Sphinx
- 1981
- Tous publics
- 1h 58m
IMDb RATING
5.2/10
1.9K
YOUR RATING
Egyptologist Erica Baron finds more than she bargained for during her long-planned trip to The Land of the Pharoahs: murder, theft, betrayal, love, and a mummy's curse.Egyptologist Erica Baron finds more than she bargained for during her long-planned trip to The Land of the Pharoahs: murder, theft, betrayal, love, and a mummy's curse.Egyptologist Erica Baron finds more than she bargained for during her long-planned trip to The Land of the Pharoahs: murder, theft, betrayal, love, and a mummy's curse.
- Director
- Writers
- Stars
John Gielgud
- Abdu-Hamdi
- (as Sir John Gielgud)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
Badly written adaptation of a bad novel and a badly directed film that relies on exotic locations and glitzy set decoration, featuring a beautiful "Egyptologist" who has never before been to Egypt, who takes a taxi from the Nile Hilton to the Cairo Museum (next door to each other), and goes into the tomb of Tutankhamun with a Polaroid camera to "do research". (If the public does not understand why this is laughable, they deserve this film). The title "Sphinx" has nothing to do with the plot, which is loosely about the discovery of a lost tomb. Not exactly PC because all the "good" Egyptians are played by Europeans and the "bad" Egyptians are played by Egyptians. In the opening credits the cast names are spelled out in hieroglyphs, which seems to be the extent of the research wasted on this turkey.
Okay, so Sphinx is not a great movie, but it's not a bad one, either. Funnily enough, with better film craft, it would be no worse than Raiders of the Lost Ark given they traffic in a lot of the same cliches. But that movie had a comic book nostalgia that gave it energy this film lacks. Without the window dressing, all that's left is the simplistic story. Notice I said story. There's not much here in terms of that, but there's a lot of plot. The characters never seem to tire of doing and saying any number of things to keep the movie going. Some are more interesting than others.
Leslie-Anne Warren, who looks particularly lovely here, plays an Egyptologist who gets pulled into various factions of graverobbers hoping to loot ancient Egyptian treasures. If you're a fan of old movies, you've seen this set up a million times before, the difference being this movie tries hard -- mistakenly -- to give it some solemnity that all those cliffhangers in the 1930s and 1940s did not. There's really no need. This is escapism, not drama, something that by the 1970s and 1980s, the people making the movies had forgotten.
Take Steven Spielberg. Like author Stephen King, he just recycled stuff we've seen a million times before. But Spielberg gave it a bit more gloss, turning B movie ideas in expensive amusement park rides that worked especially on audiences born in the 1950s and 1960s. The biggest problem with Sphinx is director Franklin Schaffner, a remarkably workmanlike filmmaker who somehow hit it big with some pseudo epics like Planet of the Apes and Patton. Now, even if you're a fan of no-nonsense, traditional directing, you'll notice how Schaffner seems to have little style or imagination.
The result is Sphinx often looks nice in terms of pure photography but lacks many of the components of great escapism. Add to it some sloppy editing that makes the story hard to follow, and you're left with a good idea never quite done.
Leslie-Anne Warren, who looks particularly lovely here, plays an Egyptologist who gets pulled into various factions of graverobbers hoping to loot ancient Egyptian treasures. If you're a fan of old movies, you've seen this set up a million times before, the difference being this movie tries hard -- mistakenly -- to give it some solemnity that all those cliffhangers in the 1930s and 1940s did not. There's really no need. This is escapism, not drama, something that by the 1970s and 1980s, the people making the movies had forgotten.
Take Steven Spielberg. Like author Stephen King, he just recycled stuff we've seen a million times before. But Spielberg gave it a bit more gloss, turning B movie ideas in expensive amusement park rides that worked especially on audiences born in the 1950s and 1960s. The biggest problem with Sphinx is director Franklin Schaffner, a remarkably workmanlike filmmaker who somehow hit it big with some pseudo epics like Planet of the Apes and Patton. Now, even if you're a fan of no-nonsense, traditional directing, you'll notice how Schaffner seems to have little style or imagination.
The result is Sphinx often looks nice in terms of pure photography but lacks many of the components of great escapism. Add to it some sloppy editing that makes the story hard to follow, and you're left with a good idea never quite done.
Lesley-Ann Down is an Egyptologist making her first trip to Egypt, fascinated by the Carter Expedition. A statue vanishes, and she goes on a search for it, with lots of locals, like Frank Langella, John Gielgud, and John Rhy-Davies showing up as she heads down to Luxor.
It's a very slow-moving film, with the magnificent camerawork of Ernest Day and Claude Renoir up and down the Nile valley keeping things visually interesting, if not always in terms of plot. There are vistas of scree, with a single magnificent building on it around Luxor, apparently, with the green of the river's shore a distant promise. Director Franklin Schaffner may have been the cat;'s pajamas as the 1960s ended and the 1970s began, but he was in a slide here; his next movie would be YES, GIORGIO.
It's a very slow-moving film, with the magnificent camerawork of Ernest Day and Claude Renoir up and down the Nile valley keeping things visually interesting, if not always in terms of plot. There are vistas of scree, with a single magnificent building on it around Luxor, apparently, with the green of the river's shore a distant promise. Director Franklin Schaffner may have been the cat;'s pajamas as the 1960s ended and the 1970s began, but he was in a slide here; his next movie would be YES, GIORGIO.
Sphinx isn't the greatest movie about Egypt, but it is somewhat entertaining. I'd probably buy it if it came out on DVD, but it wouldn't be my first choice. It's worth it to watch Leslie Ann Down, she's not the smartest Egyptologist, but she's still very easy on the eyes.
Lesley Anne Down plays Egyptologist Erica Baron who gets more than she bargained for when she becomes involved with the plundering of Egyptian artifacts on the black market, thrown in to this mix is murder, betrayal, love, and a mummy's curse! 'Sphinx' is one of those enjoyable films which is pure hokum which makes for a passable rainy day film.
Frank Langella plays Down's mysterious love interest. John Gielgud who is credited as 'Sir' has a small role as an antique dealer, it's interesting to see John Rhys Davies in this production before he appeared in the similarly themes 'Raiders' the Egyptian locations look great as photographed by Ernest Day it's great to see this film in it's original aspect ratio, as i've seen this on television in dreadful 'pan and scan''Sphinx' would make a great 'drinking game' for instance take a drink every time Lesley Anne Down screams!
Frank Langella plays Down's mysterious love interest. John Gielgud who is credited as 'Sir' has a small role as an antique dealer, it's interesting to see John Rhys Davies in this production before he appeared in the similarly themes 'Raiders' the Egyptian locations look great as photographed by Ernest Day it's great to see this film in it's original aspect ratio, as i've seen this on television in dreadful 'pan and scan''Sphinx' would make a great 'drinking game' for instance take a drink every time Lesley Anne Down screams!
Did you know
- TriviaSphinx (1981) was budgeted at $11 million with an expected 13-week shooting schedule, including five weeks of filming in Egypt at Cairo and Luxor. More than $1 million was spent on the interior sets built at the Mafilm Studios. It took six months to create these "vast sets," including a replica of King Tutankhamun's tomb and the undiscovered tomb of Seti I, with approximately 900 recreated artifacts. A negative, containing approximately 30 minutes of footage featuring a boat sequence in Luxor, disappeared in transit to Cairo, Egypt. But due to "international tensions," the incident was kept quiet.
- GoofsThe heroine takes a taxi from the Nile Hilton hotel to the Cairo Museum--those two buildings are more or less next door to each other (e.g. online guides for tourists say it is a five-minute walk). Taking a taxi instead of walking is not a goof. Maybe she was tired.
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Details
- Release date
- Country of origin
- Language
- Also known as
- Der Fluch der Sphinx
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $14,000,000 (estimated)
- Gross US & Canada
- $2,022,771
- Opening weekend US & Canada
- $439,564
- Feb 16, 1981
- Gross worldwide
- $2,022,771
- Runtime1 hour 58 minutes
- Color
- Sound mix
- Aspect ratio
- 2.35 : 1
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