Killer Constable

I'm what you'd call a devout Shaw Brothers fanatic. With that bias in mind, Killer Constable (Lightning Kung Fu) is an interesting diversion from your standard Shaw fare being made at the time. As others have stated before me, the "Kung Fu" in the US video re-title is a bit misleading as there is little to no actual kung fu in the film. Instead we're treated to a lot of swordplay. Not the kind of swordplay you'd expect to see in one of Chu Yuan's jiang hu epics, but a more gritty, rough-and-tumble style of fighting that almost seems out of place in a Shaw Brothers film (much of the action courtesy of a Japanese choreographer whose name escapes me). Shaw veteran Chen Kuan Tai (Boxer From Shantung, Crippled Avengers) plays the constable of the title, Ling Tien Ying, who is ordered to hunt down the men responsible for robbing the imperial treasury of 2 million taels of gold. To make matters interesting, he's given only 10 days to do it. Tien Ying is pretty damn ruthless. An anti-hero if there ever was one, but it's a testament to both Chen Kuan Tai as an actor and Kuei Chih Hung's skill a director that we still care what happens to this man and sympathize with him even after he's done some very questionable things. Speaking of director Kuei Chi Hung, he does a great job of instilling a strong sense of atmosphere and maintaining it throughout the picture. Also, anyone familiar with John Woo's The Killer will immediately recognize a couple of scenes that were clearly used/lifted for Woo's film nearly 10 years later. In fact it's so obvious that I'm surprised I've never read anyone commenting on it before. Perhaps it's due to this films lack of availability? Whatever the case, I'd be interested to hear Woo's take on it. Not to give too much away, but the scenes in question involve a blind girl and two antagonists at each other's throat in the same room, ready to kill one another. Both men play along in lying to the blind girl about the one man's identity and what his intentions really are. Sound familiar at all?

Leng Tian-Ying (Kuan Tai Chen) is known as the Killer Constable because as a police officer, he goes after bad guys with ruthless zeal, generally killing them rather than simply arresting the malefactors. When a fortune is stolen from the Imperial Treasury, he is given the task of finding and executing the culprits within ten days. With his best men at his side, he sets out to fulfill this task, but it seems that there are small armies of bad guys all around, all eager to shed his blood for a change....

This is an interesting combination of genres, including the wuxia martial arts system and a touch of noir cinema, creating a very entertaining and atmospheric visual feast. I must say that I soon lost track of just how many bad guys our hero was fighting, and who was on whose side, but it really doesn't matter with this kind of film, it's the spectacle of it all that counts. The only bit that truly puzzled me was a scene where a bunch of straw is set on fire, despite the fact that there has been an ongoing downpour of rain for the previous several scenes - wouldn't the straw be too soggy to light? But never mind, this show isn't about logic, it's about beautifully staged fighting and lots and lots of (clearly fake) blood; take it in that spirit and you'll be quite entertained.

The introduction scene of our main character made me think: does this have a moral to it? Can the justice be served without any questions asked? Are all criminals evil and deserving of dying? And is our main character human or rather able of showing some emotions to that point? And the movie kind of touches upon those things. It is not too complex, but you can see things displayed and you can apply your moral code to this. There are characters and decisions that apply to your choices .. and of course there are others too.

Shaw Brothers put movies out at a rapid speed and so many of them, that you may excused for not thinking highly of them ... that is before you actually see some. Of course even they have various degrees of quality, but this right here is more than good! Yes some things have not aged well (like the blood effects generally from back then and in this special case some of the weapons used that in some shots are clearly plastic) ... still this is as entertaining as it can be and yet still gives you some food for thought too

Actually, the title "Lightning Kung Fu" is a bit misleading. There is kung fu, but majority of fighting is swordplay.

Most kung fu movies from the 80s can be either really good or really cheesy. This one is unique since the hero isn't really a hero. The constable is so determined that he doesn't hesitate to kill. So, you get a very jaded portrayal here. However, during his mission, his outlook changes as his allies start to fall by the wayside.

The action scenes in this are really great to watch. There's one scene where an ambush in the dark leaves the constable battling enemies in pitch black! (it was a little difficult to see too). The sword fighting looks authentic and the clanging of blade against blade gets addicting after awhile. The constable's sword looks wicked cool too!! Unlike some cheesy martial arts movies, this one is more serious: you've got fighting, dialogue, then more fighting! Bad guys don't come one on one, they attack at once.

Definitely catch this one.

From the same director of the disturbing "Hex" (1980) and the gore jewel "Bewitched" (1981), an updated reinterpretation of Kung Fu classics such as "One-armed Swordsman" (1967) and "The 36th Chamber of Shaolin" (1978).

The film is about a police chief who is assigned to go in search of the thieves who have stolen two million gold bars from the capital. He will uncover a plot in which he will do justice with blood.

The film immediately takes on an almost feverish pace, thanks to the frantic editing in the style of Shaw Brothers. Excellent from a photographic point of view, especially the night scenes, they are pervaded by a dark blue that fully satisfies the viewer's view. The fights are fluid and fed with massive doses of blood. With a perfect mix of action and speech, cruelty and irony.

The only flaws are: The not very fluid panoramas and some shots to be discarded kept in assembly. In summary, a fresh and very smooth film. Beautiful, but with the blunders of those who produce films in a few months, in perfect Shaw Brothers style.