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7.0/10
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Two friends from rival schools are turned against one another by a jealous chief who wants to eliminate those whose fighting styles may rival his own.Two friends from rival schools are turned against one another by a jealous chief who wants to eliminate those whose fighting styles may rival his own.Two friends from rival schools are turned against one another by a jealous chief who wants to eliminate those whose fighting styles may rival his own.
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Ho-Chiu Kei
- Monk
- (as Hao-Chao Chi)
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I'm a fan of both Wu Tang and HK martial arts films.
This movie is good as a kung fu flick, great if you are a Wu Tang fan, just to hear the samples in context.
But as a standalone its quite uneven.
The costumes are pretty decent. Many other films of this era are less picky about such details. I don't know if any are historically accurate, but they at least fit the actors, and have some details.
Sets are not too bad either.
The lighting and cinematography are mediocre. So you have a strange circumstance where you are looking at pretty well dressed actors in a believable set, but the camera is barely in focus lighting seems to mostly be single point or available light. And its 4:3 aspect ratio further takes it down a notch in presentation.
The acting is nothing to write home about. But its really the story that stinks. Its just kind of meanders and there isn't a real compelling story arc or character development.
However the fight choreo is pretty decent.
Thought it might even be Yuen Wo Ping.
Its really one of those films where you are twiddling your thumbs while people are talking then a fight breaks out and it has your attention again.
I'm being a little hard on it because its an 80's film. But it comes off like a 60's or 70's film. It should have better production value. Look at Jimmy Wang Yu's Master of the Flying Guilllotine. It's from 1976 but had better lighting and cinematography. The story is a trite, but it at least has a B plot. And some great characters!
Despite all my quibbles Gordon Liu is great.
This movie is good as a kung fu flick, great if you are a Wu Tang fan, just to hear the samples in context.
But as a standalone its quite uneven.
The costumes are pretty decent. Many other films of this era are less picky about such details. I don't know if any are historically accurate, but they at least fit the actors, and have some details.
Sets are not too bad either.
The lighting and cinematography are mediocre. So you have a strange circumstance where you are looking at pretty well dressed actors in a believable set, but the camera is barely in focus lighting seems to mostly be single point or available light. And its 4:3 aspect ratio further takes it down a notch in presentation.
The acting is nothing to write home about. But its really the story that stinks. Its just kind of meanders and there isn't a real compelling story arc or character development.
However the fight choreo is pretty decent.
Thought it might even be Yuen Wo Ping.
Its really one of those films where you are twiddling your thumbs while people are talking then a fight breaks out and it has your attention again.
I'm being a little hard on it because its an 80's film. But it comes off like a 60's or 70's film. It should have better production value. Look at Jimmy Wang Yu's Master of the Flying Guilllotine. It's from 1976 but had better lighting and cinematography. The story is a trite, but it at least has a B plot. And some great characters!
Despite all my quibbles Gordon Liu is great.
10johnruss
An excellent martial arts movie. My favorite part is the beginning sequence where the lone wu-tang warrior fights against a squad of monks. The beginning fight scene is worth every penny it costs you to buy the movie.
Shaolin and Wu Tang is pretty good, and fairly entertaining overall. It's a movie that's stuffed with so many martial arts movie narrative conventions it almost feels like a parody. It's got rival martial arts schools, spies, a shadowy villain, revenge, and intensive training scenes playing a part at just the point you'd expect them to be. It crams it all into a runtime of under 90 minutes, but doesn't feel silly enough to be a parody. It's more like a greatest hits compilation; all the good stuff you'd want from a martial arts story (arguably too much).
The action's really good, which is the main thing. It's not as frequently peppered with big scenes as some other martial arts movies, but there's enough. The less action-focused parts of Shaolin and Wu Tang are just fine. It doesn't waste time, and throws enough at you to make sure it's always interesting. The story isn't always charging forward, but non-action scenes tend to be brief in duration, which I think helps with the pacing.
Gordon Liu is also great here, as always. Some sites say he directed this, and some don't, so maybe he co-directed? Or did some scenes? There's not as much reliable info as there should be for a movie this solid, and similarly disappointing is how bad all the versions of it seem to be. This could really do with a remaster, and would deserve it.
Also, goes without saying, but it's definitely easy to recommend for anyone who likes Wu-Tang Clan's music.
The action's really good, which is the main thing. It's not as frequently peppered with big scenes as some other martial arts movies, but there's enough. The less action-focused parts of Shaolin and Wu Tang are just fine. It doesn't waste time, and throws enough at you to make sure it's always interesting. The story isn't always charging forward, but non-action scenes tend to be brief in duration, which I think helps with the pacing.
Gordon Liu is also great here, as always. Some sites say he directed this, and some don't, so maybe he co-directed? Or did some scenes? There's not as much reliable info as there should be for a movie this solid, and similarly disappointing is how bad all the versions of it seem to be. This could really do with a remaster, and would deserve it.
Also, goes without saying, but it's definitely easy to recommend for anyone who likes Wu-Tang Clan's music.
This 1983 actioner marks kung fu superstar Gordon Liu's directorial debut. Unfortunately, it also commemorates the moment at which the Shaolin trend in Hong Kong cinema became a schtick. Several of the training sequences from "The Thirty-Sixth Chamber of Shaolin" are re-enacted (Li Hai-sheng even returns as the contentious monk who, with his butterfly swords, challenges Gordon Liu's character), but they're divorced from the emotional impact they had in the earlier film. "Thirty-Sixth Chamber" was a martial arts movie, yes, but also a story about the triumph of the human spirit; "Shaolin and Wu Tang" is just a series of fight scenes woven together by a thin plot. Great fight scenes, certainly, but only that.
Gordon Liu plays the senior pupil of a Shaolin-style master. His best friend, the senior pupil of a master of the Wu Tang sword, is portrayed by Adam Cheng. A treacherous Manchu lord (Wang Lung-wei) pits the young friends against one another: Liu's resolve takes him to Shaolin Temple, where he becomes a monk, trains in the Buddhist fighting arts (first-hand this time) and vows to wipe out the Wu Tang school; Cheng, meanwhile, is detained at a Taoist monastery and learns the finer points of his sword style from the priests there. Will the two friends realize that they have been manipulated by the Manchu lord before they injure or even kill each other?
Characterization is sketchy, the drama almost entirely unconvincing. People die, but no one ever seems particularly distraught about it. Because the tragic events in the film are handled so awkwardly, I couldn't shake the feeling that I was watching mediocre community theatre. Granted, this isn't going to bother most viewers...but, on the basis of its reputation, I expected something more from "Shaolin and Wu Tang." Six stars for the fight scenes, dazzlingly choreographed by Liu Chia-liang.
Gordon Liu plays the senior pupil of a Shaolin-style master. His best friend, the senior pupil of a master of the Wu Tang sword, is portrayed by Adam Cheng. A treacherous Manchu lord (Wang Lung-wei) pits the young friends against one another: Liu's resolve takes him to Shaolin Temple, where he becomes a monk, trains in the Buddhist fighting arts (first-hand this time) and vows to wipe out the Wu Tang school; Cheng, meanwhile, is detained at a Taoist monastery and learns the finer points of his sword style from the priests there. Will the two friends realize that they have been manipulated by the Manchu lord before they injure or even kill each other?
Characterization is sketchy, the drama almost entirely unconvincing. People die, but no one ever seems particularly distraught about it. Because the tragic events in the film are handled so awkwardly, I couldn't shake the feeling that I was watching mediocre community theatre. Granted, this isn't going to bother most viewers...but, on the basis of its reputation, I expected something more from "Shaolin and Wu Tang." Six stars for the fight scenes, dazzlingly choreographed by Liu Chia-liang.
First, watch original English Dub. It just... has this charm that will grow on you. Both characters, the villain, and both sisters are just awesome. Johnny Wang as the villain is hilarious. He has NO tact! Idy Chan is also excellent in her role as Gordon Liu's sister. She steals every scene she's in! Li Ching is also great. You're honestly never sure if she's in it for herself, the villain, or some other purpose. And Gordon Liu & Adam Cheng are phenomenal as always. One of my favorite roles of Adam Cheng & Gordon Liu during this time period. The action & fight choreography is top-notch and still stands the test of time. Ever since I first saw it as a child in NY on Fox 5 after Saturday Morning Cartoons, I've been a fan of the film and the genre!
Did you know
- TriviaThe hip-hop group Wu-Tang Clan, from Staten Island NY, took their name from this film. The group also referred to Staten Island as "Shaolin" in their lyrics, and sampled the English dub of this film throughout their first album, "Enter the Wu-Tang (36 Chambers)"
- GoofsWhen the lord throws his sword at the wall during the wu-tang/shaolin contest, it hits with the blade full-length, flat, against it. In the next shot, it is stuck in the wall.
- ConnectionsReferenced in Zero Dark Thirty (2012)
- How long is Shaolin and Wu Tang?Powered by Alexa
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