Les paumées du petit matin

This movie gets a bad rap as it is not your typical Jean Rollin vampire romp. I guess not every movie has to have nudity and violence. I can't believe that's coming from my mouth. But it kept my interest which is very hard to do with so many movie options nowadays. It's a story about caring for other people. The one girl Michelle is very attractive and I hate to say that if she was not "hot" the movie would not be watchable as shallow as that sounds but I'm being honest. I'm not proud of that statement it's the truth.

The Escapees is one of Jean Rollin's most obscure films. As I watched it I couldn't help but wonder just who this movie exactly was aimed at. It's a wilfully uncommercial film, even by Rollin's standards. And while I am for the most part a fan of the director's oeuvre I can't say I enjoyed this one very much at all. The main problem is it's so mundane and lacking in the otherworldly feel that is typical of the director's best work and is grounded too much in reality. While the basic idea of a couple of young melancholic girls on the run encountering a series of unusual events is textbook Rollin, the movie has none of the fantastique element to feed off. I've heard that this was a result of producers trying to impose certain restrictions on Rollin, and ensuring he did not make another of his idiosyncratic vampire movies. They wanted a more sell-able product but ironically ended up with an even less commercial film than the director would normally turn out. It's really not difficult to see why this became a lost film and effectively sank without a trace.

There are occasional moments that have the director's fingerprints all over them. Such as the scene in the ice rink at night. This memorable moment incorporates the poetic and slightly surreal imagery that Rollin is most loved for. Unfortunately, The Escapees rarely has any other sequences that approach this. Its fairly plot-less story just meanders from one low key scene to another with very little over all purpose. It doesn't feel like the director's heart is in this project and it isn't ultimately a lot of fun.

At one time this was one of Jean Rollin's lost films, but in the age of DVD/Blu-ray its becoming a thing of the past. So is it worth the lime-light(?)... for me, it's a no. That's not implying its awful, just strictly mundane and forgettable low-budget drama.

There's really nothing there, outside a couple of brief moments highlighting Rollin's signature touches (two young women, erotic lesbianism and haunting tragedy). It just lacked those surreal images or better put dream-like quality, instead favouring a glum, down-to- earth reality to tell a tale about the journey of a pair of runaways from an insane asylum. The journey doesn't really add up to much, as it meanders and falls on the repetitiveness with its talkative nature. Because visually it's not striking enough, the plot less nature is found out by being bogged down and it slowly moves from one scenario to another with little conviction. Although the last 10 minutes or so, is where Rollin shines (outside the intro and ice-skating ring scene).

Laurence Dubas and Christiane Coppé are quite good as the two runaways. Watching their neurotic relationship develop made the ending much more effective. Also showing up in a minor bit part is Rollin's regular Brigitte Lahaie.

"The Escapees" is nothing more, nothing less then a curio.

Escapees, The (1981)

** (out of 4)

Forgotten film from Rollin about two girls who escape from a mental hospital and go on an odyssey. Michelle is the rougher of the two as she knows how to survive. Marie on the other hand has a fear of people yet for some reason she is attached to Michelle and wants to stay close to her on this journey. If you're looking for some sort of plot then you're going to be disappointed because there isn't one here. In the interview on the DVD Rollin talks about the various issues with the production of the film and how when they finally got it filmed, no one wanted it. After being released on video in a few countries, the film was pretty much given away to air on TV before the eventual DVD release. I didn't think the film was as bad as many had made it out to be but it's not too good either and in the end this is certainly for Rollin completest only. Those new to the director would certainly be best to start with one of his vampire films or better known works like THE LIVING DEAD GIRL. This movie actually shares a lot in common with the director's 1980 film NIGHT OF THE HUNTED, which is one I really hated. This one here works if you view it as some sort of strange nightmare or surreal trip to some unknown world. Everything we see is a reality but you might as well look at it as some sort of dream because none of it really makes any sense and in the end you'll probably be asking yourself what the entire point of the film was. I'm not sure what the point was but we do get some classic touches from Rollin. One scene involves a rather beautiful ice-skating sequence that packs a nice little punch. Another scene happens just before it and that's when the girls are standing on some docks letting giant waves hit them. The sexuality in the film is actually quite low as is the nudity up until the very end when Brigitte Lahaie shows up and does a very sexy little number. The two female leads fit their roles just fine and the supporting cast isn't too bad either. The biggest flaw in the film is its 101-minute running time, which is just way too long considering nothing happens and there are several scenes that pretty much just replay things that have happened earlier.

It is surprising that this Jean Rollin film has no vampires, or cemetery and candelabra or even a gothic building and instead at the start a couple of young girls in an asylum. One is in the garden and a rocking chair creaking forlornly. Then she speaks for the first time and helps the other escape. There is a poetical way that the girls just appear with a gypsy like crew with exotic dancers and weird rowdy drinkers with a lovely stage with a junkyard filled with rubbish and a train that thunders through. The surreal scenes go to other ones without really any reason. Seemingly an ice rink appears after an odd place in an underground bar, a costume appears and she dances with a spotlight as if in magic. More with a big ship and other people liking to dance and in the end would seem to be a couple of swingers and from no were guns appear and suddenly there is flesh and death.