The Lion, the Witch and the Wardrobe

This series showed how a small and resourceful budget can produce the maximum feeling and atmosphere in this truly classic version. It remains, like the other dramatisations, faithful to the text, and although the special effects are cheap, remember they were state of the art in 1988 and the amazing acting from the children and Barbara Kellermann's stunningly sharp and real portrayal of the witch more than makes up for it. And by the way, unlike other reviews state, this was a series, not a movie, so isn't too long when you think about it. See it if you can, though! Truly classic version.

This is my absolute all time favourite film (ok- TV programme) to watch. I've bought it on DVD and as soon as I hear the opening anthem I'm taken back to being four again and sat right in front of the TV watching with excitement. Does this mean I love it so much because it's very good or just because of the nostalgia I feel? Does anyone else have TV programmes/ films that instantly take them back in time when they watch them? After I'd watched this on TV (or video I'm not sure) I remember going up to my bedroom, closing my eyes and putting my hand slowly towards the back of my wardrobe. No matter how many times I did it I'd always get to a point where I'd believe I'd got into Narnia!

This fable is wonderful. We have 4 young children: Peter(Richard Dempsey), Susan(Sophie Cook), Edmund(Jonathan R. Scott) and Lucy(Sophie Wilcox); taken from London in 1940 to avoid the onslaught of the German Luftwaffe. They arrive at an old manor house in the country where they meet a kindly old professor(Michael Aldridge). The boys aren't thrilled by the empty and damp house, but the youngest, Lucy, is enchanted. They decide to explore the grounds, but have to explore the house instead of the grounds, due to a rainstorm. Lucy discovers a large, decorative wardrobe which appears to be made out of oak or some other hardwood. She goes in and is transported to another world. A world of witches, nymphs, talking fawns and other wonders. She can't convince her brothers and sister, but eventually as they are trying to avoid the stern governess, Mrs. McCready(Maureen Morris), they follow Lucy into the world. Then the real adventure begins.

This fable is layered with metaphors and symbolism. C.S. Lewis became a dedicated Christian late in life and the symbolism in the story shows his faith, as well being a good story.

All of the young people and others portray their roles with gusto. A couple of the actors go over the top, but it adds to the story. But the one that caught my eye was young Sophie Wilcox who played Lucy. This child was so animated. The range of her emotions traveled from joy to sadness to anger and back again. Lucy was portrayed as an innocent defending her family and loyal to her friends. There was no guile in her. Then there was her brother, Jonathan R. Scott(Edmund), who betrayed the family to the "White Witch"(Barbara Kellerman), because of anger and greed. The love of his family and King Aslan(William Todd Jones) saves him.

The special affects were the affects that were popular during the late 80s. Not as spectacular as in the Harry Potter movies, but the engineering of Aslan as a large male lion was wonderful.

I'm 44 and I recommend this film to anyone who wishes to go back and relive some wonderful childhood moments.

Laura

I am frequently appalled by the denegration (from previous comments, one in particular not sure how many in total) of this series people inflict on it. It may have hand-drawn animations and really bad bluescreen composite effects and lack breathtaking special effects but thats how the 1980's were, they tried and I give them points for trying and it did seem spectacular in that era. Nowadays we have CGI SPX that kicks-ass but lets not denegrate a series because of the limitations of the period, lets appreciate it.

I remember watching this as a child and taping every single episode ofa the BBC (BBC rock for not putting advertisements in) and I was not dissapointed at all, I enjoyed this series. I still have the VHS tapes of them all and shall never record over them.

It is not to be taken too seriously, of course you can tell that some of the animals are played by people and the acting is a bit off but it is after all a children's program. Perhaps it was intentional to have the animals look so obviously like people, to symbolize the duality of men and beast, depends on your interpretation!.

This is a television series not a big budgeted movie, so considering all this, the production has done a great job in reviving the spirit of the book.

As always, movies can hardly replace the book but this one does an adequet job of it especially considering when it was made. Musical title score is above par, the sets constructed do the job and show great creativity, the great direction and crew production quality shows.

I hope they do put all of the Chronicals of Narnia TV series' on DVD (if they haven't already) to preserve its quality. I am sure there are plenty of fans out there who would buy it like me.

I do not want to go into the story (perhaps I should sometime), as with all my reviews I only comment on the impression left behind and production quality. I think children would find it most entertaining however if you do have the opportunity to watch this I suggest you do.

Final thoughts are is that it is a memorable series.

Yes, it isn't perfect-: the special effects do look a little cheap, but because of the overall loveliness of the adaptation, with the scenery and costumes(and the faithfulness to the book), I can't help but like it. The whole production looks lovely(apart from the beavers' costumes and some of the animated mythological effects, Aslan though looks great), and there are some truly memorable scenes, like Edmund's encounter with the White Witch, Lucy's meeting with Tumnus and any scene with Mourgrim, helped by the sparkling and very faithful dialogue. Though, I do think that very young children will find Mourgrim a bit too frightening, because I did especially when the children learn of Mr Tumnus' arrest. The music is memorable, and sticks in your head for a while. Extremely beautiful too, especially the main theme, when Lucy is enticed to sleep and her dream, Edmund's entrance from the back of the wardrobe into Narnia and the escape from the beaver dam with the wolves on their way there. The performances from the youngsters are very good, especially Sophie Cook and Sophie Wilcox, but Edmund was too much of a brat and his change doesn't convince. I liked Michael Aldridge, from Last of the Summer Wine, as the Professor, at times he was very funny with a touch of mystery. Although one may compare him to Liam Neeson, Ronald Pickup acquits himself brilliantly as Aslan, and the beavers and the other animals were well performed. For me, the standout was Barbara Kellerman as the White Witch. One may think she was a little pantomime, but she did have a certain frostiness and menace that is needed, so much so it reminds me of Miss Hardbroom in the Worst Witch. Her costume and make-up were also incredible. All in all, despite the effects and some frightening scenes, a beautiful and well-acted adaptation of a great book! 8/10 Bethany Cox