Tigre blanc

This movie is fantastic. Don't be put off that Yuen Biao's character is completely annoying, and that some of the comedy is of the "guy with crossed eyes getting hit in the face" variety. This movie has at least for of the most memorable scenes I've ever enjoyed in a movie, including tailor-fu, laundry-fu, and doctor-fu. The lion dance is easily one of the coolest and most enjoyable set pieces in any kung fu movie. I saw this in a theater, and at the end of the lion dance, the entire room applauded. Both Kwan Tak-hing as Wong Fei-Hung and Sunny Yuen as White Tiger really stand out in the acting department. I've seen more powerful villains, but never one this psychotic and aggressive. Now that I think about it, I can't remember if White Tiger ever even speaks in the movie. His presence is so strong he certainly doesn't need to. This is an odd movie that doesn't fit the usual patterns. If you're not a fan of the Yuen Bros more goofy fare, like Taoism Drunkard, Drunken Tai-Chi or Young Taoism Fighter, see this anyway, it's much less random and silly, and the production values are very high. Don't miss it.

"Dreadnaught" is a consistently entertaining flick about Mousy (Yuen Biao), a hapless and clumsy coward who stumbles his way into plenty of trouble. While trying to collect a debt, he inadvertently runs afoul of a homicidal lunatic called White Tiger, and spends the rest of the movie being stalked by this freak. The flick is a very early attempt at a kung-fu/horror hybrid, with White Tiger sporting spooky Chinese opera-style make-up and frighteningly leaping into frame time and again. Of course, once he sneaks up on folks he karate chops them rather than stabs them. Still, the guy who plays White Tiger is genuinely creepy, and you really feel this guy's menacing presence. Yuen Biao is great as the goofy Mousy, tripping and falling his way in and out of danger. The fight scenes are excellent, played about half for laughs and half seriously. Add in Kwan Tak-Hing in his classic role as Wong Fei-Hung, and a couple of gross scenes involving ripping heads off chickens and cockroaches, and you've got the makings of a very intriguing kung-fu flick. If you're a fan of the slap-happy style of fighting perfected by Biao, Sammo Hung and Jackie Chan, and you like old school kung-fu stories, this one should be right up your alley.

Dreadnaught features Yuen Woo Ping's extreme talent for choreography and action direction. Fan's of any of his other work will no doubt be very pleased to sit through this oddly titled film. Also, fans of Yuen Biao (that's me), will also be very happy to pick this one up, (although, like "Circus Kids" his role in the film could be argued as criminally underused).

Again, set in Ming Dynasty China, this film sees the plight of Mousy (Biao), who happens to be a very shy, in-confident, and even cowardly laundry worker. His nature is revealed when we witness him trying to collect laundry debts from various townspeople - they push him around and give him nothing.

All the while, an evil and eccentric killer "White Tiger" takes pleasure in terrorising anyone who happens to be around, and, unfortunately for Mousy, he seems to be high on Tiger's list. But, again, like most Kung Fu films, it's not so much what is done, but rather how they do it. Thankfully, Dreadnaught does well in it's direction and choreography, but it does not excel.

Credits list Biao as the star, but I believe Leung Ka-Yan (who is Mousy's older brother in the film) deserves equal billing - they certainly have equal screen-time. "Foon", played by Ka-Yan, is a more well-rounded martial artist, and a student of the legendary Wong Fei Hung (played brilliantly and hilariously by Kwan Tak-Hing a la "Magnificent Butcher). The scene involving a rather violent tailor is worth the sitting alone.

Dreadnaught seems more of an unfocused film as compared to Woo Ping's other work(s). "Drunken Master" for example had a clear, snappy and balanced screenplay. We knew where we were supposed to be at in terms of all the plot elements. Dreadnaught fails on these grounds, and it's action sequences do not mesh pleasurably with the dialog as they do in Drunken Master.

I was expecting a "Snake in the Eagle's Shadow" for Yuen Biao, but rather, I see this film as three main action sequences starring various cast, tied together with the broad characterisation of Mr. White Tiger. It is by far one of the better Kung Fu films out there, but I'm afraid Yuen Woo Ping's other works do the same thing but better.

In a hotel room in Kunming, China, 2005, four western tourists were getting ready to go out for that day's restaurant round, then this movie was on by accident - and we couldn't stop watching! We actually laughed at the lame slapstick, the "lion dance" was terrific, the energy - as mentioned in another review - was perfect throughout! Excellent work.

Now I am at IMDb trying to check out this film, you see, we had to go 15 minutes before the ending to get to the restaurants before they closed, which was surprisingly hard to do with a random Chinese kung fu movie. We made sure to snap up the movie title, I'm going to watch this all the way.

Then I see here it's from 1981 - which wasn't expected at all. Very good film, might look like your classic low-quality run of the mill kung-fu, but believe me, this is a notch above the rest!

Even though the movie had stereotype characters like the cross-eye goofy cop or the bad guy with the facial flaw, Dreadnaught also had some way cool scenes. If you can bear sitting through the slow, run of the mill parts, you'll be rewarded with 3 major scenes [in order of awesomeness]: 1) the fighting Dragons 2) the opera theatre fight and 3) the tailor. It's a slapstick comedy too, so you'll have a few laughs, too. I just don't get the title.