Le survivant d'un monde parallèle

"The Survivor" is a bizarre, incomprehensible attempt at a horror story that barely registers as that or as anything at all.

The bits that one assumes are meant to be scary are merely confusing and come out of nowhere. The soundtrack signals to you that you're supposed to be scared, pummelling you with frantic music, but this is merely irritating since you can't understand what, if anything, you are supposed to be scared by.

The plot is actually fairly simple. So why is it so confusing? It's about a pilot who survives a plane crash that kills everyone else on board. He is visited by some kind of clairvoyant or something, played by Jenny Agutter, who is about as mystical in this role as the CEO of Wendy's was when he appeared in that training video (Youtube it). Her role in the plot is obvious on paper (how else is the movie going to get the supernatural bent going?), but when handled this badly, it becomes confusing and you wonder what she is there for.

The ending, I admit, was clever. It's just that everything that led up to it was so bad that it was completely wasted, like the rest of the movie was.

One of only a few James Herbert adaptations to reach the screen (the others being "Deadly Eyes" a.k.a. "The Rats", "Fluke", and "The Haunted"), this is a pretty effective movie overall. Directed by actor David Hemmings ("Blowup", "Deep Red"), it's handled with a large degree of sensitivity and subtlety, and is quite slowly paced as well, focusing on building its atmosphere rather than centering around shocks - all reasons why some horror fans might not care for it too much. But if you're patient with this one, you will be rewarded with a film that succeeds at creating a vague sense of unease and maintaining a level of unpredictability.

It certainly begins with a bang: a 747 plane crash lands in the Australian countryside, and its pilot Keller (Robert Powell) walks away without a scratch. Burdened with the guilt of being the only survivor, he's also suffering from amnesia and is determined to discover the cause of the crash. He's eventually assisted by a young woman with psychic abilities, played by an especially beautiful Jenny Agutter.

Also in the cast are Australian actress Angela Punch McGregor, whom you may remember as Michael Caine's leading lady in the film version of Peter Benchley's "The Island", and Hollywood legend Joseph Cotten, although Cotten truthfully never gets a whole lot to do as a local priest. Thankfully, Powell and Agutter are so good that they carry the movie quite well.

The paranormal is introduced into this moody story a bit at a time, with Hemmings never going for the cheap thrill; whatever violence is in the movie is mostly done off screen. Audiences may well appreciate the incredible work that the production does in creating a crash site, and enjoy the way that things wrap up with a creepy reveal / confrontation and a nifty (if not all that original) final twist.

As was said, this may not be to every taste, but genre fans looking for more obscure efforts from decades past are advised to look into it.

Seven out of 10.

Just after taking off, a Jetliner goes into a emergency landing, but the pilots can't control the situation and the plane crashes and presumably everybody is dead because of the state of the disaster. That's until out of the wreckage and flames, out comes walking the only survivor the pilot. When asked what happened, the pilot has temporary memory loss and because of that he's tortured by the guilt of being the only survivor. A woman who believes to be part of this accident joins the pilot on trying to figure out this baffling mystery, which somehow involves the restless spirits of the plane crash pushing the two to seek out the truth.

I remember when I came across the trailer for this flick on some rental video, and boy did it freak me out when I was kid, but that's going back and I just saw it for the first time now. And from what I saw, I got nothing but high praise for this Australian paranormal thriller. It isn't flawless, but there's something enthralling about the mystery of it all and it's a technically impressive production. 'The Survivor' which was adapted from James Herbert's novel was shot in Adelaide, Australia with some of the same crew of the previous film 'Harlequin' involved, but they managed to pull some international actors other then Robert Powell, but Jenny Agutter and Joseph Cotton too. And also some local faces Angela Punch-McGregor and Peter Summer who have small roles pop up.

David Hemming takes the pivotal role of director here and paints a very moody picture that has a vastly quiet stillness and baffling nature to all of it. The supernatural factor of the plot exploits the fear of this startling subject by having short pockets of intense shocks and taut suspense along way to its breathtaking climax. The supernatural element is one that haunts the mind and evokes such terror in the face. To get this feel it's depressingly downbeat. The advantage of that is that it doesn't cross away from that central idea and it's hard to know what's coming around each corner. Hemming also stages some unsettling moments with such vision. First off would be when the jetliner is going down and we see it from a street bystander's viewpoint and that of the crash site and wreckage is so damn eerie. The climax also packs a massive punch, but if you've seen some recent films in the last couple of years it might not come as a bigger surprise, but I for one didn't see it coming. The plot works rather well with it ambiguous and slowly paced structure, where we are still left with some more questions at the end, but saying that 'mostly' everything starts to fit into the puzzle with precision, where you learn there's a whole lot more to it then what we began with. Just after watching a couple of the X-files seasons over the last week or two, this is something that wouldn't feel out of placed in an x-files episode. The mystery thrives here in the plot and only for those who enjoy a good and highly creepy mystery with supernatural overtones.

Make sure you watch the film in wide screen to get John Seale's wide scope cinematography that was shot with such elegance and subtleness with a lot distinctive elements. It had a nice polished touch to it by working in every little detail with flashes of creativity and unsteadiness to proceedings. The choice of setting added even more to the unsettling nature with such beautiful backdrops that go hand-to-hand to mood of the characters and story. The score by Brian May succeeded too by really touching a nerve with its echoing emphasis on a air of creepiness, but to a soothing and innocent spell of suggestiveness. Also the highly effective sound effects creaked alertness. Exemplary performances are given from a top cast of talented internationals. Robert Powell is impressive as the stone-cold pilot Keller, Jenny Agutter is beautifully engaging as Hobbs who can get in touch with other-side and then there's Joseph Cotton putting in solid performance as The Priest. These believable characters you actually care for, especially because you join the two in their journey of discovery and torment to what really happened. Where you learn its fate between the connection of Keller and Hobbs. What keeps you gripped other than that of the great imagery, focused tension and fantastic performances is that of the heavy laced dialog, which drives the film into weird but compelling territory.

After two decades the film still holds up rather well and left me with a cold shudder after being thrown right into it. Startlingly good entertainment!

In 2000, Final Destination saw Death catching up with a group of passengers who narrowly avoid being killed in an air disaster. In 1984, Sole Survivor saw the only survivor of a plane crash being haunted by the ghosts of the dead. And four years before that, The Survivor centred on a pilot who miraculously walks from the wreckage of his downed passenger plane, only to be menaced by the spirits of those who weren't so lucky. Each successive film was inspired by the previous one, with The Survivor being based on a James Herbert novel. Rather surprisingly, the first film is the weakest of the three versions, having neither the creepy atmosphere of Sole Survivor, nor the imaginatively gory death scenes of Final Destination.

The film stars Robert Powell, whose face and curly hair upsets me; it also features Jenny Agutter, who makes me feel all funny in a good way. Unfortunately, the lovely Jenny really doesn't make up for Powell's presence (I'm still angry at having wasted time watching him in Harlequin, made the previous year), or for the fact that the film becomes incredibly slow and very boring once the airplane crash is over. The Survivor meanders aimlessly for an hour and a half, culminating with a twist ending that is more than a tad confusing: has Powell's character been dead the whole time? Have the dead returned to claim the only survivor? Is Jenny Agutter's character a ghost as well? I don't really have the answers, and I doubt you will either.

NB. The name of Powell's character, David Keller, is remarkably similar to David Kessler, the name of the protagonist in Agutter's next film, An American Werewolf in London. It doesn't end well for either man.

THE SURVIVOR is one of those cases where the trailer is a lot creepier and more entertaining than the film itself. The setup is quite intriguing: Robert Powell plays the pilot and sole survivor of a 747 crash in Adelaide, Australia. Jenny Agutter is a psychic medium who contacts him to inform him that the victims of the crash are angry lost souls and need him to set everything straight.

This film promises a lot but quickly degenerates into a very slowly paced thriller which gives us neither shocks nor gore in a misguided effort to try to play to both the audiences of high-brow scares and exploitation. It's no wonder it never hit American theaters as the film feels very, very foreign and doesn't have much in the way of action or entertainment value beyond its opening cataclysmic plane crash (which is handled surprisingly well). There's a little bit of creepiness to go around but much, much too little too late. Also the film obviously spent the lion's share of its budget on production design for its wrecked plane in field location, so unfortunately it feels pretty repetitive after the umpteenth time the characters come back to it.

I do have to give a special mention to the film's musical score however. Brian May is almost criminally marginalized as the composer for the Mad Max films as well as all-too-often confused with the guitarist from Queen. In my opinion he provided all of the best film music to come out of Australia during the 70's and 80's and this film has to be near the pinnacle of his work, up there with ROAD GAMES and TURKEY SHOOT.

Oddly for a film set in Australia the film doesn't have much home base representation among the principal cast. American acting legend Joseph Cotten is on-hand as a Catholic priest. This was his last major film role though sadly a waste as his character is completely superfluous.