Les entrailles de l'enfer

I agree with many points made by fellow commentators. This was one of director Philippe Mora's best efforts: atmospheric, grisly and featuring an extraordinary cast of slumming actors. The makeup transformation effects by the Burman studio are quite well done. BUT...

Why isn't this called The BUG Within? This poor kid doesn't turn into a beast - he turns into a gosh-darn GIANT CICADA! WTF? Where did that come from? There's no explanation in the script, and according to those who've read the source novel, it's completely different from the original story. I remember seeing this at a United Artists screening in Los Angeles back in 1982. My buddy Mike and I were big horror fans, and after the screening let out we kept asking each other, "But why did he turn into a BUG?" Neither of us could come up with an answer then and obviously, even after all these years and with all these discussions on IMDb, no one else has either.

Screenwriter Tom Holland probably could however. Certainly he's proved himself a talent in the horror genre, with his terrific script for the first Psycho sequel and subsequent work on the first Child's Play and his directorial debut, Fright Night.

Philippe Mora has had a more checkered career. A strong visual stylist, he's struggled with poor choice of material such as the infamous sequel Howling III: The Marsupials.

The Bug - sorry, BEAST Within is definitely worth a look for horror buffs, but when you watch the big transformation scene two-thirds of the way through, I guarantee you'll be scratching your head afterwards. The makeup FX are pretty cool though.

If you like low to medium budget horrors with plenty of gore, you will not be disappointed in this and Paul Clemens does very well in the lead. Nobody else seems to try too hard, they seem more interested in outdoing each other in wearing the most outlandish wigs. Very watchable despite its shortcomings although it almost comes to a halt on several occasions. The set up is fine, if a little predictable, but the wild and terrible story could have been better told. At first this seems like a Jekyll and Hyde variant, then a vampire tale before it gets back to what it really was at the start, a gruesome tale of rape and impregnation by some swamp like creature. Nice idea and lots of nastiness but not very convincing and too many people wandering in and out to little effect. Have to say though, one amazing and absolutely disgusting transformation sequence at the end.

Paul Clemens first came to my attention, with an excellent performance as a teenager with tourettes syndrome in the "Quincy" episode, "Seldom silent, Never heard". When "Fangoria" revealed that he was going to star in this horror film, I got real interested. It was a blast to see at a Tucson drive in, on first release. (probably with a 6-pack of Molson's in the trunk)

The southern setting, (and the presence of Ronny Cox), give this mutant rape saga, a slight touch of "Deliverance". Clemens suffers as necessary, rather convincingly, until the Tom Burman effects take center stage towards the end. This is a very well acted horror film, unusual for this type and time, with some real twists, unlikely as they might be. Burman's effects are top drawer for the pre-digital age. The ending is as perverse, and ludicrous, as one could hope. Take it as you will, this is a longtime favorite, a real change of pace from the interchangeable masked, holiday killers. (you know, "Halloween", "New Year's Evil", "Hell Night", "My Bloody Valentine", "Prom Night", "Friday The 13th", etc...) Your response may change with your mood.

--Judexdot1--

"The Beast Within" was a staple of TNT's MonsterVision many years ago, and its unique (yet often convoluted) premise reveals why: how many movies have featured a bloodthirsty cicada monster? Based on the novel by Edward Levy (adapted by future "Child's Play" director Tom Holland), the plot has happy newlyweds Ronny Cox and Bibi Besch running afoul of terror along a backwoods Mississippi road, where Besch is raped by some vague, subhuman creature; 17 years later, son Paul Clemens is exhibiting some extreme growing pains that include the occasional ghastly murder when his parents return to the scene of the crime looking for answers. While the plot never really comes together as well as it should, "Beast" is a model of B-movie efficiency that utilizes atmosphere, location, and some supremely grotesque special effects to leave the viewer rattled (director Philippe Mora also has an excellent grasp of light and shadow to create mood). In hindsight, the film has the type of contained, small-town-America aesthetic that has become the watermark of Stephen King's prose, and the cast is appropriately comprised of rather typical faces, not marquee stars. In the end, "Beast" is a wonderfully ghastly little flick with a creepy story that's executed just well enough to overcome some poor acting and an occasionally sluggish pace.

If you enjoyed "The Terror Within" or "Humanoids From the Deep", then this movie is for you. It is a classic early eighties horror film about slimy creatures that rape young women, only to repeat the cycle at the end of the film. Special effects (by today's standards) are pretty thin, but still worth seeing.