Amor Estranho Amor

Vera Fischer, I'll always remember you. You were born to do this role. Only you can do this character Perfect.

Hollywood produces hundreds of action/cartoon/fantasy films each year. Look closely and you'll see they all mimic each other. Redundency is key in Hollywood. However if you seek a thinking film, which reaches into your every day life, look to Foreign Films. Here is one called " Amor Estranho Amor. " Roughly translated it means, 'Love, Strange Love. ' It's the story of a man, Hugo (adult - Walter Forster) who's returning to the family home he lived in when he was a very young Brazilian preteen boy growing up amid the governmental turmoil of the 1930's. Having been evicted by his Grandmother, he is taken to live in his mother's house, a glamorous, socially exclusive, high class Bordello. While there, Hugo as a child (Marcelo Ribeiro) recalls the two days he spent with his prostitute mother and a bevy of beautiful whores. While a group of political radicals plan the over throw of the government, Hugo is treated to the eye-popping candy delights of his youthful imagination, while his mother warns him of those same pleasures. The movie is stylish, often opulent with respects to the lavish settings, the gorgeous women and most startling with the innocent beauty of the boy and his mother. However, the stagnant dialog and poor acting of the principals leaves much to be desired. Although there is much controversy over the inter-action between the young boy and the lascivious courtesans, there is nothing in the movie to be feared by any save those who lack sophistication. As for those mature enough to accept this masterful art piece for what it is, the writer/director Walter Khouri, his cast Xuxa Meneghel, Tarcisio Meira and Vera Fishcher are to be praised as they have given the world a foreign Classic. Well done. *****

Being an old Brazilian movie, I didn't expect much. But even with all the prejudice, it still wasn't the worst I've ever seen. Xuxa draws attention to the unsuspecting viewer.

This Brazilian movie somewhat resembles the soapy, exploitative Brazilian "pornochachada" films of its era, but is a much more serious and arty (and pretentious) period film. The fairly serious plot is certainly not helped by the atrocious English dubbing of the existing VHS version, but the bigger problem is that the whole movie is even more laughably implausible than even the wildest, most out-there "pornochadas" I've seen.

The film is told in flashback as a fifty-something man remembers a brief period during WWII where he came to visit an upscale brothel managed by his mother. As political intrigue swirls both inside and outside the brothel, the twelve-year-old protagonist is seduced by no less than three of the prostitutes. The serious historical intrigue notwithstanding, it's very hard to buy (even in Brazil)that adult women working daily in the sex trade could not resist bedding a boy whose testicles probably haven't dropped yet. Obviously, the sex scenes between the nude adult women and the partially nude adolescent boy were (and still would be) considered controversial, but I think this movie is much less guilty of exploiting the adolescent male body than it is of exploiting the adolescent male fantasies that most adult males still vividly recall. (Besides if you're really looking at the twelve-year-old actor in the presence of all these voluptuous Brazilian women, I think it says a lot more about you than it does the movie).

As other reviews have mentioned, one of the prostitutes here is played Xuxa Menghel who went on to become a pretty big celebrity singer (and kiddie TV host!) in Brazil. She may indeed be the reason this rattling skeleton in her closet does not seemingly exist in any version with its native language. Still, she is undeniably sexy whether stripping out of a ridiculous bear costume or rubbing her naked self against the barely pubescent protagonist. She and some of the other women (including "pornochchada" regular Vanessa Alves)are really the only thing this overly serious, and at the same time, laughably ridiculous movie really has going for it.

I understand that this movie was made in a time where life was not running at a pace as fast as it is now; but even with this in mind it is just boring.

especially the director's obsession with blue eyes staring out of frozen faces in closeup is getting pretty annoying after some time. cut out all these "blue eyes staring" scenes and the length would probably get down to about 1.5 hours (instead of the actual 2 hours), making it more bearable.

also most of the dialogs are just unsatisfying and simple.

not being from brasil I don't get the point about xuxa, but her beauty and nakedness (together vera fischer and with all the other nude girls) at least accounts for a few points in my rating.