Commando terreur

I bought this movie because I wanted to see Ken Foree in another movie other than "Dawn of the Dead". What I discovered was pure hilarity! There are so many flaws in this film that it's impossible to recall them all. The movie opens in what's supposed to be Libya with a small, concentrated crowd of 20 arab stereotypes gathered in front of a podium holding up signs that read "DEATH TO THE GREAT SATAN" and "DOWN WITH AMERICA" as if that's what Libyans do all day is walk around with signs like that. You get the gist that they're sending over some terrorists to mess up the USA because that's what Libyans do according to this film. Then we're greeted to the teenage stereotypes that were a child's rendering of the "Breakfast Club" crowd in anytown,USA. The jock walks the halls in a letterman jacket holding a football, the geek is obsessed with sex and walks around with electronic implements, the cheerleadrer is aloof and too-good, but best of all is the rebel that hangs out with Sam, the old black janitor in the boiler room where they jam on their electric guitars (the rebel walks the hall with his guitar, of course). Then the terrorists begin their killing spree, packing themselves into a car and cruising around shooting people. They attack a nuclear power plant and liberally use a rocket launcher in doing so, blasting the chain off the lock of the gate and then blasting the gaurd tower without having to reload it. The gaurds at the plant are spraying the car with bullets at close range but somehow seem to miss. And it gets more fake as the plot goes on. I wont go into it. The part my roommate and I had to keep rewinding over and over was when ol' Sam the janitor haplessly wanders into the detention hall playing his harmonica and is immediatly shot by the spooked terrorists. It was just so silly. The whole movie was silly. And well worth watching if you're in for a good laugh. And don't forget to keep your eyes peeled for the magic bus scene!!!

As a citizen of the great city of Kokomo, Indiana, I found this film{?} to be more enjoyable as a travelogue of Kokomo in the 80's than as one of Chuck Connors better efforts. It is truly abysmal, but as the previous reviewer stated, in a good way. One of my favorite moments--check out Chuck Connor's reaction when he runs over a pedestrian downtown! Incidentally, Chuck's first scene was filmed at my cousin's drive in--The Cone Palace--but don't hold that against them: their burgers are the best in Kokomo, while this movie, is, well, something else...View this film with plenty of beer, and the knowledge that Citizen Kane it ain't! Too bad Mystery Science Theater 3000 is out of production--this would have been a prime candidate for their show. Enjoy, (but with plenty of beer)!

This is a tremendously bad thriller from the late 80s, and the dating shows. The bad guys are cartoon caricatures of Libyans. They cross the US-Canadian border into Indiana (think about it) and immediately fail to blow up a nuclear reactor in Kokomo. What follows is the longest sustained car chase I know of (35 minutes), with old cars, abandoned factories, and other unwanted props getting blown to hell with rocket launchers. Finally, they take over a high school during detention hours (described by one terrorist as a "steenky place!"). It's "Breakfast Club" meets "Die Hard" then, as jocks and nerds band together to defeat the baddies. Meanwhile, the police and SWAT teams led by Chuck Conners surround the school and proceed to do nothing, even when the terrorists' numbers are reduced to two and clear headshots present themselves repeatedly. Finally, it's a mad dash for freedom as the terrorists and their pretty-girl hostage board a Ford Bluebird school bus and head for the airport. But is it a big Bluebird after all? The final set of exciting stunts wouldn't work with a full-size bus, so it miraculously (and VERY clearly) transforms into a Hoekstra minibus halfway through the chase.

I've said enough -- this is an overlooked classic.

For a low-budget regional production, they certainly managed to do a lot, particularly the endless action scene in the middle of the movie where an unbelievable amount of carnage is enacted. (Though the sluggish pacing at times makes the scene come across as too long, unfortunately.) The premise - terrorists in Indiana - is a hoot, and it helps to partially counteract the slow pacing, thin characters, and questionable writing at times. And there's a big laugh from how the school bus at the end of the movie keeps changing sizes! Not a great movie, but you can't help but admire what the filmmakers accomplished for so little. May very well have inspired the Dolph Lundgren movie DETENTION.

I remember catching this on some nondescript cable channel not long after it was made. Wasn't really looking for this movie, or anything in particular, and this caught me and my friends by surprise with its low budget ridiculousness and awesome badness. (You can tell it's low budget because they destroy the same 1971 Pontiac Le Mans about three times: once by crashing it, once by shooting it, then crashing it, and once by firing a rocket at it and blowing it up.)

First of all, the premise at its core is ridiculous. To wit, bad guy terrorists attack Indiana by sneaking over the Canadian border. Say what? And they pass by juicier targets to attack East Dirt, Indiana?

The endless chase scene is in fact a sight to behold. I do remember, some 20 years later, the scene after the chase is over, where the stone-faced Chuck Connors gets out of his police car, surveying the landscape of destruction that has just been wrought, and muttering with all the gravitas he can possibly muster, "Dear Jesus."

It seems like everybody and his uncle thought they could make an action movie in the Eighties, and this movie is the proof. Just get a few generic Arab terrorists (what country are they from? Who cares! They're dirty, and evil and unshaven! That's all the matters!), some blank ammunition, several tons of explosives, and a number of old sedans painted to look like police cars that can be wrecked/crashed/raced/chased/blown up. I guess they couldn't throw the police cars down the side of mountain while exploding, in a classic movie gambit, because they were in Indiana where the topography was completely flat.

The fact that they throw the classroom full of stereotyped high school students into the mix, in an effort to mix The Breakfast Club and Red Dawn together with the usual action movie shenanigans and explosions that makes this film oh so sublimely, transcendently BAD! Plus the fact they disappear for like HALF AN HOUR of the movie for the longest chase scene this side of the original Gone in Sixty Seconds, where we are treated to the destruction of the economically depressed downtown of Kokomo, Indiana (but my question is, how can you tell? It's like the old joke: terrorists attacked downtown Kokomo, Indiana today, causing 10 million dollars of improvements).

This may not be The Best Worst Movie, but it's getting close. The makers of Troll 2, acclaimed as probably the most sublime Badfilm of the 1990's, at least had an excuse: they couldn't speak English! What's the problem with the people who made this movie? They weren't aware that Indiana is not on the Canadian border? They had no problem with showing the good guy cop running over the corpse of a dead old man? They had to alternate comic relief with gratuitous violence (town drunk stumbling along downtown street avoids getting shot, then guy in phone booth gets his brains splattered all over the glass a second later).

Yes, this is prime Badfilm. Recommended to all Mystery Science Theater 3000 devotees. I've gotta get a VHS of this sucker! Or, check on the internet, you might just find a copy of it on there somewhere.