La Noble maison

This is a surprisingly good mini series. The story is cast in Hong Kong, and there's dynamics in doing business there that we people of the west don't quite understand. Noble House captures that and then some. The glamor and opulence of belonging to the richest elite in Hong Kong's business circle sets the tone for the entire story. Things that will be taboo in the west is permitted there like having concubines, and going to parties with them (instead of your wife !), and old guys are actually flaunting it to show off their wealth and virility ! But of course all this has price to pay and everyone is paying in this story.

The story is loosely based on an actual existing trading company - Jardine Matheson Holdings, and the building that is portrayed as Struans' headquarter was the actual Jardine Matheson and company's headquarter in Hong Kong, before relocating to Bermuda in anticipation of Hong Kong's repatriation to China in '97.

Pierce Brosnan is at his best as the Tai Pan of the Noble House (Struan's), and cast of characters surrounding him are equally glamorous (like Tia Carrerie, Julia Nickson). Overall, a great fun to watch, but make sure you set aside enough time because it's 6 hours of non-stop entertainment.

Produced and aired at the end of the 1980s, Noble House would be one of the last in a line of lengthy and epic miniseries. Based on James Clavell's thousand plus page novel (and move forward two decades in time to the then present day), Noble House features a wealth of location filming, dozens of characters and multiple plot lines across four parts and more than six hours of screen time. So how does it hold up a quarter of a century later?

The performances hold up well. Pierce Brosnan is fascinating as Ian Dunross, Tai-Pan of the Hong Kong company Struan's, the Noble House of the title. Brosnan is convincing as the man in charge of a 150 year old company who struggles to deal not just with the crises of today but with the weight of legacy of the Noble House upon his shoulders as well. While Dunross is not above perhaps less than savory at times, Brosnan nevertheless makes clear that is a likable man with a strong sense of honor and duty no matter the cost. It is Brosnan as Dunross that ultimately ties in the various diverse plots together and, if his performance was anything less than what it is, I'm not sure Noble House would work as well as it does.

Moving on from Brosnan, there's a strong cast behind him. There's John Rhys-Davies as Quillan Gornt, the head of Struan's biggest rival and a man who seems to live for nothing but bringing it down. There's Deborah Raffin and Ben Masters as the heads of the American company Par-Con whose motives and actions are questionable throughout the entire miniseries. From there the cast of characters ranges from police Superintendent Robert Armstrong (Gordon Jackson) to Struan employees such as John Van Dreelen as Jacques DeVille, Michael Siberry as Linbar Struan and fellow Hong Kong businessmen such as Damien Thomas as Lando Mata. Rounding off the cast in two cameo roles are Denholm Elliott as outgoing Tai-Pan Alastair Struan in the first part and John Houseman as Hong Kong governor Sir Geoffrey Allison in the last part.

Where the cast, and indeed both the writing and the miniseries as a whole, runs into trouble is with its native characters. The writing (and as a result the performances) mean that they are often walking and talking clichés, especially Khigh Dhiegh as Four Finger Wu and Tia Carrere as Venus Poon as well as the less savory characters who figure in its first half. Even characters such as Burt Kwouk's Phillip Chen, the compradore of Struan's, fall into moments of cringe worthy dialogue that undermine them considerably. Somehow it seems a shame that the script couldn't treat these characters with the same respect, though how much of that is down to the original source material I'm not sure.

Despite that problem, Noble House otherwise makes excellent use of Hong Kong itself throughout. In fact the city and its surrounding areas (including Macao) are as much as a player in events as Brosnan's Dunross or anyone else. The large amount of location filming gives the various story lines a strong sense of verisimilitude.

The miniseries is also blessed both with a large amount of screen time and a script that makes the most use of it. Based on the massive novel by James Clavell, Noble House makes the most use of its six plus hours and four parts. There's everything from business dealings ranging from a deal between the Noble House and Par-Con to Gornt's trying bankrupt the Noble House, kidnapping, murder, romances, concerns over Hong Kong's return to China (which was still a few years off when the miniseries was made) and international intrigues as well. Behind all that is the characters and how they change and develop (or don't) as they face not just those events but disasters natural and man-made. As a result there's much going on as there are not only multiple plot lines but ones that intersect, often in the most unexpected ways. Whatever else can be said then, this miniseries is definitely not lacking in incident.

Across more than six hours, Noble House lays out a tale filled with business dealings, murder, romance, intrigues and much more. It is carried by its performances and a fascinating portrait of late 1980s Hong Kong and the people who inhabit it (despite some clichéd writing and performances). If nothing else, Noble House is a sprawling epic that makes for fascinating viewing a quarter century on.

As I said in the beginning, I think this mini-series is actually quite okay. But pitched against the novel, it doesn't stand a chance since I think the book was Clavell's greatest and I really loved it. But how could a TV-mini-series ever compete with a book that is so complex and has so many important story lines?

The producers decided to half-sacrifice the espionage plot, but I thought that's acceptable. The only thing I didn't like was the fact Casey doesn't seem to be in love with Linc (she seems rather concerned about his friendship and the business matters) but goes for Ian instead. This is a huge deviation from the book since that complicated love story between Casey and Linc is just brilliant and explains their characters. Also Ian is being made a widower in order to accommodate Casey without adultery. And why's Peter Marlowe out?

Put that aside, you have a really entertaining TV-Mini-Series that's able to go almost the same pace as the book, and actually captures quite well the basic essence of the novel. Shouldn't probably be too surprised at the good outcome since Clavell himself worked closely on the series. I rated it 8 / 10 and think that it's impossible to do any better with a novel like this.

The novel of Noble House is one of the most detailed and riveting books you could ever want to read......which is a problem when you want to distill a 1000+ page novel into a movie or mini-series. These guys pulled it off though, using a very truncated version of the story.......and while this was made before War and Remembrance killed off the epic network mini-series, it was probably too expensive to make it much longer.

The cast is letter perfect though, especially if you're a fan of the books. Once you see them on screen you can't imagine anyone else in these roles, even if you re-read the books after viewing the series. Pierce Brosnan, by and large one of the few recognizable names to most American viewers, just inhales Ian Dunross, and John Rhys-Davies (who is now much more famous than he was then) is one of the great villains of all time as Quillan Gornt. Deborah Raffin and Ben Masters, who play the Americans Casey Tcholak and Linc Bartlett, are names I wasn't familiar with, but they give such true performances that I'm disappointed that they didn't get more of a bounce off of this. The other supporting parts were done very well, and added to the atmosphere.

The only thing that I don't like about the mini-series is that its not out on DVD yet, even with Pierce being so much more famous now than then. It'll come though, and I'll be first in line when it does.

Oh yeah, it's worth noting that in a way the mini-series on network TV has come back, they just call them regular series such as 24 and Lost.

I mainly gave this film an 8 out of ten because, at least in the VHS version, the film quality is not all one could wish for. But in the main the book was translated excellently into the six hour mini-series for television and had an excellent cast. Pierce Brosnan is excellent as the ever unflappable Ian Dunross, who weathers all storms and faces ruin with determination. Debra Raffin had the tough job of trying to be many things without knowing all that her character needed to know. JohnRhys-Davies is, as always, excellent. Whether he plays a villain or a hero, he does it with style. Denholm Elliot as Alistair Struan did not have enough screen time, as indeed was the case with his character in the book. Burt Kwouk and Nancy Kwan were also up to par as always. And this film also proves that the sun never sets on John Houseman, who plays the British Governor of Hong Kong with his usual petulant aplomb. Bring lots of snacks and plan several bathroom breaks to watch this one.