Déviation mortelle

In ROAD GAMES, a long-haul trucker in Australia named Quid (Stacey Keach) is moving a load of pig carcasses. Along the way, he witnesses what could be a murder. The tension builds, as things start to add up to a serial killer on the loose scenario.

Enter Jamie Lee Curtis as a hitchhiker who turns out to be very helpful in tracking down the murderer. Together, the pair get too close for the killer's comfort.

ROAD GAMES is a cat and mouse film full of mystery and suspense. There are also heavy doses of dry humor. Mr. Keach and Ms. Curtis make a wonderful sleuthing team. Highly recommended for fans of both...

Roadgames is a pretty good thriller about truck driver Quid (Stacey Keach) follows what he suspects to be a serial killer along the Southern Australia interstates. Having only the circumstantial clues and never actually witnessing any of the murders, Quid isn't sure whether this guy really is the serial killer that police reports on the radio indicate, or whether it is Quid's psychological games about guessing what people on the road could be like when he passes a noisy family in a station wagon and guesses the occupation of the driver. Quid is pushed nearly to the brink of insanity as he tries to distinguish between fact and fiction as he and the green van play cat and mouse all over the outback.

It's a really good thriller and better than say, The Hitcher, another movie involving a serial killer along deserted highways that torments a driver. But the difference is that Quid has limited interaction with his suspect, because the whole time you're left guessing whether the guy in the green van is really a killer at all, or whether it was just another one of Quid's games meant to entertain himself, but gone totally out of control. The movie has very Hitchcock-esque traits such as building Quid up from a normal man to one that starts to develop something almost like a split personality as he drives himself crazy trying to figure out the deal his adversary. Or the way that everyone in town seems to turn against Quid even though he is supposed to be the innocent person here. It's also good with some of that good Stacey Keach sarcasm and delivery. I think he fit the part of Quid quite nicely. Despite the fact that the story starts to lose momentum towards the end (but not the conclusion), it is nonetheless, a pretty good thriller.

Road Games is an Ok suspense film by Hitchcock disciple Richard Franklin (see also Psycho II, Link, FX II:The Deadly Art of Illusion). It features a good performance by Stacy Keach as a lone truck driver transporting bacon across the Australian outback during a butcher's strike. Every now and then, Keach comes across other travellers on the road, one of whom is the driver of a mysterious green van. Keach, having heard about a serial killer on the loose on his radio, convinces himself that the driver of the green van is also the murderer the police are looking for. However, Keach takes such ludicrous and unorthodox actions to prove his theory that he ends up making himself look like the culprit.

The main theme here of an innocent man being mistaken for a murderer is as old as the hills. The freshness of this film is provided principally by the unconventional locale (Aussie outback) and the outlandish set of supporting characters introduced during the course of the film. The suspense is good during the main scenes, but in between the film loses momentum. Hardly surprising, since Keach spends much of the film alone, chatting away to himself and his pet dingo in the cab of his truck. Listening to a man talkking to himself is hardly the best way to build excitement. However, you can feel a prickle of terror in your heart during one particularly hair raising sequence in which Keach investigates a peculiar sound in the back of his lorry.

I like this film, but it's no classic. Just one of those quiet, forgotten gems that film buffs ought to seek out for a rainy day.

Richard Franklin's potboiler "Road Games" is quite an accomplishment of Australian cinema. That's right Quentin. I know we agree. While transporting pork to Perth trough the whole Australia, American truck driver Pat Quid (Stacy Keach) traces a serial killer who tries to get rid of the body of the girl he's recently murdered. In the meantime, Pat meets Pamela (Jamie Lee Curtis) who decides to help him capture the dangerous psycho. Due to its tone, the movie feels like Hitchcock's "Rear Window" on the road. Screenwriter Everet De Roche presents travellers as some kind of integral community comprising of totally different people connected by accident. It's to director Franklin's credit though that the movie is so frantic and suspenseful throughout. There are moments of sheer genius when the movie gets almost unbearably tense in its crucial scenes including unique finale. All in all, "Road Games" is a cleverly scripted, refreshing thriller that just waits to be rediscovered and admired. 8/10 (B+)

It's amazing how many pleasant treats you'll find on TV Friday nights at one o'clock in the morning. Take "Roadgames" (or "Road Games") for example: The Hitchcockian story of a trucker delivering meat across Australia who becomes entangled in a possible mystery involving an unapprehensible serial killer who may or may not have murdered a helpless hitchhiker traveling the roads he's driving on.

Often referred to as "Rear Window" on the road, self-proclaimed Hitchcock enthusiast Richard Franklin has directed a quaint, low-budget thriller with a likable (although quite unusual) lead actor in the role of Frustrated Hero.

Pat Quid (Stacy Keach--who is indeed a man) is driving across Australia in a meat truck when he thinks he's noticed a strange happening--a man in a van seems to be burying a bag in the middle of a desert in Australia, and when he is noticed he climbs back into his blue van and speeds away into the distance.

Pat puts this event into the back of his mind when he decides against regulations to pick up a wandering hitchhiker named Pam Rushworth (Jamie Lee Curtis), who has run away from home in an effort to escape her famous father's life. The two bond together on the road and have some fun playing various games--until she is kidnapped by the same strange man in a van. At first, Pat thinks he's just being paranoid--he even starts to think that Pam left him for the man.

But then he realizes that Pam has indeed been kidnapped, and he suspects that the strange man in the van might be a notorious serial killer who has been killing young women and scattering their body parts miles apart from each other.

After the police offer no help, Pat takes matters into his own hands and sets off on a quest to bring back Pam to safety and apprehend the killer before he can strike again. Some twists and turns ensue, although nothing very surprising.

If this were a mainstream horror film with an overblown budget and big-name actors, I'd probably give "Roadgames" a bad rating. But this is the type of pleasant, likable low-budget thriller that is easy to watch and knows it's nothing more than a shadow of greater film noir mysteries/thrillers like "Rear Window" or "The Third Man"--the type of film that thrusts its hero on a one-man venture into the heart of darkness in order to find out the truth.

Stacy Keach is strikingly likable as the lonely trucker who talks to his own pet dingo as he drives along, contemplating all types of conspiracy theories about serial killers and mysteries. What could definitely become tiring--listening to a man talk to his dingo for the majority of a movie, that is--actually becomes quite fun. Keach is funny, nice, and just...likable! Too bad his career was put on hold years later after he got arrested for smuggling cocaine...

The director, Richard Franklin, is a huge Hitchcock fan--and it shows. This film is like a sort of remake of "Rear Window" and other such mystery-thrillers. It's loads of fun and an easy watch. (Trivia note: Franklin directed "Psycho II," the sequel to Hitchcock's 1960 classic original.)

I can definitely say that this film is most like "Breakdown," the Jonathan Mostow movie starring Kurt Russell as a man who loses his wife to a trucker and tries to get her back, even though there seems to be no evidence of her disappearance. But unlike the great "Breakdown," this film doesn't wither away in the second half and turn into a disappointing movie--it remains strong throughout, and yes, it has plenty of nods towards Hitchcock. (Check out the magazines Curtis starts sorting through--there he is!)

3.5/5 stars.

• John Ulmer