Duo à trois

Crash Davis loves baseball more than it loves him. He believes in the game. He deserves to be in the show, but he isn't and never will be. But still he plays on, dutifully and to a certain extent, joyfully. Better to play crappy A-ball than sell shoes.

That for me is the central theme of this film. It is all summed up when Crash tells Nuke, the wild young star pitcher "You don't respect yourself. That's your problem. You don't respect the game. That's my problem."

Take a player that passionate, and a youngster that annoying, add in a sexy yet maternal fan and you have great comedy. Bull Durham works scene after scene, because the film never forgets that baseball is what binds all the characters together.

Tim Robbins is nothing short of brilliant and Nuke Laloosh, the rising star youngster who walks 18 batters and strikes out 18 batters in his first minor league appearance - both league records. But Nuke is caught up in his fat contract, his Porsche, and his endless parade of women. Baseball is a sideline. Eventually, Crash's mentoring begins to pay off until he finally realizes that winning is "like, you know, better than losing!"

The love triangle between Annie (Susan Sarandon), Crash and Nuke is wonderful and funny, but it mainly provides us with set up for the baseball scenes, like when Sarandon convinces Nuke to wear women's underwear while he pitches. Or my favourite scene, when Annie and Crash take batting practise together, Annie dressed like she is ready for a wedding, but determined to correct Crash's swing. Crash is determined to take Annie home. They flirt and practice batting in one of the best prolonged foreplay scenes ever filmed.

The ending is satisfying but the real depth of this film is harmony that the game brings to the characters. **** out of ****.

There may be many great baseball movies but there's only one classic and it's not Redford's The Natural or Costner's own Field of Dreams. It's Bull Durham, an underrated movie from 1988.

Tim Robbins is a natural fit as a cocky young pitcher and so is Kevin Costner as the veteran ball player whose main job is to coach Robbins into becoming a better player. The humour is first class and it's tough to single out a scene in particular. If you like humour that's not in your face ha-ha, you'll love Bull Durham.

But, wait, I haven't told you about the movie's biggest strength - Susan Sarandon. This is the movie where I fell in love with the woman. As Annie Savoy, she's smart, sassy and incredibly sexy. Her lines are impeccably written and her character is just fun to watch.

What Bull Durham had in humour and spirit, Field of Dreams made up with sentimentality and nostalgia. Nevertheless, I will also consider Bull Durham to be the better film, mainly because the filmmakers weren't trying to make a great film. They weren't trying to give it a glow like Field of Dreams had. They just wanted to make a fun baseball film in the league of Major League and they hit the bullseye!

It is nice to see a movie that attracts more than one kind of audience. This is a comedy, then again a love story. This can be placed in the baseball genre as well as a coming of age drama. Most movies claim to be one or the other and sometimes fail to be. Then again, when a good movie hits a homerun it can not only become a money maker and a box office smash, it can also become timeless. Before they became giants of Hollywood, Kevin Costner, Susan Sarandon and Tim Robbins stars in this great movie as some of the most interesting, yet simple characters. Costner plays an aging baseball player who meets with rookie, soon to be great major league pitcher Tim Robbins. Out of the rafters comes Susan Surandon who, in her own may, is a Muse of the religion of baseball. Together, the three introduce three different worlds upon the audience. Each are believable characters even though they are in a way, fantasy like. A great story with a perfect ending, Bull Durham is one of those hard to find movies that is a crowd pleaser with just about every audience out there.

If you're new to Earth and are wondering which Kevin Costner baseball film to start with, drive past "Field of Dreams" and take the exit marked, "Bull Durham."

While both great movies, "Field of Dreams" requires a dream-like nostalgia for the era and aura of childhood in order to best feel that film inside your bones. "Bull Durham" edges it out by summoning outstanding character development across the board, and by supporting Coster's terrific portrayal with elite supporting acting from juggernauts Susan Sarandon and Tim Robbins.

This is a classic film, and possibly the best there's been at conjuring the very nuanced American soul of baseball, as well as the unique characters and life-affirming truths our pastime evokes. - (Was this review of use to you? If so, let me know by clicking "Helpful." Cheers!)

The movie reviews that have been said about this amazing film are quite possibly the least impressive writing that has ever been put down on the internet. If you don't respect baseball you wouldn't like this movie. You may like baseball but unless you respect the sanctity of the games with its quirks and its traditions you won't understand this movie. The plot revolves around what every baseball player dreams of. Sex with an incredible and mysterious women and making it to the highest echelon of players that has ever graced the sanctity of a baseball diamond.

What makes this movie even better is the depth that it goes into. This movie depicts the minor leagues of a yester year and how the game was meant to be played. This marvelous film depicts the struggles that goes on not only with baseball players but with all human beings. The struggle between men and women, teacher and student, and different personalities in a work environment. The parallels between all of life and this movie are great. The baseball is even better. The fact that it doesn't get more respect as a classic is surprising because of America's fascination with baseball and sex.

Costner's speech is the best speech of its kind. The way that he says it could not be delivered by any other performer. Sarandon's character shows how women seek acceptance from men in different ways and even though she is brilliant she still needs to be accepted in a man's world. Robbin's character show the difficulties that an incredible talent has in harnessing that talent into a great career. The way that they address the season and baseball as a business and a love has not and will not be done any other way. The way Costner struggles being a great baseball player and a career Minor Leaguer with an abundance of knowledge and love for the game sets his character apart from any other. The way he finishes out his career by hitting the last dinger that sets the minor league records shows the struggles that exist between a man's love of a child's game and a depiction of what every boy goes through be it high school, college, or a career as a professional baseball player. The monologues that Sarandon's character gives expresses the simplicity of the game as well as how complicated it is along with every other facet of life. This baseball movie is not only baseball but a way of life.