A Soviet tank and its warring crew become separated from their patrol and lost in an Afghan valley with a group of vengeance-seeking rebels on their tracks.A Soviet tank and its warring crew become separated from their patrol and lost in an Afghan valley with a group of vengeance-seeking rebels on their tracks.A Soviet tank and its warring crew become separated from their patrol and lost in an Afghan valley with a group of vengeance-seeking rebels on their tracks.
- Awards
- 1 win total
- Moustafa
- (as Haim Gerafi)
- Sherina
- (as Shosh Marciano)
- Iskandar
- (as Itzhak Babi Ne'Eman)
- Helicopter Co-Pilot
- (as Ramy Heuberger)
Featured reviews
Victim of a studio dumping it into an initial release with little to no fanfare or backing, Beast is a film that was worth more attention as Reynolds and his screenwriter William Mastrosimone (adapting his own play) create a boiling pot of tension and drama as they follow Russian tank officer Daskal and his crew across the sand swept surrounds of Afghanistan as they are pursed by a justice seeking group of Afghani locals in a secluded valley after they wreck havoc on their small village.
Getting stuck straight into the action, we as viewers are thrust into the sweat covered lives of the unstable Daskal and his skeleton crew that includes Jason Patric's Konstantin Koverchenko, Stephen Baldwin's wide-eyed Anthony Golikov and Don Harvey's unbalanced Kaminski, as they traverse the foreign landscape of the country they have invaded while Steven Bauer's village chief Khan Taj and his men pursue them deeper and deeper into a hellish valley that seems likely to lead to a conflict where only one side will come away victorious.
There's barely a moment where Reynolds film lets up, Beast moves along at a rapid pace, much like its barely functioning tank that is both a savior and a curse to the men inside, and when it comes to films set in the Afghanistan region there's a real case to suggest that this 1988 effort is one of the best set in the time and period where the Soviet's went toe to toe with the local militia in the country.
Something else that is evidently apparent in the film is the string of quality performances.
Leading from the front is the almost never better George Dzundza who goes all out as Daskal who is looking back to past glories as he dictates his men's movements into a seemingly losing battle and Patric, who brings great intensity to his role as the voice of reason Konstantin, a man who has been put into a hopeless position where he is torn between self preservation and doing what's right for the country his committed to serve.
Overall this is a white knuckle affair, one with brilliantly staged battles, great delivery and one of composer Mark Isham's most effective scores and while its unlikely you've heard of this war film, it's one you should find and check out as one of the 80's most undervalued efforts.
Final Say -
One of the hidden gems of the war film genre and one of the most effective tank based sub-genre efforts, The Beast of War is a thrilling piece of filmmaking that deserves to find an audience it was cruelly denied upon release.
4 RPG's out of 5.
Well, these guys in a tank were not Russians in any manner. Maybe it is possible that some smarts is questioning his comrades towards enemies, but it's hard to consider it in USSR troops. Comradeship is a holy thing for them, holier then bible, so there is no way they could abandon one of them even when it would be an order (even if commander would gone insane to order such an action, crew would probably beat the sheet out of him rather then obey). My uncle served in action in Afganistan for soviets as commando. Although he isn't Russian and had little respect (as most Latvians) to soviets, he's never disrespected his army fellows or combating officers.
Starting action was pretty made up as well, as for village blowing purposes soviets would use choppers not tanks. Tanks was used in protecting roads and securing routes. Operatons was mainly carried out by solders and armored vehicles - BTR's. Tanks could be used as support, but there is no way massive tank attack would be enforced without commandos on foot or vehicles guarding them as it was shown (well, armament has always been a virtue for soviet commanders not soldiers).
But as I already said, in general this movie is totally worth to see.
During the Soviet invasion of Afghanistan, the United States funded, supplied, and trained Mujahadeen forces. American stinger missiles were used to shoot down Soviet helicopters. The most famous Mujahadeen fighter trained by the United States would come to be Osama bin Laden. He would participate in the fight against the Soviet army, much to the approval of the United States. This film pays tribute to the Mujahadeen for valiantly defending themselves against America's enemy. The fact that the United States has invaded Afghanistan makes the film much more interesting to watch. It is ironic that these militants once praised by Hollywood are now our enemies. The lesson this film should teach us now, albeit inadvertently, is that we should be careful who we glorify and who we vilify. Humans will be humans, and will fight for what they *believe* is right, sometimes whether it actually is right or not.
This is as close to a 'foreign film' out of Hollywood as you are going to get...the story brings the conflict between people forward, and makes the action incidental-virtual guaranteed bankruptcy for a US film today.
And as for the actors speaking English-I think the producers realised they were close enough to no profit by having one language being subtitled as it was-the whole film being subtitled would have seen no financing at all, probably.-That just doesnt fly in H-town....'art-house' kiss of death... However...
The acting is first rate. The story is lean, and to the point. The scenery is stark and beautiful-well, IMHO.... There is little pandering to the audience, and little Cultural Condescension that I can see-
The viewer soon becomes loyal to the Mujahadeem Rebels, not because they are against the Ruskies, but because they have the will and the right to exist as they are, not to be dictated to by a 'higher' invading power...
Thought it suffers a bit from low budget, I would rate THE BEAST up with FULL METAL JACKET, PLATOON, DAS BOOT, and APOCALYPSE NOW... an EIGHT out of TEN stars... dont rent this-OWN it!
The verdict: 3 of 5 stars.
Did you know
- TriviaFor increased realism, 90mm blank shells were modified to fire a weight of water out of the tanks' 105mm cannons, thus causing the cannon to recoil as if it had fired a live shell.
- GoofsThe T-55 tank's crew is comprised of four men, not five as depicted in the movie. Indeed, it's impossible to accommodate five men in this kind of tank.
- Quotes
Daskal: [the tank is incapacitated. Daskal hands out a grenade to Kaminski and Golikov] You know our standing orders.
Kaminski: What?
Daskal: Out of commission, become a pillbox. Out of ammo, become a bunker. Out of time, become heroes.
Kaminski: You must be out of your fucking mind!
[He tosses his grenade aside]
Daskal: Now. Together.
[Daskal pulls the grenade pin]
- Crazy creditsAt the start of the film, just after the Columbia Pictures logo the following quote is given: When you're wounded an' left on Afghanistan's plains. An' the women come out to cut up your remains, Just roll to your rifle an' blow out your brains, An' go to your Gawd like a soldier. - Rudyard Kipling
- Alternate versionsThere are two versions playing on American Premium (Subscription) Movie Channels. One has subtitles for the Mujahadeen and the other does not. Currently, on STARZ, the version with subtitles is playing. Last year, on A&E, was the version without subtitles.
- ConnectionsFeatured in La prophétie des ténèbres II (2001)
Details
Box office
- Budget
- $8,000,000 (estimated)
- Gross US & Canada
- $161,004
- Gross worldwide
- $161,004
- Runtime
- 1h 51m(111 min)
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1