Un justicier pas comme les autres

Based upon Will Eisner's comic book character, the movie manages to capture the essence of the hero while sacrificing the film noir elements of the original comic book. Here are all the trademarks of the original character: the torn shirt, the beautiful femme fatale, the cemetery, the rain storms. However, the film never looks "right" - the film appears low budget despite some very good actors and actresses. Part of the problem is the translation of the Spirit to the 1980's. Two scenes in the film stand out as classic Esiner: the scene in the foundry and the final fight in the museum. Not a great film but a fun way to spend an afternoon.

The 1986 TV movie of The Spirit was a pilot for a possible series. However, Spirit creator Will Eisner did not like the film and thus no series was produced. I thought it was a very entertaining film and captured the spirit (sorry) of the comic with a modern twist. I'm sorry it didn't materialize into a series. Sam (Flash Gordon) Jones was a perfect Spirit. Nana Visitor was a nice Ellen Dolan and of course would later go on to Star Trek:Deep Space Nine years later. Maybe with the release of Frank Miller's big-screen version of The Spirit, more people will be able to see this rare gem of Spirit history. It seems that when Hollywood makes a film from an already established character or idea, someone will inevitably seek out previous versions of the property and release it to video in order to make a few dollars. When Antonio Banderas donned the mask of Zorro, we were able to get earlier versions of the masked hero on DVD, such as the great Alain Delon version of the 1970s (although all copies I ever saw were badly edited). Heres hoping someone will release the TV adventure of The Spirit to DVD soon.

I saw this pilot when it was first shown, and I'm sure countless "Spirit" fans hate it, because, like Batman, the Green Hornet etc., it took the character in the direction of "camp". But I evidently never got enough of Batman, because I thought it was entertaining, in some of the same ways as that show. There are two parts that stay with me. First, when Denny's partner has been fatally wounded, and he makes a dramatic speech about how he always stood for the law, and obeying the exact letter of it. Then, he says something like, "Boy, was I stupid!" Which is his way of telling Denny to become a vigilante instead, which he does (though the TV Batman kind). Then, there's the scene where he tries to seduce the villainess into letting him go by kissing her, but she isn't fooled, because he's too honest to kiss her convincingly ! This was a great example of "camp", that was also "underplayed", by both the actor and actress.

This is an origin story, but does not dwell much on the character's origins. You get to see the moment he decides to become The Spirit, but not much of his story before that. The case he's trying to solve involves the curator of a museum being involved in criminal activity. The character himself is dumb, clumsy, and at times quite rude. It's hard to see why one should sympathize much with him.

The best thing with this movie (TV pilot) is also one of the things that makes it hard to take it seriously: it looks more like a music video then an action story. A bit similar to the Schumacher Batman-movies at times, while at other times it looks like any 80s TV-series. Especially the graveyard set reminds me of something like Michael Jackson's Thriller.

So is it worth a watch? Maybe if you have some sort of relationship with The Spirit, or if you like movies based on comic books. It's typical for its era, but that's about the only interesting thing about it.

I enjoyed this adaptation of The Spirit comics, and in many ways it caught the flavor and humor of the original stories. It had a nice cast of virtual unknowns, and hit all the marks for fun and adventure. Sam J. Jones did a creditable job, and Laura (McKinley) Robinson had P'Gell down cold, and was a gorgeous femme fatal. It had a low budget look, tho, for much of its length, and not enough of the wonderful camera angles The Spirit comic practically cried out for. That said, Will Eisner told me himself, at a ComicCon, that he would rather I never mentioned it again. He wanted a darker, more noir look to it, with a better cast. As for the re-make from 2008, which reeked, the less said the better - I'm sure Mr. Eisner would have plenty of negatives to talk about for that film; many, many more than for this one.