At the goading of the ominous and omnipresent Leading Player, Pippin, the eldest son of King Charlemagne, samples life's pleasures to discover his place in the world and the meaning of his l... Read allAt the goading of the ominous and omnipresent Leading Player, Pippin, the eldest son of King Charlemagne, samples life's pleasures to discover his place in the world and the meaning of his life.At the goading of the ominous and omnipresent Leading Player, Pippin, the eldest son of King Charlemagne, samples life's pleasures to discover his place in the world and the meaning of his life.
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Those people lucky enough to see this show in it's original Broadway run saw a brilliant cast performing a brilliant show with an equally brilliant director. The original cast, Ben Vereen, Irene Ryan (of Beverly Hillbillies fame) Leland Palmer, Jill Clayburgh, John Rubinstein, and others easily outshine William Katt (of Greatest American Hero fame) Martha Raye (of denture fame) and the rest. Still, it's a very good production, and nice to see that a Broadway show can, in fact, be filmed and appreciated without paying $100 to see it! The choreography is splendid. Katt's voice isn't horrible, in fact, he sings the difficult Stephen Schwartz music with apparent ease (not to same effect that John Rubinstein had, mind you) All in all, it's a good production, but more on par with what one would expect from a regional theater or really good community theater.
I just want to point out a misconception many reviewers here keep expounding: this filmed record of PIPPIN in performance was not done on Broadway. This is either a national tour or a performance of the original show mounted in another city (LA, Chicago, San Francisco, London?). William Katt, Martha Raye, nor Chita Rivera, ever appeared on Broadway during the show's original 5 year run. This could explain the paring down of the script in this video record. Vareen, as pointed out, with his TONY already on his mantle for this role, is an originator. What is most important about this video is that it is the only record of Bob Fosse's work as choreographer and director of a complete show in existence. His dances for PAJAMA GAME and DAMN YANKEES, SWEET CHARITY exist in their Hollywood film versions, but not his conceptual Broadway work. The film of CHICAGO is a homage to him stylistically. However, that's the work of Rob Marshall.
David Sheehan needs to be drawn and quartered for his handling of this classic musical (ugh - the cross-fades during the Manson trio dance, the poor framing, etc).
I love Chita Rivera but she is bit miscast as Fastrada.
William Katt might sound better if he was miked to the camera.
On the other hand, this is the only record we have this amazing musical circus. Obviously, even in pristine state, it would still lose something because it really is a live theater piece.
I simply have newbies watch it, explain the mistakes/edits, and have them listen to the original cast album.
I love Chita Rivera but she is bit miscast as Fastrada.
William Katt might sound better if he was miked to the camera.
On the other hand, this is the only record we have this amazing musical circus. Obviously, even in pristine state, it would still lose something because it really is a live theater piece.
I simply have newbies watch it, explain the mistakes/edits, and have them listen to the original cast album.
I wasn't at all familiar with this musical. I had no idea what it was about. I knew Ben Vereen won a Tony Award for his performance in the 1970s production, and that there have been endless numbers of high schools and colleges of it. That's it. I stumbled upon this production on TV with no intention of watching it - and watched the whole thing, mesmerized and delighted. It's not so much the music, which is dated, and certainly not the Bob Fosse choreography, which is always *really* dated (jazz hands!!!). Rather, it is the amazingly layered story and themes, which are much more complex and timely than I ever expected, that drew me in. I suspect these very risqué, biting themes are completely glossed over/ignored in high school or college productions. And the performances by Ben Vereen, William Katt (he can sing?!? who knew!), Benjamin Rayson, and the amazing Chita Rivera are wonderful - I realize other reviewers did not like them, because they had seen other people in the role, but looking at them from a clean slate, I thought they were all perfectly cast and quite compelling. I really loved the simplicity of the production. Sure, I wish the camera work had been better, but given how rare it was (and still it) to film live theatrical productions, I thought the videographers did quite well.
This is one of the finest videos of a musical available anywhere. In addition to being an unbelievable musical, this top notch cast brings PIPPIN to an astounding level.
Particularly amazing is Ben Vereen... his singing, acting, and dancing abilities are on full display. Broadway legend Chita Rivera is also spellbinding in her small but show-stopping performance.
This is a musical not to miss!
Particularly amazing is Ben Vereen... his singing, acting, and dancing abilities are on full display. Broadway legend Chita Rivera is also spellbinding in her small but show-stopping performance.
This is a musical not to miss!
Did you know
- TriviaAt the very end when asked how he feels, Pippin says, "Trapped, which isn't bad for the end of a musical comedy." The line was written "Trapped, but happy, which isn't..." but director/choreographer Bob Fosse changed it. It was fought out and today, the original version of the line appears in the play.
- GoofsThe Lead Player sings during the song "Simple Joys" that wouldn't you rather be... "a twig on a fig in Galilee." The line from the song that is supposed to be sung is "a fig on a twig in Galilee".
- Quotes
The leading player: And then it happened. Suddenly, shamelessly, and without warning, as it must in all musical comedies, they were struck by... a love song.
- Alternate versionsThe latest video release was the production cut for television. The initial video release contained the complete production as performed (although slightly abridged from the original stage script). The complete "War Is A Science" number is there, along with all the profanity.
- ConnectionsReferenced in Une nounou d'enfer: Pishke Business (1994)
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