faceless, brothers in the genre, which especially gained popularity in the second half of the eighties and the following nineties of the twentieth century.

    Probably everyone knows the combination of good cop - bad cop. Here is a more unusual layout using the example of the «other side of the barricades». The first figure is the melancholic, taciturn and thoughtful Stephen McHattie, who dyed his hair a slightly acid-blond color. The second is an unbalanced psychopath in a leather jacket, occasionally (and without) waving a switchblade and wearing slicked-back hair, aka Steve Buscemi in one of his early roles, several years before Tarantino's creation, which made him famous to a certain extent. This explosive combination of incompatible opposites needs to find the wayward person at all costs, not without difficulty maneuvering in the discrepancies between plans and approaches to solving this, as it turns out later, not the easiest task.

    In addition, as the action progresses, the three main characters mentioned will continue to be accompanied by a mysterious lover of frank conversations, the final alignment with whom will be revealed from an unusual side only closer to the end, as well as, acting as a kind of separate actor, the brick gateways of New York.

    As a result it can be noted that watching the twists and turns of all the mentioned elements turns out to be quite interesting, therefore a positive review and a rating relevant to the genre specifics of category "B" thrillers.
    6torrascotia

    A Pretty Solid Female Centric Crime Thriller

    The reviews on this seem to be fairly low which are probably unfair if you know what this movie is and what it isn't. Because what it isn't is softcore pornography which judging by the poster would be an easy mistake to make, but then again these people should be looking for their kicks elsewhere.

    This is the story about a women who is getting dirty phone calls and then decides to meet the person making them, as she wrongly assumes its her boyfriend. When he doesn't show up she witnesses a murder and has to deal with the fallout, as money has gone missing.

    This is definitely a female centric movie, being from the perspective of the main character but also from the male characters. Although they are fairly one dimensional the narrative does well to string you along in terms of guessing as to the motivation of most of the men around the lead. Also there are some erotic elements to the movie however they are likely more pleasing to a female audience. Hence the low scores from disappointed guys. There isn't much to fault this movie, which comes across as a slightly higher budget Red Shoe Diaries episode, with some crime/murder thrown in. Although you do get Steve Buscemi in a typical sleazy type role he is known for. So you cant really slate the quality on show. If anything guys may be puzzled at some of the main characters decision making but this is female written. Add some 1980s saxophone playing for no reason and some night shots of the city and you have this movie. Watchable as long as you don't expect lots of sex scenes aimed at men.

    More like this

    Hider in the House
    5.9
    Hider in the House
    Stormy Monday - Un lundi trouble
    6.2
    Stormy Monday - Un lundi trouble
    Au coeur de minuit
    5.4
    Au coeur de minuit
    La main de l'épouvante
    6.0
    La main de l'épouvante
    Faux témoin
    6.4
    Faux témoin
    La rage au poing
    5.2
    La rage au poing
    Traquée
    6.1
    Traquée
    Kiss Daddy Goodnight
    3.7
    Kiss Daddy Goodnight
    Retour de flamme
    5.4
    Retour de flamme
    Wanda's Café
    6.3
    Wanda's Café
    Dans les bras de l'enfer
    4.9
    Dans les bras de l'enfer
    Black Roses
    5.2
    Black Roses

    Storyline

    Edit

    Did you know

    Edit
    • Quotes

      [last lines]

      Jellybean: Listen... Anna... I like your flaw. Call me.

    • Crazy credits
      As if reflecting on all the blood spilled in the story-line, when the title again appears in pristine white at the end, the letters change into blood-red.
    • Alternate versions
      UK cinema and video versions were cut by 3 minutes 56 secs by the BBFC to heavily edit much of the profanity and sexual dialogue during the phone calls.
    • Connections
      Featured in Siskel & Ebert & the Movies: Funny Farm/Rambo III/Big/Call Me/Crocodile Dundee II (1988)
    • Soundtracks
      BAR POLSKI
      Music by Michal Urbaniak

      Performed by The Michal Urbaniak Group

    Top picks

    Sign in to rate and Watchlist for personalized recommendations
    Sign in

    FAQ17

    • How long is Call Me?Powered by Alexa

    Details

    Edit
    • Release date
      • June 3, 1989 (South Korea)
    • Country of origin
      • United States
    • Language
      • English
    • Also known as
      • Verführung am Telefon
    • Filming locations
      • Washington Square Park, Greenwich Village, Manhattan, New York City, New York, USA
    • Production companies
      • Martel Media
      • Vestron Pictures
    • See more company credits at IMDbPro

    Box office

    Edit
    • Gross US & Canada
      • $251,819
    • Gross worldwide
      • $251,819
    See detailed box office info on IMDbPro

    Tech specs

    Edit
    • Runtime
      • 1h 36m(96 min)
    • Color
      • Color
    • Sound mix
      • Dolby
    • Aspect ratio
      • 1.85 : 1

    Contribute to this page

    Suggest an edit or add missing content
    • Learn more about contributing
    Edit page

    More to explore

    Recently viewed

    Please enable browser cookies to use this feature. Learn more.
    Get the IMDb App
    Sign in for more accessSign in for more access
    Follow IMDb on social
    Get the IMDb App
    For Android and iOS
    Get the IMDb App
    • Help
    • Site Index
    • IMDbPro
    • Box Office Mojo
    • License IMDb Data
    • Press Room
    • Advertising
    • Jobs
    • Conditions of Use
    • Privacy Policy
    • Your Ads Privacy Choices
    IMDb, an Amazon company

    © 1990-2025 by IMDb.com, Inc.