Les uns et les autres

I am a professional musician. This film, in VHS, was presented to me by friends after my comments on the music I listened to on a cassette tape. I do not know how they did it as we were living in Southern Mexico at the time. I thank them profusely. All the music and, that dance at the end, is just simply outstanding. I do not know how any music lover could ever lessen a 10+ rating. I hope to find it on DVD someday. My two VHS tapes are good but what a blast it would be on DVD. The cast includes some great actors who seem to actually perform their musical parts. I get emotional with the story line, particularly the return of James Cahn to his Sarah. I recommend this to all.

Wow. I had seen a pared-down version of this amazing film when it was called BOLERO a decade or two back. Now that I have seen the uncut film, I'm in awe. As I grow older I seem to appreciate Claude Lelouch more and more. This one may be his masterpiece. Weaving together three generations and four families (German, French, American and Russian), the writer/director manages to run the gamut from wildly romantic to elegantly subdued (note the distanced reconciliation scene between mother and son late in the film) offering up whatever is called for at a given moment. Music is paramount to this movie--it is ever-present and holds the diverse threads together. The cast is amazing, too. What a coup. This is the kind of film I'll recommend to everyone, and now that it is out on DVD, movie lovers are all the luckier for it.

Well, I'm obviously not alone in saying this is the best, the greatest, the finest movie, etc. So what's with the rating? Again, as in many cases of movies with few votes, a small group skews the score to a ridiculous level. I saw this masterpiece in Paris when it came out in the early 1980's, and went back to see it the nest day. It was too much exquisite detail to take in during one sole session. The development of the characters, interwoven into the fabric of tragedy that was the war, the haunting Bolero by Ravel. Devastingly beautiful touching, and grand. Since this film, Lelouche (A MAN AND A WOMAN, LES MISERABLES (1994) has made a few films touching on his autobiographical experiences as a young Jew, during the Holocaust. This movie was made before there were dozens of them to compare to, like Lelouche's own perhaps just as good LES MIS... with Jean-Paul Belmondo. Having lived in France, I know there are many cinephiles who just outright hate Lelouche. These feelings, as I have experienced them, are thinly-veiled anti-semitic feelings. Say, it may be an "artsy" way of saying I'm an anti-semite: J'aime pas Lelouche. I think this is why this movie is undeservedly ranked so low in this base. I came across, and voted on it a while back, precisely because the rating shocked me so. As I went through the comments though today, I was happy to see I was not alone, and thought I would throw my "ten francs worth" in. I want to buy it for my collection.

Along three generations, the lives of different families in Russia, France, Germany and United States of America, all of them connected to music and dance, are affected by the World War II. In Russia, the Bolshoi ballerina Tatiana Itovitch (Rita Poelvoorde) loses her husband, the musician Boris Itovitch (Jorge Donn), in the Russian front. She raises alone their son, the professional dancer Sergei (Jorge Donn), who escapes from Soviet Union and coming to have a daughter, the also ballerina Tania. In France, the Jewish violinist Anne Meyer (Nicole Garcia) marries the pianist Simon Meyer (Robert Hossein), and both are sent to a concentration camp, where Simon dies. On the train travel to the camp, Simon leaves their baby son on the trails and he is raised by a priest, becoming the lawyer Robert Prat (Robert Hossein), who has a professional singer son. Also in France, in Paris after the war, the singer Evelyne (Evelyne Bouix) is accused of sleeping with the enemy, and moves to Dijon, where she has a daughter, Edith (Evelyne Bouix). In Germany, the pianist and conductor Karl Kremer (Daniel Olbrychski) leaves his wife Magda Kremer (Macha Méril) and their son to fight in the war. In USA, the famous pop singer Jack Glenn (James Caan) leaves his wife Suzan Glenn (Geraldine Chaplin) to join the army and entertain the troops in London. Their gay son Jason Glenn (James Caan) and daughter, the singer Sara Glenn (Geraldine Chaplin) become important persons in the show business. Their lives are entwined in a Red Cross presentation of the Ravel's Bolero in Paris.

"Les Uns et les Autres" is the masterpiece of Claude Lelouch and is one of my favorite movies ever. First time I saw it I was amazed with such a magnificent story. The direction, the story, the cast, the soundtrack, the location, everything works perfectly in this overwhelming film. The long scenes are fantastically well filmed and Claude Lelouch was certainly inspired when he made this wonder. Only a couple of months ago, this DVD was released in Brazil by the Brazilian distributor "Classicline" and yesterday I saw it again, for my delight after twenty and something years. The unknown Sharon Stone has a minor uncredited participation in the end of the movie, watching the show on TV in bed with Jack Glenn. "Les Uns et les Autres" is a highly recommended movie, for lovers of arts and cinema. My vote is ten.

Title (Brazil): "Retratos da Vida" ("Pictures of the Life")

Note: On 10 February 2014, I saw this wonderful movie again.

Just viewed this movie on a DVD from Netflix. This movie is what a motion picture can be in the hands of an intelligent and talented director.

The photography was wonderful, the use of color was spectacular, the sound was excellent, and the music and performances were top notch. I especially liked the full symphony orchestra segments and the American big band segments. The Folies-type musical numbers were also done with flair, and Geraldine Chaplin proved herself to be a classy cabaret singer (assuming her voice wasn't dubbed). Michel Legrand I believe was responsible for the music, which was first rate throughout.

All production values were of the highest order.

The final dance sequence, which lasted far longer than anything Hollywood would permit, was phenomenal; the late Jorge Donn was not Nureyev, but spectacular all the same. The robustness and uncompromisingly balletic style of the finale put the ballet sequences in a couple of American movies--American In Paris and Carousel-- in the shade.

Released in the U.S. as Bolero, apparently. Without car chases, explosions, etc., I doubt if it did very well at the box office over here.