La mémoire dans la peau

Well, finally I saw the old Bourne movie/miniseries with Richard Chamberlain as Bourne. And I have to say i pretty much LOVED it. Chamberlain's Bourne was much closer to the one in the books than Matt Dammon ever was. Okay, Dammon is a better fighter, and he plays much better than I had thought before seeing his Bourne movies. But these movies are just about totally ignoring the plot of the books, which annoyed me greatly.

In Chamberlains Bourne movie they mostly stuck to the book, with few variations. I thoroughly enjoyed myself as I could follow the plot from the books from point to point. Especially I liked the way Marie St. Jaques were portrayed by Jaclyn Smith. Okay it got a bit overly mushy on both her and Chamberlines side, but all in all they both did a fair job. Franka Potente were a LOUSY Marie in the new movies. Partly also because of the infuriating way her character were written in the script.

The only complains I have, the before mentioned overly romantic air over the movie, and that I always had the feeling I was watching a seventies movie instead of one made in 1988. The col ours, the clipping and the way the movie progressed, it was so incredibly seventies spy movie.So therefore i give this one a 7. Otherwise it would have been a sure 8maybe more.

Filmed in Europe, the story is based on a classic Robert Ludlum novel. This made for TV movie is better than the average TV fare. Originally a two part mini-series, it tends to have some periods where it drags with too much interplay between the stars but it still contains the usual amount of Ludlum action, suspense and his keen senss of scenery. Richard Chamberlain and Jaclyn Smith are supported by a fine European cast which includes Anthony Quayle and Denholm Elliott. Well worth your time. A collectors movie.

I didn't expect too much from a TV mini-series based on an adventure novel, which was later made into a big budget action film.

I had not enjoyed the 2002 version of The Bourne Identity with Matt Damon, but this one was gripping from the first frame. I read a lot of the reviews and posts here as I always do to compare reactions, and found people were praising some elements, and criticizing others. Here is how it affected me.

Primarily it was a story about a man's search for his identity, and Chamberlain, never known as the greatest actor in the world, was very believable and effective. Jaclyn Smith was just adequate in her role and she is definitely one of the worst actresses they could have chosen, but one can't have everything. She makes good eye candy. The movie's other characters played pivotal roles and delivered excellent characterizations. Notably Denholm Elliott as the doctor.

The story was a fast moving adventure, which was almost Hitchcockian, the story of one bewildered man with villains trying to kill him, and a random pretty girl he abducts to help him (also echoes of the Redford movie Three Days of the Condor), and the extensive scenery of Paris was beautiful. Except for the obvious pauses where commercials used to be, this looks like a real movie and not a TV series. It doesn't look cheaply made. They obviously took pride in this production.

But to me the most surprising thing of all was the human element, the complex emotions in the amnesiac's story. Richard Chamberlain delivered them far above what one would expect from him, or from a TV movie. Yet this movie is all but forgotten since the theatre versions were made. I think that Hitchcock, if he had been alive to make this picture, would himself have chosen Chamberlain as he was very much like the James Stewart "everyman" who raced against time to solve the mystery of his amnesia.

There are a few places where key scenes from the past are shown briefly and never explained (apparently a sequel was planned, which would explain them), and yet I was able to fill in a likely explanation, from my own imagination. This is the mark of good film making.

There were no fantastic special effects or avant garde techniques. It was straightforward story telling.

I am easily bored, highly critical, and so because I loved this, I am very surprised and had to post about it, in case it might help someone decide to go ahead and see it. Yes, it is well worth it and highly enjoyable. It hails from another era (where the story was more important than the chases and effects).

I am glad it is still available in video, and if I find it in DVD I will buy it because it was a movie I would like to see again. I still think about it - and went to the library to get the book the next day - and that rarely happens with an action movie of this type.

If you have read the Robert Ludlum books then you have no doubt been disappointed by the way the story has been handled in the movies.

This TV mini series keeps much closer to the book than the film.

If that were the only good part about this, I would not be writing a review.

It does not have the action of the films but it has the tension of the book. It is gripping!!

Obviously it still cuts some part from the book but it does have so much more than the films.

The acting is good, to be expected from the great cast.

I am so glad that I watched this. I was so disappointed by the films until I gave up and disconnected them from the books.

Brilliant stuff and well worth watching!!!

"The Bourne Identity" (1988) is a faithful recreation of Robert Ludlum's book about an amnesiac slowly (in a very long book) discovering who he is. The supporting cast is dotted with veterans that make the movie come to life during their brief parts: Denholm Elliott, Anthony Quayle, Peter Vaughan, James Faulkner.

The stars strain to carry the movie. Jaclyn Smith is immensely watchable, though her range is limited. Richard Chamberlain is a fine actor, but, perhaps because of insufficient rehearsal time or because he was never able to find a character who didn't know who he was, he comes off with the range of Bill Bixby, though that keeps him from burying Smith. In the end, Chamberlain may be much too nice for the character, but he's a likable actor and she's a likable actress and they make a pretty pair.

Because it was originally a two-part television drama, the 1988 "Bourne" has sufficient time to let the story unfold, as well as to build the unlikely relationship between Chamberlain's character and Smith's. It also gives the supporting characters flesh out their meager parts. After a slam-bang first hour, the movie settles into a more leisurely pace (that occasionally drags), that builds again into an exciting final hour.

The possible overplotting, as well as the outright absurdities (such as the truth of Treadstone 21) are squarely to be laid at Ludlum's door. And though it's quite faithful to Ludlum, the setting of the climax makes this movie version far more poignant than Ludlum himself was capable of.

"The Bourne Identity" has the technology of '80s television, so newcomers shouldn't expect contemporary sensibilities. It may not be as exciting as the remake, but it has a solid storyline.