Cauchemars à Daytona Beach

OK i'm a little rusty right now when it comes to reviews as I haven't written one in years.

I won't bother explaining the plot, courtesy of the IMDb plot profile and other users you should be able to get a rough idea about it yourself.

So lets get down to the nitty gritty. Nightmare(s) (in a damaged brain) is kind of like the horror film you watch through the eyes of a child. Remember when you were a kid and horrors weren't so much entertaining as they were (mildly) traumatising? That would give you sleepless nights for quite some time? Well nightmare is one of those films that can have that effect on you AS AN ADULT.

Imagine the original 'texas chain saw massacre' but a lot more psychological and involving children, and A lot more gore, and you get the rough idea of what this film is all about.

Now I'm a big fan of horror, I can sit through (almost) anything but I've seen this film one and a half times (the uncut version) and have had it for quite some time. And thats NOT because the film is bad, its cause its so frigging' creepy. First time was a curiosity as I'd heard so much about it and was desperate to see why it had been banned, the second (half) time was because I hadn't seen it in a while and fancied giving it a second go. I couldn't do it! It really is one of those type of horrors thats hard to sit through, its tone is so sinister and you feel almost perverted and sick and evil for just watching it, even though there are no real animal killings or anything like cannibal holocaust/ferox and it's only a movie and nothing more.

Anyways, if you like genuine, creepy, under the skin horror then this one is for you. If, however, your not a fan of the whole 'grind-house' scene, don't like films with low production values and risible acting and prefer your horror to be modern, over produced and polished, then avoid this one.

In either case its very underrated as being 'one of the scariest horror films of all time'.

The 1981 splatter film NIGHTMARE hearkens back to a long-passed time in American horror cinema when "slasher" flicks were not only excessively gory, but also deeply disturbing in their underlying themes. These films not only outraged elitist film critics and general audiences, but also worried many horror film enthusiasts who felt that such films had "gone too far" in their uncompromising brutality. While a few of these films, most notably William Lustig's masterful MANIAC (1980), have attained cult status and been rereleased to DVD and VHS, most of these films have fallen out of print and into obscurity. Unfortunately, this is the case with NIGHTMARE, one of the better examples of the visceral, uncompromising horror films of the late 1970s and early 1980s.

Admittedly, this film does not start off very well. The first 30 minutes or so are pretty sloppy and hard to follow, largely because of choppy editing. However, once the film's story gets on track, what follows is a truly disturbing and horrific splatter film. Director Romano Scavolini, obviously working with a very low budget, nevertheless delivers some genuine suspense and adds touches of style (though he can't touch Dario Argento). The acting by the cast of unknowns is also surprisingly good. While the music during the opening and closing credits is pretty lousy, the score during the rest of the film is terrific, effectively creating an atmosphere of dread and fear. Of course, there's also the unforgettable gore effects by Tom Savini, displayed most spectacularly at the film's finale.

It goes without question that NIGHTMARE is definitely not for all tastes. Non-horror fans should stay far, far away. Additionally, I must note that more than any film I have ever seen, this film should not be viewed by children or impressionable young adults. However, hardcore fans of horror should definitely give this example of a bygone era a look. Watch this with some teeny-bopper flick like I STILL KNOW WHAT YOU DID LAST SUMMER and see which film leaves a longer lasting impression.

**1/2 out of ****

Caught this at an Arizona drive-in, back about 1983. It truly bothered some of my friends, but we all thought it was better than the co-feature, "Happy Birthday To Me". I hunted for quite a while looking for this, and finally found it at a Pawn shop in St. Paul, on VHS. Guess some folks have also been looking, and it is on DVD as "Nightmares In A Damaged Brain". But the disc runs about 94 minutes, and is missing some gory highlights, as well as a few touches of plot. the one you want was just "Nightmare", and runs about 98 minutes. the version you want came from 21st Century releasing, and is worth the hunt, if this is your sort of thriller. I wish everyone good luck, but I'm not giving mine up.

Nightmare may not be on anyone's list as 'one-to-watch' with the abundance of new Hollywood horrors that swamp our DVD shelves and VOD highlights, most of which are barely worth the rental, but for any fan of horror, more so that of real horror from the 80's when it was about being real, then Nightmare surely still holds up as one of the most gruesome pictures of its day, and still is!

Slightly dated, but only in looks and acting, the tension and thrills behind Nightmare still stands strong complete with some infamous and disturbing FX scenes that hailed it as a video nasty back in the day, leading to its cuts by the BBFC and lack of distribution.

I'm surprised a remake hasn't already surfaced, but then again, possibly glad at the same time!

Nightmare is twisted, but with a good dose of realism to it based on certain links in the story, characters and outcome.

Well worth the watch, but most definitely not for the squeamish!

The infamy of "Nightmare" no doubt largely centers on the fact that the film's distributor faced prison time for refusing to cut down one scene from the film for its release in the United Kingdom. I mean, after all, how many horror films have that under their belt? The plot follows a disturbed schizophrenic who escapes from his experimental psychiatric hospital in New York City and heads down the coast to Florida, where his wife and children reside, killing along the way before making an attempt at his final hometown hurrah.

With "Halloween" and "Maniac" being obvious influences here, "Nightmare" feels much more like a '70s picture than it does a product of the '80s, and its confluence of influences might be precisely why. The film's formula is fairly straightforward, although its subject matter is remarkably dark, insofar as it has to do with a man who can't help but want to slaughter his own children— it's a macabre affair all around, and the grindhouse aesthetic only bolsters the film's sinister tone. It's part slasher film and part psychosexual thriller, with leading man Baird Stafford playing the villain who's entire distorted existence seems to hinge on his childhood experience of witnessing his father's affair (and subsequently slaughtering both parties in their bed). The film does meander a bit between the realms of dramatic thriller and splatter epic, but it's an engaging watch none the less.

I'd be lying if I said that the real attraction here for most people is the remarkable gore effects, which were controversially credited as being the work of Tom Savini— turns out Savini was apparently just a friend of the effects director and didn't actually work on the film, but regardless, the film showcases a plethora of elaborate murders with some remarkably nasty special effects; throats are slashed, people are stabbed, and heads roll, and Romano Scavolini makes sure his audience has front row closeups to all the nitty gritty details. The special effects work, though dated in some regards, is still surprisingly effective.

Overall, "Nightmare" is a deserved cult classic that would appear to have come from the drive-in era of the late '70s; despite the fact that the film was made in the following decade, it retains a gritty exploitation feel in which violence is the central spectacle. Like I said, it's a dark movie— and a gratuitously violent one. It's the kind of thing you watch and then want to shower after. Like after a humid Florida evening, the film leaves you feeling slightly grimy, but that's what it sets out to do from the first reel. 7/10.