Bird

Those viewers who claim the film is flawed are missing the point. Screenwriter Joel Oliansky (who also directed the film "The Competition") attempted (quite successfully I believe) to combine the elements of jazz music with the visual medium of film. Rhythm, tone, the improvisational aspects of be-bop, all of these elements go into creating a movie unlike any produced. It is not to be viewed in the traditional sense of linear story-telling. The mood created by Jack N. Green's cinematography is completed suited to the atmosphere of the 1940's and 1950's. As for acting, let us point out Forest Whitaker's Best Actor Award from the Cannes Film Festival and Diane Venora's Best Supporting Actress Award from the New York Film Critics. This film resounds with fine filmmaking, headed by Clint Eastwood's passion for the music. And what music! Parker's original solos were cleaned up and integrated with modern musicians into a seamless flow. The picture won the Best Sound Academy Award (sadly, its only nomination). Look at this film as a tribute to a man and a music, a recollection of a brilliant yet dissipated life, and a kind of filmmaking rarely seen by today's audiences.

Clint Eastwood's reputation as a serious filmmaker was given a considerable boost with this lengthy biography of jazz legend, Charlie "Yardbird" Parker, who Eastwood, a jazz aficionado, saw perform in Oakland, California in 1946. For this labor of love, Eastwood assembled an excellent cast including Forest Whitaker as Parker, Diane Venora--flawless as Bird's woman, Chan Parker--and, in a small role of one of the musician's flirtations, Ana Thompson (the "cut whore" from "Unforgiven"). With the aid of cinematographer Jack N. Green, Eastwood captures the neon burnished lights and darks of the night world Parker inhabited, and the music, featuring genuine Parker solos augmented by modern musicians, can't be faulted, but despite its merits, this "Bird" never takes flight. It is long--too long--and the story it tells, though certainly dramatic in its bleak and uncompromising portrait of an artist whose music was often overshadowed by his drug addiction, weighs down too heavily on the latter than the former. Why is Charlie Parker so important? That question isn't answered here, but another question--why was Charlie Parker dead at 34?--is addressed and answered at length. There is potential on view here--Parker's struggle to survive as a musician in a culture that is more appreciative of rock and roll than of jazz is a minor thread that could have been expanded--but much of it is unrealized. "Bird" is a handsome film, but its craftsmanship and artistry is defeated by the script.

The story of jazz great Charlie Parker. The film follows his rise from clubs to records and follows him across tours, drug abuse, personal loss and his eventual death. At the time of his death at 34 he was so eaten up by drugs that the coroner assessed his age at 65.

This is a well put together film about a creative but flawed artist. The plot doesn't glamorise him too much, although it maybe sympathises a little with his addiction and doesn't show it quite as harshly as it could have done. That said he is a pretty unpleasant person when he isn't performing. The film focuses on his adult life, which is good as it saves us child actors running around and it means more time is spent on the important years. The covers a lot of time, but it doesn't feel rushed. His drug addiction is honestly handled and it shows both the ups and downs of his life as a user.

The direction is pretty good, it's obvious Eastwood likes his jazz, and he uses the clubs well getting a great sense of mood. Elements are quite funny and this tempers the more tragic side of his life well. Whittaker is excellent in the lead role, but Diane Venora as his wife is not as good. She doesn't totally carry her lines in the same way - she's OK but you feel like something is missing. The rest of the cast come and go - there are good performances all round from a mostly low-key cast. The main star is the music, and it's treated with a lot of respect with Eastwood giving it plenty of time and creating a good mood for it to work in.

Overall a tragic story well told with a good central performance and great music.

A dark and atmospheric biopic on jazz legend Charlie Parker, who with his fast improvisational style formed the sub-genre of bebop. Clint Eastwood directed this movie with a heart and passion that reflects back to his own love of the music which he has carried with him all his life and played a role in all his work. Eastwood himself actually was fortunate to have seen Charlie "Bird" Parker play in when he was alive. The film chronicles his life and has a tight focus on his self destructive behavior and the music itself. Bird explores the highs and lows of his journey. Playing to a sold out house in Paris, playing alongside Dizzy Gillespie, and earning a respect that few other musicians have matched. In contrast we see his heroine addiction, his suffering and depression resulting in several suicide attempts, the death of his daughter, and his wife's loving struggle to help save a man who's ill-fate was inevitable and irreversible.

Forest Whitaker plays Bird with a lot of heart and soul. Even though I have no idea if it was an accurate portrayal in capturing the man's nuances, Whitaker's interpretation was superlative. Equally as good was Diane Venora as Bird's wife, who found enough strength for the both of them and tried to hold the family together in an un-winnable battle. There's lots of rain, lots of dark nightclubs, lots of street lamps reflecting the soaked streets, and lots of feeling in this one. Having just watched another biopic, that one on Ray Charles, it's clear to see Eastwood's was the real deal, whereas Ray was merely decent.

Grade: A+

"Bird" traces the life of Charlie Parker, a 1940's soloist jazz great whose improvisation abilities led him to become one of the most acclaimed figure in his own lifetime… However, his self-destructive behavior and association with drugs and alcohol caused him to die before he could fully comprehend the public appreciation of his genius…

Eastwood worked with a cast of relative unknown stars, and managed to create an entire period piece on the relatively low budget show…

Sensitively acted, visually designed, this dramatic story of the troubled life of a man of tremendous warmth and compassion, Eastwood delivers a compelling portrait of an artist with an ambitious presentation of love including a magnificent score, and stunning sound… (The film's sound captured an Oscar.)

Whitaker gives an excellent performance, with an especially inevitable death scene at the age of 34… Diane Venora is impressive as the wife of this great jazz musician… Their last conversation by phone presented the legend Parker's with his conscientious of his near-death, his lost effort, his feeling of loneliness, but also his kindness, his love, and his care to his entire family… A great scene not to be missed!