Starlight Hotel

I found this movie to be a really good and uplifting film. It features a couple on the lam from various unjustices in life during depression-era New Zealand and does a good job in all areas, including character development and good and interesting situations. You might like this film if you can find it. I liked it.

*** out of ****

I have watched this film many, many times. Kate, a young girl watches as her father leaves to find work. She has no mother, she is sad. She is late for school and made to stand in class, then picked on by others during the break. Whereupon he decides to runaway.

Earlier she had met a swagman who tells her if you want to do something, do it. This man later crops up as various times during the film. He exudes benevolence. Then Kate meets Patrick, who is clearly on the run. At first he does not even realise she is a girl. Rather reluctantly, certainly on his part, they link up. She is a nuisance he could do without. There are times they are going to go their separate ways, but cannot. On one occasion, Patrick rushes after her when he fears she is being picked up by a stranger ; another time she saves him being beaten up. They relationship becomes close.

Clearly their relationship is going to be very important to both of them for the rest of their lives. They will never forget. This film is real, not sentimental. The two central actors work wonderfully well together, and are very sympathetic characters. They both deliver the goods magnificently . The director is clearly on the side of the under-dog. Those in authority do not come out of it very well. And that includes a man who is trying to start a riot.

The scenery, the light, is amazing. I cannot fault this fault. This is one of my favourite films. If you have not seen it, give it a try. It is moving, but also have much humour. At one point they are rowing, then Patrick literally falls in the mire, then gets covered in feathers. They then both laugh. Such is their relationship.

A real delight.

The story is an odyssey, in which the director (Sam Pillsbury) airs his sense of social injustices, but in a reasonably gentle style (although the protest isn't gentle). The film also speaks to us in another age, far removed from depression era, post-WWI, New Zealand, though in fact, very little seems to have actually changed. After all, here in 21st century America, the poor are still being evicted and dumped onto the streets, soldiers are still send to fight and die for dubious (and fictitious) causes, while their veteran's benefits are slashed and their enlistment contracts are ignored. Far too many people must still seek medical help in charity institutions. Yet all the while we have to listen to the insufferable platitudes of officials declaring the wonders of the human condition in this great and wonderful land, while perhaps as many as 20 million American children will go to bed hungry tonight. Somewhere in this (not totally perfect) little treasure is a wry sense of humor between the embittered war-veteran (Peter Phelps) and the runaway teenage girl (Greer Robson, a great beauty, now a bit more grownup than the little girl who played the late and great Bruno Lawrence's daughter in "Smash Palace (1981)", now available on DVD). Their growing affection, in light of their mutual dependence on each other, provides the hint of a love story. I have always been very fond (sentimentally so, I admit) of this almost unknown little film. Unfortunately, now available only on previously viewed videotape, from private sellers (in the USA, see Amazon.com third-party sellers).

One of those films that I look back in with fond memories, but wouldn't stand up to any sort of scrutiny. Only writing this review because someone might read it. Not really much point writing down my thoughts on the Matrix! So Starlight Hotel. Sentimental old claptrap really. But at the same time, everything works out well in the end but it's not what you could call a happy ending. The New Zealand scenery is smashing, and the actors involved give a good performance. The ending really is quite moving, has to rank up there with Johnny Five getting the $#!+ kicked out of him by his two "friends" in Short Circuit 2. So there you have it, my first film review, and nobody any the wiser.

The initial plot set-up for "Starlight Hotel" is virtually identical to that of an American film made two years earlier called "The Journey of Natty Gann". Greer Robson plays young Kate, whose father leaves New Zealand to find work during the Great Depression. After things don't quite work out with being left behind, she decides to find her own way out to meet him. This film isn't quite as well-realized as the aforementioned American production, but it's still an excellent watch for kids. There's two major highlights here - the first is Greer Robson (who I'd liked in "Smash Palace", made six years earlier) who gives a very engaging, natural performance. The second is the vivid and beautiful cinematography by Warrick Attewell.

The major, distracting downside is the music. Instead of making something a little more chronologically appropriate for a film set in the 1930s, Andrew Hagen and Morton Wilson composed a soundtrack full of echoey synths and tickling pop piano. It's rages above the soundtrack like a whore with hideous makeup. It's the only time I've ever heard music that was so bad it came close to sinking an entire film.

There's all the inherent improbabilities one might expect from an adventure story aimed at younger audiences, but it doesn't fly in the face of reality too much. None of the humor is cheap or easy. "Starlight Hotel" is generally a lighthearted film, and by extension, a rather lightweight one as well. I enjoyed a lot. You should too, especially if you watch it with children.