Le Solitaire

This is one of the few Michael Mann films I can stand to watch. Caan is at his absolute peak here, with his intensity just blazing off the screen. The supporting cast is excellent, the edits are perfect, everything just clicks.

As has been noted by other reviewers, the technical aspects of this film are right on the money. All the locations are really there (or were at one time) and the settings didn't have to be faked up. Yes, Chicago and surrounding Chicagoland is really like this, folks.

I try to watch this thing every few years. Should buy a DVD, I guess, and insert it into my permanent circular film buffer.

Highly, highly recommended.

I've always been impressed by Micheal Mann's films. Starting with The Insider, I was intrigued by his camera-work and the use of music to compliment a scene.

With Thief, his directorial debut, he shows what movie fans will be in store for over the 30 years. Of course some of the techniques to steal are dated, but I loved the glossy, yet gritty atmosphere of the film. Tuesday Weld, was also quite good as Caan's love interest. It has an amazing ending as well.

The film is Waaaaaaay ahead of its time. And I was genuinely impressed with James Caans performance. This film is an underrated gem and should be viewed by Mann fans who liked Heat and Collateral.

8/10

Thief(1981) contains the best performance of James Caan as a professional thief in a rare leading role. He is complex and three deminsional as the protagonist, Frank. Thief(1981) is similar in many ideas to the Dustin Hoffman film, Straight Time(1977). One of the best directorial debut as Michael Mann gives a realistic portrayal of the hardships in being a professional thief. The movie does a good job in showing the corruption that Frank has to go against.

Its much better than Heat(1995) because it focuses on one person instead of trying to interweave in confusing detail the lives of two people who are opposite in job but the same in spirit. Willie Nelson is terrific in the small of of Frank's mentor, Okla. Robert Prosky is impressive as the father like crime boss, Leo. The heist scenes are the highlight of the film. Thief(1981) has to be one of the best movies to come out during the 1980s and is definitely the director's top film.

'Thief' is one of the most underrated movies of the 1980s, if not of all time. Made in the early 80s by TV veteran Michael Mann, and co-produced by the future "king" of action blockbusters Jerry Bruckheimer, this movie can almost be seen as the transition from 1970s character based crime DRAMA to 1980s flashy but brainless 1980s crime ACTION. In that sense 'Thief' is the last great 1970s movie of the 1980s. Mann made at least two great movies after this ('Manhunter' and 'Heat'), but I still think it is is his best and most satisfying work. James Caan believes that the movie contains his finest performance and I'm inclined to agree with him. Caan is dynamite throughout. He oozes charisma and is impossible to take your eyes off, but also gives a subtle and complex performance. The film works both as an exciting caper movie, and as a human drama. In many ways it is the best crime film to pull that off since Dassin's 'Rififi' in the mid 1950s. Cann is helped by a superb supporting cast, who on the surface may seem a motley bunch, but all are very good - Tuesday Weld ('Who'll Stop The Rain'), Jim Belushi (his movie debut), a memorable cameo from country legend Willie Nelson, and especially a fantastic turn from Robert Prosky. Prosky is probably best known to most viewers as the kindly father-figure he played in 'Hill Street Blues'. His turn here as a ruthless gangster is a complete eye opener! Prosky delivers one of the most vicious lines ever heard in a movie, which is a bit too extreme for me to quote here, but believe me, you will never forget it when you hear it! Many people seem to find Tangerine Dream's dated synth score to be extremely irritating but I actually enjoyed it and thought it helped build the mood. 'Thief' is a hardboiled crime classic and is highly recommended to any fan of the genre, especially those made in the 1970s. It is wildly underrated and deserves to be rediscovered by a larger audience. 'Thief' is simply one of THE great "lost" classics of the last thirty years.

Director Michael Mann sure loves his diner scenes. The scene in which Frank takes Jessie to the diner might very well be my favorite of the film, as it steadily proves that this more than just a film about heists and tough guys. James Caan is perfectly cast as Frank, and throughout the film he holds the weight of his performance up as if it were only five pounds, portraying Frank as tough, fearless and thick skinned. But in the diner, as well as in his interactions with Okla (played by Willie Nelson!!!) he is able to open us up to more. The photo Frank has in his wallet is a very strange yet alluring glimpse inside his mind and his heart that he would not otherwise show. Tuesday Weld's reactions as Jessie also help show us how he is slowly winning her over not just by being aggressive, but by showing vulnerability. From then on, I knew the film had established itself as a great one, as I now clearly understood Frank's true motivations. It proved to me that the film is just as much a character study than is a heist and gangster film. And boy, does it deliver on both fronts.