Two young women escape from an insane asylum and are taken in by a travelling erotic dance troupe. When the travelling show is raided by the police they are out on the lamb again.Two young women escape from an insane asylum and are taken in by a travelling erotic dance troupe. When the travelling show is raided by the police they are out on the lamb again.Two young women escape from an insane asylum and are taken in by a travelling erotic dance troupe. When the travelling show is raided by the police they are out on the lamb again.
Marianne Valiot
- Sophie
- (as Marianne Valio)
Pascale Vital
- Roger's Friend
- (as Céline Royce)
Jean-Loup Philippe
- Momo
- (as Jean-Lou Philippe)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
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The Escapees is one of Jean Rollin's most obscure films. As I watched it I couldn't help but wonder just who this movie exactly was aimed at. It's a wilfully uncommercial film, even by Rollin's standards. And while I am for the most part a fan of the director's oeuvre I can't say I enjoyed this one very much at all. The main problem is it's so mundane and lacking in the otherworldly feel that is typical of the director's best work and is grounded too much in reality. While the basic idea of a couple of young melancholic girls on the run encountering a series of unusual events is textbook Rollin, the movie has none of the fantastique element to feed off. I've heard that this was a result of producers trying to impose certain restrictions on Rollin, and ensuring he did not make another of his idiosyncratic vampire movies. They wanted a more sell-able product but ironically ended up with an even less commercial film than the director would normally turn out. It's really not difficult to see why this became a lost film and effectively sank without a trace.
There are occasional moments that have the director's fingerprints all over them. Such as the scene in the ice rink at night. This memorable moment incorporates the poetic and slightly surreal imagery that Rollin is most loved for. Unfortunately, The Escapees rarely has any other sequences that approach this. Its fairly plot-less story just meanders from one low key scene to another with very little over all purpose. It doesn't feel like the director's heart is in this project and it isn't ultimately a lot of fun.
There are occasional moments that have the director's fingerprints all over them. Such as the scene in the ice rink at night. This memorable moment incorporates the poetic and slightly surreal imagery that Rollin is most loved for. Unfortunately, The Escapees rarely has any other sequences that approach this. Its fairly plot-less story just meanders from one low key scene to another with very little over all purpose. It doesn't feel like the director's heart is in this project and it isn't ultimately a lot of fun.
This movie gets a bad rap as it is not your typical Jean Rollin vampire romp. I guess not every movie has to have nudity and violence. I can't believe that's coming from my mouth. But it kept my interest which is very hard to do with so many movie options nowadays. It's a story about caring for other people. The one girl Michelle is very attractive and I hate to say that if she was not "hot" the movie would not be watchable as shallow as that sounds but I'm being honest. I'm not proud of that statement it's the truth.
It is surprising that this Jean Rollin film has no vampires, or cemetery and candelabra or even a gothic building and instead at the start a couple of young girls in an asylum. One is in the garden and a rocking chair creaking forlornly. Then she speaks for the first time and helps the other escape. There is a poetical way that the girls just appear with a gypsy like crew with exotic dancers and weird rowdy drinkers with a lovely stage with a junkyard filled with rubbish and a train that thunders through. The surreal scenes go to other ones without really any reason. Seemingly an ice rink appears after an odd place in an underground bar, a costume appears and she dances with a spotlight as if in magic. More with a big ship and other people liking to dance and in the end would seem to be a couple of swingers and from no were guns appear and suddenly there is flesh and death.
Michelle and Marie (Laurence Dubas and Christiane Coppe) escape from a mental institution. While Michelle is strong and determined to get away, Marie is more emotional and grows very attached to Michelle.
Their journey leads them to a traveling troupe of performance artists (aka: strippers). When they join the group, Michelle desires thrills, excitement, and male companionship. Poor Marie only wants to be with Michelle. Forever.
When the pair hook up with a thief named Sophie (Marianne Valiot), they seem to have found peace at last. Alas, Marie's true insanity comes into play.
This is another adult fantasy film from Director Jean Rollin. Filled with odd characters and bizarre situations, THE ESCAPEES is, at its heart, a love story. There's far less nudity -at least until the finale- than in most Rollin projects. The plot is also more straightforward, less surreal.
Rollin drastically retrains his penchant for absurdity here! This does allow for some stretches of dullness, including the long-long-LONG goodbye sequence near the end! Fortunately, Marie's anthropophobia saves the day!
The denouement is pure, bloody Rollin...
Their journey leads them to a traveling troupe of performance artists (aka: strippers). When they join the group, Michelle desires thrills, excitement, and male companionship. Poor Marie only wants to be with Michelle. Forever.
When the pair hook up with a thief named Sophie (Marianne Valiot), they seem to have found peace at last. Alas, Marie's true insanity comes into play.
This is another adult fantasy film from Director Jean Rollin. Filled with odd characters and bizarre situations, THE ESCAPEES is, at its heart, a love story. There's far less nudity -at least until the finale- than in most Rollin projects. The plot is also more straightforward, less surreal.
Rollin drastically retrains his penchant for absurdity here! This does allow for some stretches of dullness, including the long-long-LONG goodbye sequence near the end! Fortunately, Marie's anthropophobia saves the day!
The denouement is pure, bloody Rollin...
Two young women escape from an insane asylum and are taken in by a travelling erotic dance troupe. When the travelling show is raided by the police they are out on the lamb again. They meet another young woman and come up with a plan to escape via ship. However, as with all of their adventures, nothing ever seems to go to plan.
Quite weak. Plot is a rambling, unfocused mess. There really doesn't seem any point to anything - it's just one random event after another. There are some reasonably interesting scenes towards the end but by then any engagement you had with the story or characters is gone, so the conclusion occurs in a vacuum.
Performances are okay but that's about the only positive thing I can find.
Quite weak. Plot is a rambling, unfocused mess. There really doesn't seem any point to anything - it's just one random event after another. There are some reasonably interesting scenes towards the end but by then any engagement you had with the story or characters is gone, so the conclusion occurs in a vacuum.
Performances are okay but that's about the only positive thing I can find.
Did you know
- TriviaChristiane Coppé was discovered by Jean Rollin through a bunch of photos in an office. Moreover, Coppe was specifically cast as Marie because she was a professional ice skater and hence could easily pull off the ice skating scene.
- How long is The Escapees?Powered by Alexa
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- Fuges mineures
- Filming locations
- Le Havre, Seine-Maritime, France(dock scenes)
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