Commando terreur

Four Arab terrorists, probably Libyans, sneak into the US through the Canadian border. They badly botch an attempt to blow up a nuclear power plant in Indiana. The four that survive are badly pursued by the police, who mostly crash their cars. The terrorists shoot up a town's main street and run down an old man with their car. The pursuing police chief then runs over the old man (a bad dummy).

Meanwhile, a bunch of actors apparently in their twenties are portraying high school students. One of them plays guitar with the janitor, except that on the soundtrack is bad synthesizer music, the same kind of bad synthesizer music that is on the soundtrack. Later, a bunch of the students are in detention. The guitarist plays some more synthesizer music in detention, even though he doesn't have an amp. A jock makes farting sounds with his armpit, except that it sounds more like a synthesizer playing fart sounds.

The now two surviving terrorists, apparently having evaded the police, burst into the detention room. Thus the stereotypical Arabs meet the stereotypical high school students. The police and SWAT surround the school, and miss dozens of opportunities to get into the school and/or shoot the terrorists. The students and their teacher frequently do things to make the terrorists nervous and angry (and one of them is quick to anger anyway), which only results in getting themselves injured or killed.

As others have noted, when the terrorists leave the school in a bus, they are very clearly in a full-length bus. At some point while the police are following them to the airport, it clearly turns into a short half-length bus. I'm at a loss to explain how the filmmakers thought they could get away with that, especially since there are lengthy shots of the bus both when it is long and when it is short.

As a citizen of the great city of Kokomo, Indiana, I found this film{?} to be more enjoyable as a travelogue of Kokomo in the 80's than as one of Chuck Connors better efforts. It is truly abysmal, but as the previous reviewer stated, in a good way. One of my favorite moments--check out Chuck Connor's reaction when he runs over a pedestrian downtown! Incidentally, Chuck's first scene was filmed at my cousin's drive in--The Cone Palace--but don't hold that against them: their burgers are the best in Kokomo, while this movie, is, well, something else...View this film with plenty of beer, and the knowledge that Citizen Kane it ain't! Too bad Mystery Science Theater 3000 is out of production--this would have been a prime candidate for their show. Enjoy, (but with plenty of beer)!

I recently watched Terror Squad (1987) on Tubi. The storyline follows terrorists seeking revenge against the US, going on a killing spree, and then hiding out in a school. Local authorities strive to bring down the terrorists and save the children.

Directed by Peter Maris (Land of Doom), the film stars Chuck Connors (Tourist Trap), Kavi Raz (Pet Sematary), Ken Foree (Dawn of the Dead), and Marco Kyris (Con Air).

This is a movie with a horrible concept and poor execution. The fear of terrorists was the premise, but the terrorists' points, method of communicating their stance, and overall objective were painful. Both the acting and writing for the villains were poor. While there were a few good shootouts and corpses, even those felt cheaply executed. This has a strong '80s feel in terms of characters, dialogue, and circumstances, with a few '70s-style car chase scenes sprinkled in. The finale was laughably bad, both the background music and overall conclusion were dreadful.

Overall, there's absolutely nothing to see here. I would score this a 2/10 and recommend skipping it.

My review was written in April 1988 after waching the film on Forum video cassette.

"Terror Squad" is an exciting B-actioner, despie its absurd premise of Libyan terrorists invading Kokomo, Indiana. Unluckily, pic failed to get a theatrical tryout, going directly to home video shelves.

Chuck Connors, back in his trademark Brooklyn Dodgers jacket, is tghe loal police chief when a commando squad from Khaddafy-land attacks a nuclear power plant. There ensues a spectacular car chase, the lengthiest and one of the best since the classic Barry Newman fpi "Vanishing Point" of 1971. Terrorists, led by Kavi Raz and hothead Joseph Nasser, kidnap a high school class and hold them hostage while Connors comically uses "Dog Day Afternoon" expicitly as his guidebook to negotiations.

Topnotch action directed by Peter Maris lifts this one out of the lookalike boredom of made-for-vid titlesl, and indicates he is ready for a theatrical assignment. Young cast, essaying stet roles in a "Breakfast Club" detention setting, is okay and tech credits are impressive.

I remember catching this on some nondescript cable channel not long after it was made. Wasn't really looking for this movie, or anything in particular, and this caught me and my friends by surprise with its low budget ridiculousness and awesome badness. (You can tell it's low budget because they destroy the same 1971 Pontiac Le Mans about three times: once by crashing it, once by shooting it, then crashing it, and once by firing a rocket at it and blowing it up.)

First of all, the premise at its core is ridiculous. To wit, bad guy terrorists attack Indiana by sneaking over the Canadian border. Say what? And they pass by juicier targets to attack East Dirt, Indiana?

The endless chase scene is in fact a sight to behold. I do remember, some 20 years later, the scene after the chase is over, where the stone-faced Chuck Connors gets out of his police car, surveying the landscape of destruction that has just been wrought, and muttering with all the gravitas he can possibly muster, "Dear Jesus."

It seems like everybody and his uncle thought they could make an action movie in the Eighties, and this movie is the proof. Just get a few generic Arab terrorists (what country are they from? Who cares! They're dirty, and evil and unshaven! That's all the matters!), some blank ammunition, several tons of explosives, and a number of old sedans painted to look like police cars that can be wrecked/crashed/raced/chased/blown up. I guess they couldn't throw the police cars down the side of mountain while exploding, in a classic movie gambit, because they were in Indiana where the topography was completely flat.

The fact that they throw the classroom full of stereotyped high school students into the mix, in an effort to mix The Breakfast Club and Red Dawn together with the usual action movie shenanigans and explosions that makes this film oh so sublimely, transcendently BAD! Plus the fact they disappear for like HALF AN HOUR of the movie for the longest chase scene this side of the original Gone in Sixty Seconds, where we are treated to the destruction of the economically depressed downtown of Kokomo, Indiana (but my question is, how can you tell? It's like the old joke: terrorists attacked downtown Kokomo, Indiana today, causing 10 million dollars of improvements).

This may not be The Best Worst Movie, but it's getting close. The makers of Troll 2, acclaimed as probably the most sublime Badfilm of the 1990's, at least had an excuse: they couldn't speak English! What's the problem with the people who made this movie? They weren't aware that Indiana is not on the Canadian border? They had no problem with showing the good guy cop running over the corpse of a dead old man? They had to alternate comic relief with gratuitous violence (town drunk stumbling along downtown street avoids getting shot, then guy in phone booth gets his brains splattered all over the glass a second later).

Yes, this is prime Badfilm. Recommended to all Mystery Science Theater 3000 devotees. I've gotta get a VHS of this sucker! Or, check on the internet, you might just find a copy of it on there somewhere.