Philadelphia Security

Why this has never been released on DVD I'll never know, especially when so much grade-z rubbish has been given the lavish 'Special Edition' treatment. This is, quite simply, one of the finest 'revenge' genre films made and far more intelligent than most of it's type. I mean, just take a look at the cast: Tom Skerrit, Michael Sarrazin. These a class actors.

What makes Death Vengeance so strong are the well developed characters. You identify with them more than anything. Paul Kersey was someone who appealed to the lowest common denominator, those who liked to cheer violent characters responding in a totally over the top fashion. John D'Angelo seemed to be grounded more in reality, reacting in a way we can understand. While not always sympathetic, Skerrit's performance made him believable.

The film was marketed in a fairly deceptive way. This is more than just another shoot-em-up no-brainer and deserves to be recognised as such. Director Lewis Teague could have taken the easy option, thrown in lots of action set-pieces and had a sky-high bodycount. Instead, he decided to engage our brains instead of our base instincts. He, and the film need to be recognised for this. Shame this doesn't happen more often. See it and you will find an underrated and surprisingly thought provoking film.

I love these 1970s and early 80s gritty movies, and in this regard, the film delivers. The large old American cars, the street scenery, the police, etc. all has that feel that you don't get in today's movie. But overall, the film fails to deliver. By the middle of the movie I was starting to get bored waiting for something more interesting to happen. Much of the movie is also unrealistic. The police seem virtually non-existent, which is not genuine (even if the point is that a neighborhood watch is needed). The rivalry with the pimp also made no sense, there were a series of meetings which just did not flow with the plot. Overall, you are unlikely to be very satisfied with this film, although it is reasonably watchable. This is why the rating is in the 5-6 range and the film remains obscure. The few reviewers who gave it an 8 to 10 rating are waaaaaaay over-rating the movie and do not know what a true 9 or 10 movie is (in my view, only 4-6 movies a year can really be called a 9 or 10).

Here's an almost criminally forgotten post Death Wish gem from director Lewis Teague.

Whilst perhaps not as violent, nor as rewarding purely entertainment wise as the aforementioned pinnacle of the vigilante/revenge genre, this film approaches the issue of taking the law into one's own hands in a very different (and perhaps more realistic) manner and succeeds in delivering a solid ninety or so minutes of highly gripping viewing.

The always superb Tom Skerrit headlines as Michael D'Angelo, a humble greengrocer who is pushed too far by a series of brutal events and who subsequently decides to fight back by setting up a citizens patrol force in order to clean up the area in which he lives. Not giving too much away, but fuelled by his anger at the both the suffering of those around him and additionally the blatant inefficiency of the police force to tidy up the neighbourhood, Michael's methods are very hands on, leading to a number of violent altercations with the criminal denizens in the district.

Despite the nature of the subject material (perfect exploitation fodder), the director and cast performances manage to instill a far deeper sentiment into this than that usually found in a typical vigilante/revenge flick of the era. In fact, far from a simple tale of one mans war on crime, this serves in effect as a fascinating study of the social degeneration and general feeling of hopelessness, powerlessness and despair so prevalent in today's society at the escalating crime statistics and inefficacy of the law system to punish those responsible. The simple message is that together, as communities we can unite and turn the tide against this abject unhappiness for both ourselves and indeed future generations.

Rousing stuff indeed and highly recommended.

Set in South Philadelphia, Italian-American John D'Angelo (Tom Skerritt) runs a family owned deli with his pregnant wife Lisa (Patti LuPone.)

The neighbourhood is going to the dogs. His wife wants to move. Then his best friend is shot, his mother is attacked with her fingers are amputated and his wife loses the baby.

John organises a vigilante group with best friend Vince Morelli (Michael Sarrazin) a cop to make the streets safe. They form the People's Neighborhood Patrol.

Only they stir up violence and are accused of being racially motivated by Ivanhoe Washington (Yaphet Kotto) a black activist.

John has a particular grudge against a black pimp. His success though has the local politicians worried. They think John might run for the council.

The film has mixed signals about vigilante justice. The issue being who polices their excesses and it is clear that John is targeting the local blacks.

Fighting Back is supposed to be a more cerebral version of Death Wish. In the end it is just another exploitation movie but with better actors.

After his mother is brutally mugged in his own neighborhood and the Philadelphia police are unable to resolve the increasing rate of crime there, a delicatessen owner by the name of "John D'Angelo" (Tom Skerritt) decides to do something about it. So, to that effect, he manages to convince a number of his neighbors to help him form a neighborhood watch group to alert the local police whenever they see something suspicious or illegal taking place. What he doesn't count on, however, is the resistance to their group by, not only the criminals, but the local politicians as well. Now, rather than reveal any more, I will just say that I saw this movie when it first came out and I was as impressed by it then as I am with it today. And, although the main character was a bit too hot-headed at times, I still thought Tom Skerritt's added just the right amount of anger and passion to make this movie seem pretty realistic and I have rated it accordingly. Above average.