IMDb RATING
5.1/10
4.6K
YOUR RATING
An immigrant housemaid seduces a 15-year-old boy and later fakes her own death as part of his chauffeur's blackmail plot. Troubles arise when the two start to fall in love.An immigrant housemaid seduces a 15-year-old boy and later fakes her own death as part of his chauffeur's blackmail plot. Troubles arise when the two start to fall in love.An immigrant housemaid seduces a 15-year-old boy and later fakes her own death as part of his chauffeur's blackmail plot. Troubles arise when the two start to fall in love.
- Awards
- 1 nomination total
Pamela Jean Bryant
- Joyce
- (as Pamela Bryant)
Beans Morocco
- Green
- (as Dan Barrows)
Linda M. Bass
- Woman in movie theater audience
- (uncredited)
David Lee Rawlings
- Lover boy
- (uncredited)
Featured reviews
Private Lessons (1981)
** 1/2 (out of 4)
The 15-year-old Phillip (Eric Brown) is starting to understand the bodies of women but he gets some "private lessons" from his maid (Sylvia Kristel). What he doesn't know is that the chauffeur (Howard Hesseman) is using her to blackmail the rich kid's father. If the visuals of an older woman having sex with a 15-year-old kid bothers you then it would be best to stay away from this film, which is without question one of the more "out there" entries in the long-running list of teen/sex comedies from the decade. I'm really not sure why anyone would take this too offensive, although I'm sure all hell would break loose if the roles were reversed and you had an older man giving private lessons to a teen girl. The film, for the most part, never takes itself too serious and instead comes off as a typical fantasy as the horny boy grows closer and closer the perfect woman. The film manages to be quite charming up until the final act, which nearly kills the things. I'm really not sure why they needed the subplot of the blackmail because it's not funny and really adds nothing to the film. The relationship between the boy and maid takes up the first hour and it actually turns into something nice but then it all gets thrown away with the blackmail. The best moments of the film happen after the boy fails to get some because he's too scared and then has to take some jokes by his friend. Brown does a pretty good job in the role of the kid and makes for a nice lead. Hesseman is good as the scumbag driver but it's Kristel's body that steals the film. She'll never be accused of being a good actress but she knows how to be sexual and that's all that is needed here. The soundtrack is also a great one as we get John Mellencamp's 'I Need a Lover', Earth Wind & Fire's 'Fantasy', Eric Clapton's 'Next Time You See Here' plus Rod Stewart's 'Hot Legs', 'Tonight's the Night' and 'You're in My Heart'. Fans of this genre will certainly find enough nudity, cheap laughs and more nudity to keep them entertained.
** 1/2 (out of 4)
The 15-year-old Phillip (Eric Brown) is starting to understand the bodies of women but he gets some "private lessons" from his maid (Sylvia Kristel). What he doesn't know is that the chauffeur (Howard Hesseman) is using her to blackmail the rich kid's father. If the visuals of an older woman having sex with a 15-year-old kid bothers you then it would be best to stay away from this film, which is without question one of the more "out there" entries in the long-running list of teen/sex comedies from the decade. I'm really not sure why anyone would take this too offensive, although I'm sure all hell would break loose if the roles were reversed and you had an older man giving private lessons to a teen girl. The film, for the most part, never takes itself too serious and instead comes off as a typical fantasy as the horny boy grows closer and closer the perfect woman. The film manages to be quite charming up until the final act, which nearly kills the things. I'm really not sure why they needed the subplot of the blackmail because it's not funny and really adds nothing to the film. The relationship between the boy and maid takes up the first hour and it actually turns into something nice but then it all gets thrown away with the blackmail. The best moments of the film happen after the boy fails to get some because he's too scared and then has to take some jokes by his friend. Brown does a pretty good job in the role of the kid and makes for a nice lead. Hesseman is good as the scumbag driver but it's Kristel's body that steals the film. She'll never be accused of being a good actress but she knows how to be sexual and that's all that is needed here. The soundtrack is also a great one as we get John Mellencamp's 'I Need a Lover', Earth Wind & Fire's 'Fantasy', Eric Clapton's 'Next Time You See Here' plus Rod Stewart's 'Hot Legs', 'Tonight's the Night' and 'You're in My Heart'. Fans of this genre will certainly find enough nudity, cheap laughs and more nudity to keep them entertained.
Great topic about a boy coming of age lead by an older mature woman. The movie gathered much publicity not only in the US, and Europe, but also in Asia when it came out.
The movie was made in the transitional time when the raw sexual expression of the '70s was starting to change to cuter expression of the '80s. It carries some of the sexual topics that were prevalent in the '70s, but the expression is much more juvenile and charming.
Silvia Kristel was spot on for the role. She was by then well known for her role in the movie "Emanuelle". The movie was like the "JAWS" of that segment of the movie industry. Just like Richard Dreyfus became a big star, Krystel rightfully became a star.
The movie doesn't have much story to it, but it's mostly about the comical scene of youngster getting seduced by an older woman. Even so, the movie keeps things entertaining, and it's a good movie even after all these years.
I kind of liked the subplot that went between Phillip and Sherman too.
A good movie that captures the culture of the early '80s.
The movie was made in the transitional time when the raw sexual expression of the '70s was starting to change to cuter expression of the '80s. It carries some of the sexual topics that were prevalent in the '70s, but the expression is much more juvenile and charming.
Silvia Kristel was spot on for the role. She was by then well known for her role in the movie "Emanuelle". The movie was like the "JAWS" of that segment of the movie industry. Just like Richard Dreyfus became a big star, Krystel rightfully became a star.
The movie doesn't have much story to it, but it's mostly about the comical scene of youngster getting seduced by an older woman. Even so, the movie keeps things entertaining, and it's a good movie even after all these years.
I kind of liked the subplot that went between Phillip and Sherman too.
A good movie that captures the culture of the early '80s.
Every boy's wet dream
well that's how the early 80's sex teen comedy "Private Lessons" plays out
and maybe more audacious than most with its precariously lurid context. While I wouldn't call it one of the best of its sub-genre, it still was rather a popular and influential outing that would spawn knockoffs like "Homework", "My Tutor" and to some extent "Class". This is one of those films that its best to just go along with its low-brow attitude, as its quite asinine (especially the plot progression)cringe-like (with the circumstances characters find themselves in) and smutty. But then again the hormones run wild. Older lady
young boy. What fantasy can you think up?
15 year old Philly Fillmore's father has gone away on business, where he's left home alone with Nicole the new French housemaid. Soon Philly becomes infatuated in her, but her open advancements towards him come at a surprise. While shy at first, she slowly starts gaining his affection. But unknowingly to him, his crooked chauffeur Lester has blackmailed Nicole to seduce Philly in the scheme of getting money out of him.
What the film has going for it is the iconic soundtrack of buoyant tunes from the likes of Rod Stewart, Eric Clapton, Crazy Horse, Air Supply and Earth, Wind & Fire. It was like a jukebox at times with some oddly placed tunes. The other distracting element (other than spending a lot time leering of its attractive female cast and extras) was that of European goddess, Emmanuelle's Sylvia Kristal as teasingly upfront foreign housemaid. She looks beautiful; the best moment arises when she seductively strips in front of a gobs-smacked Eric Brown. Although another body double was used for Kristal's nude scenes. Eric Brown plays the gawky naïve young lad Philly whose curiosity turns to obsession --- in what he believes is love for the housemaid. Howard Hesseman is good as the deviously slim bag chauffeur Lester and Ed Begley Jr. has fun with his little support role. In one humorous sequence he does his best "Dirty Harry" persona with Hesseman at the end of it. Patrick Piccininni plays Philly's obnoxious pal Sherman and Pamela Jean Bryant is Sherman's stuck-up older sister that Philly kind of fancies. Or better put likes to see naked. Ron Foster turns up as Philly's father and Dan Barrows amusingly chips in as the gardener. Also showing up in minor, but enjoyable parts are Peter Elbling, Dan Greenberg (the writer) and a delightfully titillating Meridith Baer as an uptight school teacher. It's technically well-made by director Alan Myerson and breezily paced with Greenberg's simple material.
15 year old Philly Fillmore's father has gone away on business, where he's left home alone with Nicole the new French housemaid. Soon Philly becomes infatuated in her, but her open advancements towards him come at a surprise. While shy at first, she slowly starts gaining his affection. But unknowingly to him, his crooked chauffeur Lester has blackmailed Nicole to seduce Philly in the scheme of getting money out of him.
What the film has going for it is the iconic soundtrack of buoyant tunes from the likes of Rod Stewart, Eric Clapton, Crazy Horse, Air Supply and Earth, Wind & Fire. It was like a jukebox at times with some oddly placed tunes. The other distracting element (other than spending a lot time leering of its attractive female cast and extras) was that of European goddess, Emmanuelle's Sylvia Kristal as teasingly upfront foreign housemaid. She looks beautiful; the best moment arises when she seductively strips in front of a gobs-smacked Eric Brown. Although another body double was used for Kristal's nude scenes. Eric Brown plays the gawky naïve young lad Philly whose curiosity turns to obsession --- in what he believes is love for the housemaid. Howard Hesseman is good as the deviously slim bag chauffeur Lester and Ed Begley Jr. has fun with his little support role. In one humorous sequence he does his best "Dirty Harry" persona with Hesseman at the end of it. Patrick Piccininni plays Philly's obnoxious pal Sherman and Pamela Jean Bryant is Sherman's stuck-up older sister that Philly kind of fancies. Or better put likes to see naked. Ron Foster turns up as Philly's father and Dan Barrows amusingly chips in as the gardener. Also showing up in minor, but enjoyable parts are Peter Elbling, Dan Greenberg (the writer) and a delightfully titillating Meridith Baer as an uptight school teacher. It's technically well-made by director Alan Myerson and breezily paced with Greenberg's simple material.
When a rich man leaves town for a business trip, he leaves his young 15-year-old son Philly (Eric Brown) at home in the care of his sexy foreign housemaid, Miss Mallow (Sylvia Kristel) and their sniveling chauffeur Lester (Howard Hesseman - 'Johnny Fever' of WKRP IN CINCINNATI). Like many red-blooded teenage boys, Philly and his young buddy Sherman are looking for cheap thrills by spying on sun bathing girls and dreaming of sex. What a surprise Philly's in for when Miss Mallow catches him watching her undress from outside the window one night and then invites him inside to get the best view. Soon, the maid is seducing the boy, and Philly begins to experience every adolescent male's fantasy - scoring with an older woman. The problem is, Miss Mallow and her partner Lester have other plans in store for this aspiring Casanova.
I first saw this unusually risqué teenage comedy/sex fantasy back in 1981 when I was 19, which was considerably older than the 15-year-old character is. But the dream was still something I could relate to, and when I saw that a DVD release was coming out I decided to revisit it and see how it stood up, so to speak, after 25 years. Turns out it's still fun, and Eric Brown is humorous as he stammers while trying to contain his excitement at seeing Sylvia Kristel (and her body double in some shots) naked. Kristel was popular doing this type of film in Europe, so it was interesting to see her in an American production doing something that would never be allowed at your local cineplex today. Not only are some of her sequences sensual, but there are a fair amount of laughs, some of them courtesy of Philly's pudgy know-it-all friend Sherman, and also from Howard Hesseman who has some funny moments being pushed around and humiliated by Ed Begley Jr! As is the case with many early '80s teen comedies, the soundtrack is pretty good too, and features music from Rod Stewart, Air Supply and John Cougar, among others.
The most easily obtainable version of this film I would guess is now the 2006 Lions Gate DVD, but purists should be warned that a couple of quick lower frontal nudity shots have been obscured on this release by an annoying white dot. Well, it's not like this is great art, and the movie doesn't really suffer from the brief obliteration. Besides, this was a forgotten cult classic of sorts and hard to locate for so long that it's just good to be able to view it again. I know some people get uptight about this daring film, especially in these days, but relax. It's just a fun little movie, if not a great one, and sometimes even has a little bit of charm to it as well. And it's nothing that many average teenage boys aren't thinking about already. *** out of ****
I first saw this unusually risqué teenage comedy/sex fantasy back in 1981 when I was 19, which was considerably older than the 15-year-old character is. But the dream was still something I could relate to, and when I saw that a DVD release was coming out I decided to revisit it and see how it stood up, so to speak, after 25 years. Turns out it's still fun, and Eric Brown is humorous as he stammers while trying to contain his excitement at seeing Sylvia Kristel (and her body double in some shots) naked. Kristel was popular doing this type of film in Europe, so it was interesting to see her in an American production doing something that would never be allowed at your local cineplex today. Not only are some of her sequences sensual, but there are a fair amount of laughs, some of them courtesy of Philly's pudgy know-it-all friend Sherman, and also from Howard Hesseman who has some funny moments being pushed around and humiliated by Ed Begley Jr! As is the case with many early '80s teen comedies, the soundtrack is pretty good too, and features music from Rod Stewart, Air Supply and John Cougar, among others.
The most easily obtainable version of this film I would guess is now the 2006 Lions Gate DVD, but purists should be warned that a couple of quick lower frontal nudity shots have been obscured on this release by an annoying white dot. Well, it's not like this is great art, and the movie doesn't really suffer from the brief obliteration. Besides, this was a forgotten cult classic of sorts and hard to locate for so long that it's just good to be able to view it again. I know some people get uptight about this daring film, especially in these days, but relax. It's just a fun little movie, if not a great one, and sometimes even has a little bit of charm to it as well. And it's nothing that many average teenage boys aren't thinking about already. *** out of ****
PRIVATE LESSONS is an endurance is sit through. We see Sylvia Kristal, who seems to be approaching 30, seducing a child half her age! There is one scene where this little boy spies on his rich daddies' maid (Sylvia) as she starts to undress. She catches him, and invites him in to a private show. It is a well paced, seductive scene, but we know we are watching an illegal act! The little boy's fat friend loudly fondling tennis balls is something out of a John Waters film, and the touchy-feely scene in a movie theatre is just ... brrrr! Note: In the above mentioned seduction scene- Sylvia and Junior are alone in her bedroom. Check out the enormous crew member huddled in the her closet trying to stay out of the camera lens' path!
Did you know
- TriviaEric Brown replaced another actor who was originally cast as Phillip "Philly" Fillmore but was fired after eighteen days of shooting.
- GoofsIt is obvious that a body double for Sylvia Kristel is used during the nude scenes - Kristel's nipples are not as protuberant as those of her double, Judy Helden.
- Alternate versionsThe version of the film shown on US broadcast television alters two scenes. The opening scene of a couple making out in car with only their legs showing has been replaced with a montage of scenes from later in the film when Philly and Lester are burying the body. The bathtub scene where Ms. Mallo takes a bath with Philly has been completely removed with the exception of a single question. In the original version, Ms. Mallow asks Philly if he would like to take a bath with her. He says "Yes" and the scenes continues. On television, he says "No" and the scene ends.
- ConnectionsEdited into Twisted Sex Vol. 23 (2007)
- How long is Private Lessons?Powered by Alexa
Details
- Release date
- Country of origin
- Official site
- Language
- Also known as
- Lecciones privadas
- Filming locations
- Indian School Road at 56th Street, Phoenix, Arizona, USA(car into canal driving scene - northwest corner of this intersection)
- Production company
- See more company credits at IMDbPro
Box office
- Budget
- $2,800,000 (estimated)
- Gross US & Canada
- $26,279,000
- Gross worldwide
- $26,279,000
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