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6.3/10
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A bitter writing teacher wants his successful ex-wife dead. A put-upon mama's boy writing student wants his overbearing mother dead. Will there be a criss-cross murder plot?A bitter writing teacher wants his successful ex-wife dead. A put-upon mama's boy writing student wants his overbearing mother dead. Will there be a criss-cross murder plot?A bitter writing teacher wants his successful ex-wife dead. A put-upon mama's boy writing student wants his overbearing mother dead. Will there be a criss-cross murder plot?
- Nominated for 1 Oscar
- 2 wins & 4 nominations total
Andre Rosey Brown
- Rosey
- (as Andre 'Rosey' Brown)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
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Owen loves his Mamma...only he'd love her better six feet under in this dark, laugh-out-loud comedy that both stars and is directed by Danny DeVito, with admirable assists from Billy Crystal and Anne Ramsey in the title role.
"Throw Momma From The Train" is a terrific comedy, even if it isn't a great film. It's too shallow in parts, and the ending feels less organic than tacked on. But it's a gut-splitting ride most of the way, with Crystal and DeVito employing great screen chemistry while working their own separate comic takes on the essence of being a struggling writer (DeVito is avid but untalented; Crystal is blocked and bitter).
Crystal's Professor Donner believes his ex-wife stole his book (the unfortunately titled "Hot Fire") and can't write more than the opening line of his next book, which doesn't come easy. He teaches a creative writing class of budding mediocrities, including a middle-aged woman who writes Tom Clancy-type fiction but doesn't know what that thing is the submarine captain speaks through; and an upholstery salesman who wants to write the story of his life. Mr. Pinsky is probably the funniest character for laughs-per-minutes-on-screen, an ascot-wearing weirdo who sees literature as an excuse to write his opus: "100 Girls I'd Like To Pork."
Then there's DeVito's Owen Lift, who calls himself Professor Donner's "star pupil" even though the teacher won't read his work in class. Owen is a somewhat unusual character to star in a movie, a man-child in his late 30s who lives with his overbearing mother, Anne Ramsey, who calls him "lardass" and other endearing sentiments. In any other movie, we'd be asked to feel sorry for Owen, but "Throw Momma From The Train" piles life's cruelties onto this sad sack for laughs and expects us to go along. That's one big reason why this film probably loses a lot of people.
For those of us who enjoy the humor of this character, even identifying with him, and take the rest of what we see here as a lark, it's not as big a stretch to go along with the bigger gambit this comedy takes, asking us to watch in amusement while Owen enlists Professor Donner's help in a plan to kill his mother. Actually, he first goes to Hawaii to kill Donner's hated ex, then tells the professor it's his turn to kill Mrs. Lift, "swapping murders" as seen in Hitchcock's "Strangers On A Train."
As a director, DeVito not only complements his actors' performances with scene-setting that places the accent on dialogue, he makes some bold visual statements, throwing in bits of amusing unreality to keep the audience on its toes (and away from taking things too seriously.)
Also helping matters is writer Stu Silver, who keeps the laughs coming with his quotable patter. "You got rats the size of Oldsmobiles here." "She's not a woman...She's the Terminator." "One little murder and I'm Jack the Ripper." Those are all Crystal's words, but some of the funniest lines, which work only in context but absolutely kill, are DeVito's and Ramsey's. Apparently Silver never wrote another screenplay after this, according to the IMDb, and that's a shame, because he had real talent for it.
The best scene in this movie, when Crystal meets Ramsey, was actually used in its entirety as a theatrical 'coming attraction' presentation, the only time I've seen a movie promoted that way. Owen introduces the professor to his mother as 'Cousin Patty,' and when Momma says he doesn't have a Cousin Patty, panicky Owen loses it. 'You lied to me,' he yells out, slamming the professor's forehead with a pan.
Of course, in reality the professor wouldn't groan out something witty from the floor, but 'Throw Momma From The Train' works effectively at such moments, when playing its Looney Tunes vibe for all its worth. DeVito hasn't disappeared from films, of course, but it's a mystery why he hasn't really followed up on the directorial promise of this movie. Maybe it's because, as 'Throw Momma From The Train's lack of mainstream success shows, his kind of vision isn't to everyone's tastes. That's too bad for those of us who can watch this over and over, and like it.
"Throw Momma From The Train" is a terrific comedy, even if it isn't a great film. It's too shallow in parts, and the ending feels less organic than tacked on. But it's a gut-splitting ride most of the way, with Crystal and DeVito employing great screen chemistry while working their own separate comic takes on the essence of being a struggling writer (DeVito is avid but untalented; Crystal is blocked and bitter).
Crystal's Professor Donner believes his ex-wife stole his book (the unfortunately titled "Hot Fire") and can't write more than the opening line of his next book, which doesn't come easy. He teaches a creative writing class of budding mediocrities, including a middle-aged woman who writes Tom Clancy-type fiction but doesn't know what that thing is the submarine captain speaks through; and an upholstery salesman who wants to write the story of his life. Mr. Pinsky is probably the funniest character for laughs-per-minutes-on-screen, an ascot-wearing weirdo who sees literature as an excuse to write his opus: "100 Girls I'd Like To Pork."
Then there's DeVito's Owen Lift, who calls himself Professor Donner's "star pupil" even though the teacher won't read his work in class. Owen is a somewhat unusual character to star in a movie, a man-child in his late 30s who lives with his overbearing mother, Anne Ramsey, who calls him "lardass" and other endearing sentiments. In any other movie, we'd be asked to feel sorry for Owen, but "Throw Momma From The Train" piles life's cruelties onto this sad sack for laughs and expects us to go along. That's one big reason why this film probably loses a lot of people.
For those of us who enjoy the humor of this character, even identifying with him, and take the rest of what we see here as a lark, it's not as big a stretch to go along with the bigger gambit this comedy takes, asking us to watch in amusement while Owen enlists Professor Donner's help in a plan to kill his mother. Actually, he first goes to Hawaii to kill Donner's hated ex, then tells the professor it's his turn to kill Mrs. Lift, "swapping murders" as seen in Hitchcock's "Strangers On A Train."
As a director, DeVito not only complements his actors' performances with scene-setting that places the accent on dialogue, he makes some bold visual statements, throwing in bits of amusing unreality to keep the audience on its toes (and away from taking things too seriously.)
Also helping matters is writer Stu Silver, who keeps the laughs coming with his quotable patter. "You got rats the size of Oldsmobiles here." "She's not a woman...She's the Terminator." "One little murder and I'm Jack the Ripper." Those are all Crystal's words, but some of the funniest lines, which work only in context but absolutely kill, are DeVito's and Ramsey's. Apparently Silver never wrote another screenplay after this, according to the IMDb, and that's a shame, because he had real talent for it.
The best scene in this movie, when Crystal meets Ramsey, was actually used in its entirety as a theatrical 'coming attraction' presentation, the only time I've seen a movie promoted that way. Owen introduces the professor to his mother as 'Cousin Patty,' and when Momma says he doesn't have a Cousin Patty, panicky Owen loses it. 'You lied to me,' he yells out, slamming the professor's forehead with a pan.
Of course, in reality the professor wouldn't groan out something witty from the floor, but 'Throw Momma From The Train' works effectively at such moments, when playing its Looney Tunes vibe for all its worth. DeVito hasn't disappeared from films, of course, but it's a mystery why he hasn't really followed up on the directorial promise of this movie. Maybe it's because, as 'Throw Momma From The Train's lack of mainstream success shows, his kind of vision isn't to everyone's tastes. That's too bad for those of us who can watch this over and over, and like it.
Throw Momma from the Train, could best be described as a newer version of Hitchcock's "Strangers on a Train". Stu Sliver's script was creative and very darkly comic.
Danny DeVito stars (and also directs) as Owen, a sort of dim-witted writing student who lives with his monstrous mother (Anne Ramsey). Owen's writing teacher, Larry (Billy Crystal) is having trouble with his writing career because his wife (Kate Mulgrew) stole his first book and made it her own bestseller and lives the highlife in Hawaii. After Owen constantly annoys Larry for days about his first story, he wrote from class, Larry suggests that Owen see a Hitchcock movie in order to write the perfect murder mystery novel. Owen then gets the idea from "Strangers on a Train" that he will go to Hawaii and murder Larry's wife, while Larry will kill his mother. But Larry has the motive, and with the police coming after him, Larry now has the opportunity to kill off the meanest old lady, he's ever seen, but realizes that she is harder to get rid of than both he and Owen thought.
Throw Momma from the Train, I think is a fun comic adventure, both Danny DeVito and Bill Crystal are funny, while Anne Ramsey's Oscar-nominated role of Momma is hysterically frightening. There are a lot of laughs in this film, especially the classic "One Hundred Girls I'd Like to Fork" story. Kim Griest, Annie Ross and Bruce Kirby also star, with Rob Reiner, Oprah Winfrey and Danny DeVito's own father in law, Philip Perlman make cameos. This is a good example of classic black comedy.
Danny DeVito stars (and also directs) as Owen, a sort of dim-witted writing student who lives with his monstrous mother (Anne Ramsey). Owen's writing teacher, Larry (Billy Crystal) is having trouble with his writing career because his wife (Kate Mulgrew) stole his first book and made it her own bestseller and lives the highlife in Hawaii. After Owen constantly annoys Larry for days about his first story, he wrote from class, Larry suggests that Owen see a Hitchcock movie in order to write the perfect murder mystery novel. Owen then gets the idea from "Strangers on a Train" that he will go to Hawaii and murder Larry's wife, while Larry will kill his mother. But Larry has the motive, and with the police coming after him, Larry now has the opportunity to kill off the meanest old lady, he's ever seen, but realizes that she is harder to get rid of than both he and Owen thought.
Throw Momma from the Train, I think is a fun comic adventure, both Danny DeVito and Bill Crystal are funny, while Anne Ramsey's Oscar-nominated role of Momma is hysterically frightening. There are a lot of laughs in this film, especially the classic "One Hundred Girls I'd Like to Fork" story. Kim Griest, Annie Ross and Bruce Kirby also star, with Rob Reiner, Oprah Winfrey and Danny DeVito's own father in law, Philip Perlman make cameos. This is a good example of classic black comedy.
For those that recall those lines, you also know how entertaining this film was.
What happens when you take Hitchcock style suspense and paranoia and mix it in with traditional ,theatrical style comedy. You get "Throw Mamma From the train.
This is the story about two guys with the same problem.
Larry Donner (played by Billy Crystal) is suffering from severe writters' block, brought on by the success of the novel that his Ex-wife (Make Milgrew) stole from him.
Owen Lift (played by Danny DeVito) is suffering from the ability to write because of his nasty, demanding, over-bearing mother (played by Ann Ramsey).
Larry, who is Owens' creative writing teacher, tries to advise him on the the fundamentals on writing a good murder novel. His one tactic is for Owen to see a Hitchcock film and understand the importance of motive and alibi. Owen takes the advise the wrong way and thinks that Larry wants him to participate in a criss-cross murder plot for the other. And the mayham begins.
Billy Crystral does some of his best work in this film as he goes through a rollercoaster of emotions from all the madness he endures.
Danny DeVito comes through, not only as the simpathetic Owen (who is quite distant from his popular Louie DePalma persona) but also as director. DeVito uses not only his keen understanding of comedy, but also some clever camera techniques.
Ann Ramsey is the quintessential mother from Hell. She's so mean and nasty that she makes you want to jump in and squeeze the life out of her yourself.
The film is also complimented by the Art Direction of Barry Sonninfeld (director of the Adams Family films) and a memerable musical score by David Newman.
"Throw Mamma From the Train" is slap-stick, suspense filled semi-classic that no fan of these talents should pass up.
What happens when you take Hitchcock style suspense and paranoia and mix it in with traditional ,theatrical style comedy. You get "Throw Mamma From the train.
This is the story about two guys with the same problem.
Larry Donner (played by Billy Crystal) is suffering from severe writters' block, brought on by the success of the novel that his Ex-wife (Make Milgrew) stole from him.
Owen Lift (played by Danny DeVito) is suffering from the ability to write because of his nasty, demanding, over-bearing mother (played by Ann Ramsey).
Larry, who is Owens' creative writing teacher, tries to advise him on the the fundamentals on writing a good murder novel. His one tactic is for Owen to see a Hitchcock film and understand the importance of motive and alibi. Owen takes the advise the wrong way and thinks that Larry wants him to participate in a criss-cross murder plot for the other. And the mayham begins.
Billy Crystral does some of his best work in this film as he goes through a rollercoaster of emotions from all the madness he endures.
Danny DeVito comes through, not only as the simpathetic Owen (who is quite distant from his popular Louie DePalma persona) but also as director. DeVito uses not only his keen understanding of comedy, but also some clever camera techniques.
Ann Ramsey is the quintessential mother from Hell. She's so mean and nasty that she makes you want to jump in and squeeze the life out of her yourself.
The film is also complimented by the Art Direction of Barry Sonninfeld (director of the Adams Family films) and a memerable musical score by David Newman.
"Throw Mamma From the Train" is slap-stick, suspense filled semi-classic that no fan of these talents should pass up.
A deliciously nasty black comedy about a middle-aged schlub (Danny DeVito) who wants to bump off his mother and hatches a plan to do so with a bitter divorcée, who wants to bump off HIS ex-wife. The movie is completely unapologetic in its cynicism, and gives us no one to like, but for once that works in the movie's favor rather than as a turn off.
Anne Ramsey, as DeVito's battle axe mom, steals the show in a grotesquely funny performance. Even though she's a horror, you end up rooting for her, because it seems like she could kick both DeVito's and Crystal's asses at the same time with both hands tied behind her back.
Grade: B+
Anne Ramsey, as DeVito's battle axe mom, steals the show in a grotesquely funny performance. Even though she's a horror, you end up rooting for her, because it seems like she could kick both DeVito's and Crystal's asses at the same time with both hands tied behind her back.
Grade: B+
I recently stumbled across this film again after many years while channel surfing and soon I found myself laughing to beat the band.I had seen it years earlier when it was new.I'm not sure why I steered clear of it in subsequent years.Maybe it's under-rooted disturbing theme of murder.At any rate,I found myself engrossed in this film.Despite being dark around the edges,it really is an entertaining film.Billy Crystal was still in his prime,as was DeVito,and Anne Ramsey was a delight as "Momma"..Now that I have revisited this comedy gem that I had apparently forgotten,I will be looking to put it on the DVD shelf in the near future.
Did you know
- TriviaAnne Ramsey's speech impediment was caused by operations she underwent in order to treat throat cancer. During filming she was undergoing additional oral surgery and endured intense pain. However, according to director Danny DeVito, she never requested to be excused from work. "Momma" went on to become Ramsey's most critically-lauded performance, culminating with Academy Award nomination for Best Supporting Actress in 1988. Sadly, she died only six months after the ceremony because of that very same throat cancer.
- GoofsWhen Larry reads out the title of a student's "coffee table book", he says "One Hundred Girls I'd Like To Pork", but his lips are clearly mouthing the word "Fuck". This line was presumably overdubbed to avoid an R rating. Worse yet, "Pork" was changed to "Bonk" for broadcast on commercial TV.
- Crazy creditsThe credit for Assistant Sound Editor Robert Martel has a gap in the vertical stroke of the L.
- Alternate versionsNetwork TV versions restore extra footage.
- ConnectionsEdited into Throw Momma from the Train: Deleted Scenes (2001)
- SoundtracksLarry's Song
Written by Branford Marsalis
Details
Box office
- Budget
- $14,000,000 (estimated)
- Gross US & Canada
- $57,915,972
- Opening weekend US & Canada
- $7,318,878
- Dec 13, 1987
- Gross worldwide
- $57,915,972
- Runtime
- 1 hour, 28 minutes
- Color
- Aspect ratio
- 1.85 : 1
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