Le sang des héros

What a hidden gem of a cinematic effort! I cannot believe that this film didn't receive the notoriety it deserved back in '88! The backdrop is the standard post-apocalyptic mess that humanity has left itself in after "who knows what." The juggers travel town-to-town in search of food and entertainment, in return for providing matches against the local teams.

The script is well executed and one is led to believe this sport would have a wide following in the aftermath, almost like a team sport of UFC of the future. The characters are superb and Hauer and Chen really give them life. Rutger needs to go back to this flick and see what he has lost! I really cared about this band of juggers and it seemed like everyone in the ensemble was on the same page. The Blood Of Heroes is a tremendous miss in the anals of great sci-fi films. Please go rent it.

It was a while ago when I first saw this movie and watched it again recently. People might complain that it doesn't have enough dialogue, plot is not intricate enough, there aren't any special effects for a Sci-fi movie, and it is too low budget to be considered a good movie. But I'll say people who say such things, they don't really know how to appreciate a good movie or understand what a good movie is, because they are too used to modern day rubbish jam packed with special effects, explosions, unnecessary twists and horrible scripts.

I think everything is done just right in the movie and I especially love the way they give no sentimentality to the backdrop to the movie. No discussion of the past as to why the world they do jugging is the way it is and everyone in this world just get on with their lives in this gritty desolate world without any lamenting thoughts to the past.

I won't go into much detail, but all I'll say is just watch the movie and you'll be glad that you did. By the way, it seems like there are two versions which I didn't realise until I read the comments here and seems like the shorter version cuts out the ending. Since I thought the ending was very fitting I do recommend you watch the longer version, it just won't have the same impact without the proper ending.

It's difficult to adequately describe this amazing movie A truly remarkable film. It tells a simple story in a beautiful and brutal way. The writing stays out of the way and allows the story to be told with out getting gunked up with a lot of preachy dialogue. The performances by Hauer, D'Onofrio, and Chen are intense when they have to be and minimalistic when they ought to be. But the true genius of this movie is the production design. The details are what leap out at me. The little things. Everything seems right and nothing is out of place. The constant brutality is underscored by the moments of beauty and heroics. SEE THIS MOVIE

Sand, scars and blood just about sums up Salute of the Jugger (the title for the full 104 minute version, not the 90 minute US "Blood of Heroes" cut). Salute is an unapologetically brutal story, perfectly cast, well played and very competently filmed. All the cast acquit themselves well; Hauer is suitably grizzled, and Chen manages (believably) to be cute, scary, vulnerable and savage all at once.

There's very little plot or dialogue in Salute, but this isn't necessarily a bad thing. The showcase here is the heart pounding Jugger matches, which are genuinely gripping and gritty action sequences, shown to a sparse percussive soundtrack that only very occasionally veers slightly too close to smug Americana triumphalism.

Top marks go to the stunt, makeup and continuity people. There are no Jackie Channish balletic combats here - faces smash open under brutal blows, and the face remains smashed in the following scenes. The wounds heal slowly over time, but the grimly realistic scars of the Juggers remain consistent throughout. Continuity is often underemphasised, as you only miss it when it isn't there, but there are no slip ups in Jugger despite its low budget.

One interesting point is the change of emphasis in the 90 minute cut. The title changes to "Blood of Heroes", and the message of "Salute" that there *are* no heroes, only winners who sleep in silk sheets, is diluted by ending prematurely on a victory high. In the full Salute, there's a frank message that for some, beyond "happily after after" lies more sand and scars and blood. If you get the choice, the 104 minute "Salute" is a more complete and consistent film.

I recently rewatched this movie for the first time in ages, and I was pleasantly surprised to find that it held up remarkably well to my older eyes. So many gritty post-apocalyptic hero type flicks that I liked when I was younger turn out upon a more sober "adult" viewing to be amateurish and juvenile. But this movie has real depth, and drew me back in from the opening scene. It fully deserves any cult status it may have achieved, and I went ahead and ordered the DVD (which is finally out) for my collection.

The film is set against the backdrop of a fully realized post-apocalyptic society that actually makes sense (and the "game" the movie is built around is well conceived and executed too). Unlike in many futuristic movies, there is no need for grand exposition explaining why everybody in the film is acting so bizarrely -- in this movie, you understand the people, their desperation, and the certain grim courage of those who dare to dream of more. The movie also has the courage to take itself seriously, while still retaining a light enough touch to throw in spots of humor throughout.

The cast here is several cuts above normal for this sort of thing, with a number of recognizable faces (Chen, D'Onofrio, Hauer, Lindo) making believable and sympathetic characters out of what easily could have been cartoonish cutouts in a lesser film. Chen and Hauer play the two main characters. For Chen, I think it can be argued this is her finest performance, deftly combining vulnerability with courage, innocence with savagery. And for Hauer, an actor who has in more recent times has become a parody of himself, I think this may have represented his last truly effective performance. The stories of these two characters are not stories of grandiose save-the-world heroes, but more down to Earth stories of courage, redemption, and most importantly hope in a world with little of it. The characters aren't pure, they're not pompous, they're just normal people trying to make the best of a tough life. And I think that makes rooting for them all the easier. Its not so important they win -- its important that the find the strength to strive rather than give up. Simple tenacity and the courage to never give up is far more inspiring than the vast majority of the superheroes in the modern comic book adaptation fad. It really is remarkable to find such deft handling of themes like these in an offbeat movie from a genre filled with Grade B quickies.

P.S. I have never seen the longer version, and actually don't really have an interest to. The shorter "Blood of Heroes" is appealing precisely because it manages to scrounge out hope and weary courage from the grim backdrop in a believable fashion.