A series of benefit concerts to raise money for Amnesty International. Performances include comedy skits and musical numbers by a varied cast of mostly British performers. Featuring several ... Read allA series of benefit concerts to raise money for Amnesty International. Performances include comedy skits and musical numbers by a varied cast of mostly British performers. Featuring several Monty Python members, Rowan Atkinson, and Peter Cook.A series of benefit concerts to raise money for Amnesty International. Performances include comedy skits and musical numbers by a varied cast of mostly British performers. Featuring several Monty Python members, Rowan Atkinson, and Peter Cook.
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Featured reviews
Peter Cook's judge sketch is a notable highlight, although some of it may be lost on people unfamiliar with the Jeremy Thorpe trial (Thorpe was a British politician who was acquitted of murder after the judge had led the jury to an outrageous degree in his summing up. 'Now go and consider your verdict....of not guilty').
The 'Interesting Facts' sketch with Cook and Cleese is an all time classic, up there with anything by Monty Python, Harry Enfield, Marty Feldman, Saturday Night Live or anyone.
One note of caution. I bought the DVD box set and both of Billy Connolly's routines have been excluded. I have no idea why, but it is a pity as he is in top form on this show.
As far as the comedy goes, it's a mixed bag. Some of the skits (particularly the ones written by the Pythons) were great and I did enjoy some of Peter Cooke's bits as well. New to the show was Rowan Atkinson, and sadly, his bits were among the worst on the show. However, he was still quite young and the more recent Amnesty International performances have been fantastic. Plus, he was excellent in filling in for Eric Idle in "The Old Codger Skit"--the best thing in the show. Other great Python bits that were recycled include the Cheese Shop and a Python-like skit that opened the show with Cooke and Cleese. But, for every very good bit, there seemed to be a flat one. Perhaps some of this is because Americans like myself are less familiar with the other comics and I had less of an emotional investment in their acts. Part of this also was because some things just weren't funny or the dialog was so hard to follow (without captions) that it was futile--particularly the long and deliberately rapid Shakespeare bit (which, to me, was the worst thing in the show--very tedious indeed). Still, for fans of British comedy, this is an excellent little stroll down memory lane--and worth seeing despite my reservations. And, it's a great deal better than the first film--especially since this film concentrated solely on the performances and not the unnecessary backstage action.
"The Secret Policeman's Ball" was the second benefit performance for the charity, Amnesty International. It followed the earlier "Pleasure at her Majesty's" in 1976. The Ball featured a most effective mix of old and new blood; from the old stable, several of the Pythons, Peter Cook at the height of his comic and satirical powers; from the new stable, Billy Connolly and Rowan Atkinson.
There were some old favourites among the acts (the "Four Yorkshiremen" and Python's "Cheese Shop"), but some of the new acts and sketches were inspired. In particular, Rowan Atkinson's sardonic "Schoolmaster", and Peter Cook's "Entirely a Matter for you", written specially for the occasion.
There is a minor musical landmark, with Pete Townsend (of the Who) reportedly forced to play acoustic rather than amplified for the first time in his life, alongside classical guitarist John Williams.
In later years, the subsequent Policeman's Balls were seen as a showcase for new talent with the result that several acts became over-the-top and hammed.
Notable praise goes to Rowan Atkinson, though. Considering that this was even before "Not the Nine O'Clock News" first being broadcast, this must have been a real important night for him. His "Schoolmaster" sketch is a delight. Also, him in Dudley Moore's shoes for the "End of the World" sketch makes it take off. For once, someone other than Peter Cook is the funniest part of a sketch! He also handled the "Four Yorkshiremen" sketch very well with other Pythons. Kudos for Rowan Atkinson; this is his breakthrough moment in comedy.
But you can't watch this and say that Peter Cook didn't steal the show because he quite simply steals every show! The "Interesting Facts" sketch really blew the whole thing open at the beginning. Cleese never laughs during a sketch, but Cook gets him to. Cook always leaves them in stitches. But, the real shining moment of the night is the "Entirely a Matter For You" sketch lampooning the Jeremy Thorpe case. If you don't know about the case before watching it, do the research. It'll actually make it funny. It's actually one of the funniest sketches ever made. It's sooooo perfect and Peter Cook is in top form during this. Just another reason of a million why Peter Cook was such a genius. You really don't know comedy if you don't know about Peter Cook.
Such a fantastic DVD that I watch constantly. It's brilliant, just brilliant!!!
Did you know
- TriviaThe film's opening credits declare that the stage production was slightly directed by John Cleese. When Cleese agreed to direct the show, he asked that his billing read "slightly directed by John Cleese".
- Quotes
[aside]
Judge: I hope you brought a toothbrush.
Judge: [aloud] Ladies and gentlemen of the jury, it is now my duty to advise you on how you should vote when you retire from this court. In the last few weeks we have all heard some pretty extraordinary allegations being made about one of the prettiest, about one of the most distinguished politicians ever to rise to high office in this country - or not, as you may think. We have heard, for example, from Mr Bex Bissell - a man who by his own admission is a liar, a humbug, a hypocrite, a vagabond, a loathsome spotted reptile and a self-confessed chicken strangler. You may choose, if you wish, to believe the transparent tissue of odious lies which streamed on and on from his disgusting, greedy, slavering lips. That is entirely a matter for you. Then we have been forced to listen to the pitiful whining of Mr Norma St.John Scott - a scrounger, parasite, pervert, a worm, a self-confessed player of the pink oboe; a man, or woman who by his, or her, own admission chews pillows! It would be hard to imagine, ladies and gentlemen of the jury, a more discredited and embittered man, a more unreliable witness upon whose testimony to convict a man who you may rightly think should have become Prime Minister of his country or President of the world. You may on the other hand choose to believe the evidence of Mrs Scott - in which case I can only say that you need psychiatric help of the type provided by the excellent Dr Gleadle. On the evidence of the so-called "hit man", Mr Olivia Newton-John, I would prefer to draw a discreet veil. He is, as we know, a man with a criminal past, but I like to think - ho, ho, ho - no criminal future. He is a piece of slimy refuse, unable to carry out the simplest murder plot without cocking it up, to the distress of many. On the other hand, you may think Mr Newton-John is one of the most intelligent, profound, sensitive and saintly personalities of our time. That is entirely a matter for you. I now turn to the evidence about the money and Mr Jack Haywire and Mr Nadir Rickshaw, neither of whom, as far as I can make out, are complete and utter crooks, though the latter in incontestably foreign and, you may well think, the very type to boil up foul-smelling biryanis at all hours of the night and keep you awake with his pagan limbo dancing. It is not contested by the defence that enormous sums of money flowed towards them in unusual ways. What happened to that money, we shall never know. But I put it to you, ladies and gentlemen of the jury, that there are a number of totally innocent ways in which that £20,000 could have been spent: on two tickets for Evita, a centre court seat at Wimbledon, or Mr Thrope may have decided simply to blow it all on a flutter on the Derby. That is his affair and it is not for us to pry. It will be a sad day for this country when a leading politician cannot spend his election expenses in any way he sees fit. One further point - you will probably have noticed that three of the defendants have very wisely chosen to exercise their inalienable right not to go into the witness box to answer a lot of impertinent questions. I will merely say that you are not to infer from this anything other than that they consider the evidence against them so flimsy that it was scarcely worth their while to rise from their seats and waste their breath denying these ludicrous charges. In closing, I would like to pay tribute to Mr Thrope's husband, Miriam, who has stood by him throughout this long and unnecessary ordeal. I know you will join me in wishing them well for a long and happy future. And now, being mindful of the fact that the Prudential Cup begins on Saturday, putting all such thoughts from your mind, you are now to retire - as indeed should I - you are now to retire, carefully to consider your verdict of "Not Guilty".
- ConnectionsEdited into The Secret Policeman's Other Ball (1982)
- SoundtracksWon't get Fooled Again
Written by Pete Townshend
Solo accoustic version Performed by Pete Townshend (as Pete Townsend)
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