Tanner '88

This has been described as a political satire, but it's a bit difficult to see that when you watch it. It's not really funny and it doesn't seem to have any witty critiques of politics. This is just a political drama with a few overly wacky jokes sprinkled in.

The premise is creative, and Jack Tanner and TJ Cavanaugh are great characters. Everyone else though is either forgettable or immensely unlikeable. Deke, Molly, and Andrea are perhaps the most annoying. Deke, the cameraman, always manages to be creepy and shove cameras in people's faces for avant-garde documentary footage. The news reporter Molly shows up ready to fly off the handle over not getting a good story. While Andrea, a Tanner campaign employee, does toughen up, she never looses that underlying whiny naivety that makes you wonder how she wound up working for a political campaign in the first place.

In addition, the plot lines of episodes don't seem all that focused. They will usually pick up with the aftermath of what the last episode closed with and then move to something else, with the aftermath being dealt with in the following episode. It seems like each episode contained two halves of a different story. The end of the former episode and the beginning of the latter should have all just been one episode.

And yet, Tanner '88 seems to have moments that pull you back in when you've gotten annoyed with it. There's the speech at the end of the first episode (which may be the best episode), the cameos with other candidates and notable figures, and numerous scenes where TJ, always the commanding workaholic, is deftly managing a difficult campaign.

By no means is this a bad show. However, I definitely expected more from it, especially considering that this was an inspiration to the superior political drama: The West Wing.

After a contentious decade for Robert Altman, during which he was pretty much shunned by the Hollywood system and made some of his worst films, it's only fitting that he should cap the decade off with an absolute triumph, this absorbing mini-series made for HBO.

I don't know why it took so long for someone to pair "Doonesbury" writer Garry Trudeau with Altman, because in retrospect, it seems like a match made in heaven. Both have the exact same sarcastic sense of humor and the talent for seeing the absurd in the mundane. They crafted a fascinating look into the world of political machinations, following the story of fictitious 1988 presidential candidate Jack Tanner but setting it against the real world of the democratic primaries. Therefore, actual members of the political scene at the time interact with star Michael Murphy as if he's a real presidential nominee, and the viewer is never sure what action is authentic and what is staged.

Murphy is superb as Tanner, and he's perfectly cast. Tanner is handsome and charismatic enough to make a fairly successful run for the nomination, but he's too bland and too nice to make it all the way. The series examines one of the major conundrums about American politics: to have a candidate with conviction and good ideas isn't enough. He must also be a personality and be able to navigate the tricky terrain of the American media, with the result that those who go farthest are those who know how to work the system, not those who are most honest. "Tanner '88" captured perfectly my own feelings about presidential elections. On the one hand, they're of supreme importance, because they determine who will be the leader of one of the most powerful nations in the world. But on the other hand, they seem like such pointless exercises, and it's hard to muster up the energy to care time after time.

But one of the strongest and most serious points made by this series comes in an episode in which Tanner visits the slums of Detroit in his home state of Michigan. He realizes that he is completely out of touch with the very people he promises to help, and has no clue about what their lives are really like. That's painfully true about our own leadership -- it was in 1988 and still is today. There's a vast and probably insurmountable gap between the privileged few who ever have the remotest hope of being president and the millions of average Americans over whom they govern.

All of the acting in "Tanner '88" is sensational, to the point where I forgot I wasn't just watching real people being filmed by a documentary filmmaker. Most notable are Pamela Reed, as Tanner's campaign manager, Cynthia Nixon, as his overbearing and very young daughter, and E.G. Marshall, who makes a few memorable appearances as Tanner's awful father.

This is a must see for Altman fans, or really anyone with an interest in American politics.

Grade: A+

Robert Altman and Garry "Doonesbury" Trudeau teamed up to create this unforgettable look at American politics -- an ongoing series about Tanner, a fictional candidate for president, filmed against the backdrop of the real race (primaries, conventions, etc.) with real politicians playing themselves and interacting with the characters.

This one is as brilliant, funny and thought-provoking as the best of the writer and director's solo projects. All the performances are terrific -- Pamela Reed, in particular, shows why she's one of the most interesting American actresses working today.

A long-time Altman fan, I rented the video of Tanner 88 just in time for the final days of the 2000 election. In fact, on election night, I was flipping back and forth between Altman's clever take on presidential politics and the "real" thing, and I can tell you, Tanner 88 was much better television.

The mini-series of 10 half-hour episodes is available on three VHS tapes.

It was excellent, overall. Especially good was the way it punctured so many of the hot-air balloons and pretensions of American politics, but clearly sympathized with the people who want to believe in it. We see a liberal Democratic candidate, Jack Tanner, played skillfully by Michael Murphy, go through a campaign from the New Hampshire primary to the end of the convention. Typical of the series, Tanner is on the one hand shallow and full of empty rhetoric, while also sincere, idealistic and sometimes inspiring. Tanner's campaign manager, a woman, is also extremely smart, more than a little cynical, but capable of being inspired by her candidate whose weaknesses she knows very well. The first half of the series, which takes place in New Hampshire, is extremely funny, especially in showing how the citizens there have become inured to the hoopla of the candidates and the media. Also outstanding in this series is the way the working press is portrayed as part of the life of the campaign--these are real people, not just role players. The last two episodes, at the convention, lack the bite of the first five or or six, and could be skipped without losing much.

Following fictional US presidential candidate Jack Tanner (Michael Murphy) for the Democratic party during the real 1988 election, Tanner '88 is one of the most interesting political comedies I've seen, while also one of the most rigidly dated series I know of. Originally airing sporadically during / leading up to said '88 election on HBO, the series was pitched as if Tanner was a true candidate for the real run, and even included cameos from active politicians, as well as a finale seemingly filmed at / during that year's Democratic National Convention. Created by cartoonist Garry Trudeau, directed by Robert Altman (M*A*S*H*), and produced by both, the scripts were apparently only mostly written, with much improvisation / pick ups on the day to fill out the scenes. It feels very documentary, although with constantly interesting angles and camera movement I must say, and we're often given long takes of conversational talking, with lots of background noise and obfuscation. It makes everything feel quite real, almost unedited, like we're watching the behind-the-scenes of a real campaign, which is obviously exactly the what the series is going for. Of course this strength is also its ultimate weakness, as the series is so rigidly locked in the campaign that unless you yourself experienced it, or have a vast interest in politics, you won't get most of the Dukakis, Kennedy, Reagan, and Dole humour. All in all, what we get feels like if NPR tried to make a comedy, and I mean that in the best ways. If its your type of thing you're going to love it, I thought it was quite good and certainly impressive.