Eureka

I had never heard of Ed Lauter until he died a few months ago, even though I had seen him in a number of movies; he simply hadn't registered in my mind. While watching Nicolas Roeg's "Eureka", I was surprised to see that Lauter co-starred. I had also never heard of Harry Oakes until I read about the movie. The movie had a good plot but seemed as though it could've been shorter. In the end, I think that the main point to derive from the movie is that prestige makes people go crazy. Gene Hackman's character struck gold and it made him rich, causing him to go nuts, and the insanity extends to his acquaintances. As shown in "It's a Mad, Mad, Mad, Mad World" and "The Wolf of Wall Street", people will do anything for money.

Anyway, it's an OK not great movie.

Rarely has a film had so much potential, that goes unrealized. Gene Hackman and his gold discovery is beautifully photographed, yet so unlikely and unrealistic, that it seems surreal. From the moment things shift to the island, the movie plays like a beautiful montage, with story continuity only an afterthought. It becomes merely a series of images strung together with philosophical messages, huge time jumps, flashbacks, and metaphysical nonsense. Yet, the images of ultra violence, nudity, snow, gold flakes, and the Victorian splendor, will linger long after the movie ends. From that standpoint at least some of "Eureka"s potential is realized, but not enough to grab the greatness that was within grasp. - MERK

Weird, sloppy, self-indulgent, meta-physical, sometimes boring, sometimes hallucinatory: all these things describe this misfire from director Nicolas Roeg. Gene Hackman stars as a gold prospector in Alaska during the final days of the gold rush. Most of the people have given up and gone home at this point, but Hackman refuses. After a strange encounter with a meteor (I think) he receives some kind of lucky rock (I think) that gives him the extra push to find his gold strike. And does he ever. Cut to decades later, and he's fabulously wealthy, with a giant estate named Eureka. His grown daughter (Theresa Russell) has married a European playboy (Rutger Hauer) that dad doesn't approve of. There's also a shady consortium of some sort, headed by Jewish tough guy Joe Pesci (!) and represented by Italian lawyer Mickey Rourke (!), that needs Hackman's financial backing for some new endeavor.

The cinematography is beautiful, as it usually is in Roeg's films, but the plot is a mess of ham-handed symbolism and uninspired dramatics. The terrific cast, which also includes Ed Lauter, Joe Spinell and Corin Redgrave, is good, with Hackman the stand-out, as usual. Rourke looks scared and uncomfortable, which fits with his character, but he comes across more like he's fully aware of how wrong he is in the role. Russell and Hauer are both beautiful, and they both spend much of the film in various states of undress. There's also one of the most brutal, protracted murder scenes I've seen in a film in a long time. It's starts off shocking, but becomes rather ludicrous the longer it's dragged out. I can't really recommend this film to anyone except Hackman fans or fans of bizarre obscurities.

The Latter-Half of Nicolas Roeg's Filmography. A Career that Started On-Fire and Slowly Fizzled. Critics and Fans Did Not Associate or Relate to "Eureka" Fringy-Style and Off-Kilter Tone...Despite Similar Roeg Movies that Created the Buzz for the Cinematographer/Technician Turned Director in the First Place..."Performance" (1970)..."Walkabout" (1971)..."Don't Look Now" (1973)..."The Man Who Fell To Earth" (1976)..."Bad Timing" (1980)...

This String of Successful Out of the Box Offerings from Director Roeg is a Remarkable (both Critical and Financial) of Consistency that Hit a Chord. But Starting with "Eureka (1980) His Charm, Suddenly, No Longer Did the Trick and the Remainder of His Output is Considered, with Few Exceptions, Mediocre or just Bad.

"Eureka" became the "Kryptonite" for Roeg and He Never Seemed to Attain the "Magic" Again.

It's More Over-the-Top Disturbing. More Violent, More Decadent, More Outrageous Behavior, More of Everything. It's Still Roeg, but Roeg On Steroids Losing His Mind...

Unrestrained, Far From Grounded in Reality. Shocking Scenes, Including a Voodoo Ritual that Pulls No Punches, Sex, Ultra-Violent, and Disgusting Images.

A Dream Cast,,,Including Gene Hackman, Theresa Russell, Rutger Hauer, Joe Peci, Jane Laprtaire...

that All Seemed to Capitulate to the Rogue Roeg's Vision, of a Surreal Early 20th Century and the Monied Elite that Literally Lives on Their Own Private Island.

Nicolas Roeg, perhaps Guilty of Over-Reach that Pleased No One, and the Movie is Unsettling and Disturbing to Watch...but it's a Train-Wreck that has that Train-Wreck Allure that is Magnetism of "Rubber-Necking" and a "Guilty Pleasure" Watching the Dark-Side of Humanity that Contains Very Little Light.

Sounds Like a "Cult-Movie' Personified, but it's Not a Cult Movie Yet and is Mostly a Forgotten Misfire that Never Made its Mark, is Virtually Unknown, a Mystery Considering what's On and Behind the Screen. As Joe Pesci says in Oliver Stone's JFK..."It's a mystery wrapped in an Enigma"...By the Way...Pesci Plays, What Else? A Gangster and Nemesis to the Unhinged "Richest Man in the World"...Gene Hackman

The Movie Deserves A Closer Look, just because of All the Talented Folks that Put Together this "Crazy Man's Quilt. A Fascinating, if Bizarre and a Turn-Off for Most Folks. But Nonetheless an Artistic Experiment that is... Worth a Watch.

I remember watching this movie a couple of times on cable over a decade ago. I don't know if it was supposed to be a mystery or noir but one of the things that struck me was the poor picture (perhaps it was intentional to keep up the mystery) Generally, the actors did a very good job. I just feel the script was poor.