Sweet Sixteen

I won't post a long and detailed review of the movie, because it is a great little horror mystery film and there are several positive reviews already posted that said it better than i probably could have.

An interesting note is that this movie is actually on DVD in a couple of obscure "bargain boxsets". They are from BCI Eclipse, who release a lot of 10-Packs of old generic movies for a bargain price. The name of the boxsets are "Student Bodies" which is a 4-Pack, and also in a 10-Pack boxset called "Toga Party". The odd thing is the description on the boxes for these sets is wrong about the movie, it lists it as being some party movie...but it is not! It is indeed Sweet 16 from 1981 on DVD! The quality is pretty good for DVD too.

Greetings And Salutations, and welcome to my review of Sweet Sixteen; here's the breakdown of my ratings:

Story: 1.00 Direction: 1.00 Pace: 0.50 Acting: 1.25 Enjoyment: 1.00

TOTAL: 4.75 out of 10.00

Sweet Sixteen is one of those films that tries to be different. Sadly, in doing so, its effort is obvious and adds to the list of handicaps within the movie.

The story is your standard mysterious killer on the loose whodunnit. Regrettably, the writers fail to make the murders, the victims, or their stimuli piquant enough. I never cared about who was getting offed or who was committing the murders or their motives for the bloodshed. And induced disinterest is a terrible thing for a whodunnit. One reason for the indifference was the characters. You have your typical cowboys hating on the Native Americans - The customary rebellious Native American and his classic Grandfather figure, who is nonchalant with the whole situation. Another handicap in the story was its structuring. You can guess which person is questioned first by the Sherriff for the killings. Even though the Sherriff is proud to be part Native American, he still pursues Longshadow. In truth, the writers lean heavily towards him being the perpetrator. They could have easily chosen to make a stand about the racial unfairness of the area. They do hint at it a couple of times but never get their gnashers into the meat of the matter. It's a shame as it would have made a good hook and added some much-needed thought-provoking. Then there are the characters who are only around to drive the narrative in the writer's preferred direction - Like Dr John Morgan and, to a certain degree, even the Sheriff. There appears to be a lack of a leading character in this tale.

The direction is your routine affair. Most scenes are point-and-shoot with very little in the way of embellishments. And the tempo is your commonplace saunter. As with most films of this style, a varied pace and imaginative lighting and camerawork would have gone a long way to making the picture more intriguing. I found my attention drifting several times.

However, the most heat in this lukewarm picture is the cast. We have some serious talent in the roll-call. It's a shame the writers couldn't provide a better script and that the director couldn't guide them correctly. They all give their best with their bestowments. And, in some little way, it lifts the movie a tad.

Sweet Sixteen is not a great movie and nor is it ghastly. As such, I'd recommend it for one watch, though only if there's nothing more pressing for you to do, like learning to dance an Irish Jig.

Please feel free to visit my Killer Thriller Chillers lists to see where I ranked Sweet Sixteen.

Take Care & Stay Well.

RELEASED IN 1983 and directed by Jim Sotos, "Sweet 16" chronicles events in a West Texas town when a new family moves into town and there are a series of murders revolving around the 16 year-old daughter (Aleisa Shirley). The sheriff (Bo Hopkins) and deputy (Michael Cutt) try to track down the killer. Dana Kimmell and Steve Antin play the Sheriff's kids while Patrick Macnee and Susan Strasberg play the parents of the new girl.

While this is a slasher, it's not overly gory and could be categorized as a whodunit mystery. The story kicks off with a quality bar confrontation, which reveals the racial tension in the town between whites and Natives. Despite all the gushing over the new girl (Aleisa Shirley), she's not all that, i.e. no curves. Dana Kimmell is the real beauty here.

The cast is likable, particularly Hopkins as the main protagonist, and the early 80's ambiance is to die for. Don Shanks is notable as a kick axx Native. I liked the movie and enjoyed trying to figure out who the killer was amidst the red herrings, but found the wrap up a little eye-rolling and unsatisfying.

THE MOVIE RUNS 1 hour, 30 minutes and was shot on the outskirts of Los Angeles. WRITER: Erwin Goldman. ADDITIONAL CAST: Don Stroud is on hand as a troublemaking cowboy.

GRADE: B-

This is part horror, part mystery. I really liked this one because it has good acting, and a good story. Set in a small town, a young girl is suspected of murders in the town. But is it really her? Good movie that doesn't get a lot of play... rent it..

Beautiful teenager Melissa Morgan is a bit of a wild child, quickly attracting the attention of most of the local boys; however, those lucky enough to get close to her have a nasty habit of turning up dead.

This rather obscure 80s horror opens in classic stalk 'n' slash mode with a gratuitous shower scene, the 'sweet 16' of the title, schoolgirl Melissa (played by Aleisa Shirley, actually a good few years older than 16), giving herself a thorough wash for the benefit of the viewer. Normally, such a scene would be followed by the young woman, clad in a towel, leaving the shower to be stalked by a masked maniac, or would at least end with a false scare, but here there's no such payoff; it simply exists to get some gratuitous T&A on the screen, as does a later moment when the lovely girl goes skinny dipping.

Not that I'm complaining, because without the occasional spot of nudity from Shirley, this would be a lot less enjoyable, the actual horror content being fairly lame...

There are a number of killings throughout the film, but these are unexceptional stabbings shot in a frenzied manner at night, making them very disappointing for gore fans. The rest of the film consists primarily of dull police procedure, as Sheriff Dan Burke (Bo Hopkins) slowly pieces together clues to discover the identity of the killer, plus some clichéd racial tension between the town's rednecks and local Indians, none of which is particularly thrilling. In short, be grateful for the nekkidness when it happens.

4.5 out of 10, rounded up to 5 for IMDb.