Les paumées du petit matin

Marie and Michelle are escaping from a lunatic asylum. Michelle is a tough girl who knows how to survive on the road, but the extremely shy Marie desperately clings to her until Michelle gives in and promises help. The two get into a lot of trouble which puts their friendship to a test.

Rollin's lost movie, and lost for a good reason, as the director told in several interviews (one on the British DVD, for example): it was simply so poor no distributor bought it. The director blames this mostly on the scriptwriter. The producer had hired someone to keep the director from continuing with his usual vampire mystery stuff, and that kind of co-operation against each other couldn't work. However, "The Escapees" has enough magic moments to be worth watching. Especially when people stop talking such as in the ending, or when Marie skates on the ice, imagining she is admired by a crowd, but only Michelle is secretly watching her.

Two young women escape from an insane asylum and are taken in by a travelling erotic dance troupe. When the travelling show is raided by the police they are out on the lamb again. They meet another young woman and come up with a plan to escape via ship. However, as with all of their adventures, nothing ever seems to go to plan.

Quite weak. Plot is a rambling, unfocused mess. There really doesn't seem any point to anything - it's just one random event after another. There are some reasonably interesting scenes towards the end but by then any engagement you had with the story or characters is gone, so the conclusion occurs in a vacuum.

Performances are okay but that's about the only positive thing I can find.

The Escapees is one of Jean Rollin's most obscure films. As I watched it I couldn't help but wonder just who this movie exactly was aimed at. It's a wilfully uncommercial film, even by Rollin's standards. And while I am for the most part a fan of the director's oeuvre I can't say I enjoyed this one very much at all. The main problem is it's so mundane and lacking in the otherworldly feel that is typical of the director's best work and is grounded too much in reality. While the basic idea of a couple of young melancholic girls on the run encountering a series of unusual events is textbook Rollin, the movie has none of the fantastique element to feed off. I've heard that this was a result of producers trying to impose certain restrictions on Rollin, and ensuring he did not make another of his idiosyncratic vampire movies. They wanted a more sell-able product but ironically ended up with an even less commercial film than the director would normally turn out. It's really not difficult to see why this became a lost film and effectively sank without a trace.

There are occasional moments that have the director's fingerprints all over them. Such as the scene in the ice rink at night. This memorable moment incorporates the poetic and slightly surreal imagery that Rollin is most loved for. Unfortunately, The Escapees rarely has any other sequences that approach this. Its fairly plot-less story just meanders from one low key scene to another with very little over all purpose. It doesn't feel like the director's heart is in this project and it isn't ultimately a lot of fun.

Rollin's 'Les Paumées du petit matin' is finally being released in the UK and US by Redemption Films, re-titled 'The Escapees'. In the same vein as Night of the Hunted and Requiem for a Vampire, Rollin tells the tale of two young runaway girls escaping from an institution.

It might not be as accomplished as some of Rollin's greats, but it contains truly unforgettable scenes, imbued with all the ethereal, surreal qualities of a stylish Rollin masterpiece.

The stunning Britte Lahaie makes an appearance, which is as good a reason as any to buy this film, and Redemption promise an original negative in their release.

Escapees, The (1981)

** (out of 4)

Forgotten film from Rollin about two girls who escape from a mental hospital and go on an odyssey. Michelle is the rougher of the two as she knows how to survive. Marie on the other hand has a fear of people yet for some reason she is attached to Michelle and wants to stay close to her on this journey. If you're looking for some sort of plot then you're going to be disappointed because there isn't one here. In the interview on the DVD Rollin talks about the various issues with the production of the film and how when they finally got it filmed, no one wanted it. After being released on video in a few countries, the film was pretty much given away to air on TV before the eventual DVD release. I didn't think the film was as bad as many had made it out to be but it's not too good either and in the end this is certainly for Rollin completest only. Those new to the director would certainly be best to start with one of his vampire films or better known works like THE LIVING DEAD GIRL. This movie actually shares a lot in common with the director's 1980 film NIGHT OF THE HUNTED, which is one I really hated. This one here works if you view it as some sort of strange nightmare or surreal trip to some unknown world. Everything we see is a reality but you might as well look at it as some sort of dream because none of it really makes any sense and in the end you'll probably be asking yourself what the entire point of the film was. I'm not sure what the point was but we do get some classic touches from Rollin. One scene involves a rather beautiful ice-skating sequence that packs a nice little punch. Another scene happens just before it and that's when the girls are standing on some docks letting giant waves hit them. The sexuality in the film is actually quite low as is the nudity up until the very end when Brigitte Lahaie shows up and does a very sexy little number. The two female leads fit their roles just fine and the supporting cast isn't too bad either. The biggest flaw in the film is its 101-minute running time, which is just way too long considering nothing happens and there are several scenes that pretty much just replay things that have happened earlier.