Vernon, Florida

I was fortunate when it came to viewing Vernon, Florida. It's a very small world in Hollywood and outside of that circle it seems you're lucky to know anybody. In documentary film-making I'd imagine that world shrinks even further with the film maker's and assistants spread out few and far between. While studying film production in West Palm, Florida I was lucky enough to have a teach who was a former student of Errol Morris. My opinion must have been in favor of thumbs up for Vernon - simply because our class was given more insight. An average viewer might shrug and scoff "Vernon" for being just an hour or so worth of candid interviews with crazy local yocals who have such a distorted view of reality their opinions just seem ludicrous. With a small introduction by Morris himself and highlights of Vernon by our teacher Mike -- the experience was more nostalgic, like watching embarrassing home movies of people you know. There's more behind "Vernon" then I think people realize, And much more explicitness to the likings of Snake the turkey hunter and others. The real crime here is that almost no one will ever know about it. The subtext sort of hangs in limbo because there's no narration and only so much we can learn about these people that they're not willing to reveal on their own. Still, this is the early work of a master docu film maker. It's the earliest example of how Morris' favorite angle for the depiction of society is through the wormhole everyone seems to hide the dark side. Something he explained with almost shocking tenacity in Mr. Death - perhaps his best work. Vernon, Florida is a freakfest, a splash of cold water that reality doesn't look the way you think it does. It's flat and unblinkingly straightforward and best of all... like it's characters, it doesn't seem to care in making much of a point, which ironically is the point itself.

I'm from Marianna, Florida, which is about 20 minutes from Vernon. Take that for what it's worth, but this film reminds me of both why I left and why I sometimes long to return.

Errol Morris finds some of the most beautiful freaks ever committed to film. Any fan of the documentary film medium is doing themselves a disservice by not viewing this film a number of times.

I regard "Vernon, Florida" as up there with what is in my opinion Errol's best work -- "Gates of Heaven", "The Thin Blue Line," and "A Brief History of Time."

"'I like the idea of making films about ostensibly nothing,' Morris told The New Yorker's Mark Singer. 'That's what all my movies are about. That and the idea that we're in a position of certainty, truth, infallible knowledge, when actually we're just a bunch of apes running around.'"

That's what I enjoy about Errol's films -- grabbing hold of just about any bit of chaos in the universe, and being able to find and appreciating the beauty and wonder that it holds.

I am grateful to Werner Herzog for convincing Errol Morris to become a filmmaker. "Vernon, Florida" is an intriguing look at the inhabitants of a small town with a beautiful setting in the southern United States. Like most of his films, if not all, Morris remains completely aloof, and instead allows his subjects to speak for themselves. One can easily mock the old, toothless men and the man who just loves "gobblers" (turkeys) but that would be too easy. There is something poignant about the way the people of this small town attempt to express their feelings, as if in many cases, they do not have the vocabulary to articulate their ideas. However, underlying their simple way of life is something that touches humanity. They love their lives and live them day to day without a care in the world. A friend of mine said that these guys are actually a lot smarter than we think because they know something better than probably anyone else around, even if it is cultivating worms. I think perhaps they know a lot more than we think about what it is to be human; they are earnest and humble. I watched this film three times and after each viewing I came to have a deeper appreciation for every one of them. Errol Morris is perhaps the best documentary filmmaker around today and this film was a little treat. A must see for all.

I think it is so funny that the small town from which I grew up has its very own DVD. The funny thing is the people are really like that in Vernon. I know Snake and Henry and they are some of the best people you will ever meet. The thing that was very amusing is they only showed talked with people who are kind of "out there" so to speak. But I think the movie is great. It reminds me of all the great times that I had in that town.You cherish times and places in life and Vernon is truly a place thats one of a kind. My parents still live there and own a Farm Supply Store in which they bring in a lot of customers from surrounding areas. Thanks to the producer and his team for making the movie.

well near it.....I remember seeing errol morris one autumn afternoon as he stood in the street with tripod and camera back in 1981....I had just gotten off from work at the elementary school (where I still teach)....its hard to remember how different things were then...because the physical side of vernon is still the same....although this is going to change soon....the widening of the main street is going to literally wipe out the town as we know it.

the jury is still out on the purpose of morris' film....most of the town folk look at it today as a mockery....however some who were in it thought differently then (movie stars)....I watched it recently (again) and took it at face value...it was funny....however knowing vernon like I do...I must say that in my days at vernon high school...I remember variety in the culture....all were not rednecks or eccentrics...

morris just let the cameras roll....if there were any genius in the filmaking....it was in the editing...as these characters were patched together to create this look at a seedy, unique town.

to me the "condescending" (as some of the critics have declared) part is summed up in the music (if you can call it music) at the very beginning...this sets the tone for the entire picture....on the other hand...the genuine honesty and realism in the turkey hunter's interview is just that...the reason I know that.... he is my cousin...I have known him all of my life...that attention to details is the way he tells stories...I have heard countless ones through the years.