IMDb RATING
5.5/10
9.1K
YOUR RATING
A quiet man's peaceful suburban lifestyle is threatened by the obnoxious new couple who moves in next next door.A quiet man's peaceful suburban lifestyle is threatened by the obnoxious new couple who moves in next next door.A quiet man's peaceful suburban lifestyle is threatened by the obnoxious new couple who moves in next next door.
- Awards
- 2 nominations total
Sherman G. Lloyd
- Fireman #1 (DOC)
- (as Sherman Lloyd)
Edward S. Kotkin
- Additional Fireman
- (as Edward Kotkin)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
This turd won't send many running to Thomas Berger's rich novel, which is a shame. The book is everything the film failed to be: a scathing satire on moronic American suburban life.
The problem is a director far out of his depth. Though armed with a script largely faithful to its subversive source material, director John Avildsen (Rocky, Karate Kid) is a maker of feel-good entertainment who hasn't a clue how to handle satire or absurdity. It's like asking John Ashcroft to rap.
While Belushi is serviceable and Akroyd is fun, we can only imagine how this last partnership might have turned out in competent hands. They're frequently misdirected by Avildsen who thinks he's doing Reagan-era Abbott and Costello. Painful; read the novel.
The problem is a director far out of his depth. Though armed with a script largely faithful to its subversive source material, director John Avildsen (Rocky, Karate Kid) is a maker of feel-good entertainment who hasn't a clue how to handle satire or absurdity. It's like asking John Ashcroft to rap.
While Belushi is serviceable and Akroyd is fun, we can only imagine how this last partnership might have turned out in competent hands. They're frequently misdirected by Avildsen who thinks he's doing Reagan-era Abbott and Costello. Painful; read the novel.
Leonerd Maltin's crazy. This movie was before it's time and had me puking. It's been on cable every day for the last few months and I've watched it every time. The ideas behind this movie are awesome. Watch this movie just for the swamp and the tow truck driver. May be Dan Ackroyd's best performance.
In the times I have seen this movie(too many to count). I always find more to it.I enjoy this lost classic from the late great John Belushi more than so many over produced conventional movies and more than almost all of the SNL cast made movies.Belushi and Acroyd,a duo who didn't do enough together.
See this movie!
See this movie!
My memories of real youth, like from five to ten years old are completely blurred for the most part but for some reason I remember watching John Belushi movies. I remember going to see `Neighbors' and `Continental Divide' in the theater! I haven't really examined this but basically since I was born I have adored John Belushi. I remember renting `Neighbors' when the VCR was a new item and I'd watch it over and over again. I guess I was a pretty strange ten-year old. Memories of watching his movies, his death and whatever else are still with me in strange little flashes.
I find `Neighbors' to be his best work. This is a controversial opinion! I've recently reread Woodward's `Wired' and it seems John detested everything about this movie. He had sincere hatred for the director, Alvidsen- he continually asked to replace him. Yet, John's biggest concern for `Neighbors', again citing from Woodward's book, was the soundtrack. He wanted it to be punk rock and Holy Christ did it ever wind up the antithesis. Of course I would love to have seen `Neighbors' done the way John would have intended it but I still am very fond of this movie as is. I think Alvidsen did a great job of bottling all of John's manic energy and I think he summoned his best performance. It's such a strange contradiction that, again from reading `Wired', John wanted desperately to lose the `Bluto' stigma and prove he could be a versatile actor. This role reversal gave him that chance and yet he was against this film from the beginning.
I think `Neighbors' is fantastic. It's like `Who's Afraid Of Virginia Woolf' on acid or something. This film should be examined by future filmmakers as an example of how what seems like all the wrong ingredients can make a positive and an unforgettable piece of cinema in the end.
I find `Neighbors' to be his best work. This is a controversial opinion! I've recently reread Woodward's `Wired' and it seems John detested everything about this movie. He had sincere hatred for the director, Alvidsen- he continually asked to replace him. Yet, John's biggest concern for `Neighbors', again citing from Woodward's book, was the soundtrack. He wanted it to be punk rock and Holy Christ did it ever wind up the antithesis. Of course I would love to have seen `Neighbors' done the way John would have intended it but I still am very fond of this movie as is. I think Alvidsen did a great job of bottling all of John's manic energy and I think he summoned his best performance. It's such a strange contradiction that, again from reading `Wired', John wanted desperately to lose the `Bluto' stigma and prove he could be a versatile actor. This role reversal gave him that chance and yet he was against this film from the beginning.
I think `Neighbors' is fantastic. It's like `Who's Afraid Of Virginia Woolf' on acid or something. This film should be examined by future filmmakers as an example of how what seems like all the wrong ingredients can make a positive and an unforgettable piece of cinema in the end.
not a mainstream comedy by any means This movie fails on nearly every front but has 2 things going for it, the cast, its an almost forgotten piece of Ackroyd and Belushi in their prime, secondly its off kilter pace and atmosphere, these alone are enough to give it a place in my collection.
If your not into either of the above then give this a wide berth as its sure to disappoint. apparently the film had a difficult gestation and this seems plausible as its very inconsistent and aimless at times, shifting gear unexpectedly. an eclectic and patchy dark comedy it should suit die hard fans who want to see more of A&B
If your not into either of the above then give this a wide berth as its sure to disappoint. apparently the film had a difficult gestation and this seems plausible as its very inconsistent and aimless at times, shifting gear unexpectedly. an eclectic and patchy dark comedy it should suit die hard fans who want to see more of A&B
Did you know
- TriviaJohn Belushi was originally cast in the role of Vic and Dan Aykroyd in the role of Earl. The two decided to switch roles just prior to filming the movie. As such, Belushi and Aykroyd starred in this movie acting against type, loud-mouthed Belushi played a quiet character whilst the meeker Aykroyd played an over-the-top character.
- GoofsAfter Vic's dog Baby is heard barking in Enid and Earl's bedroom, we never hear or see the dog again, even after Vic, Ramona and Earl leave Bird Street.
- Quotes
Vic: In light of Earl's feelings, I think it would be best if we left.
Enid Keese: Oh, no, no. Sit down, sit down. Let's finish this magnificent meal. Don't worry about Earl. He'll get over his feelings.
Vic: He spurned my sauce!
Enid Keese: No, he loves your sauce. He's just jealous, he can't cook.
- Crazy creditsA gunshot can be heard after the end credits.
- Alternate versionsThe movie's original cut had a very dark ending with Earl getting killed, but the studio re-edited the film with a happy ending with Earl leaving home and joining Vic and Ramona on their adventures.
- SoundtracksHello, I Love You
Written by Jim Morrison (uncredited), Robby Krieger (uncredited), Ray Manzarek (uncredited) and John Densmore (uncredited)
Performed by The Doors
Courtesy of Elektra Records
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Details
- Release date
- Country of origin
- Official site
- Languages
- Also known as
- Neighbors
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $8,500,000 (estimated)
- Gross US & Canada
- $29,916,207
- Opening weekend US & Canada
- $6,481,386
- Dec 20, 1981
- Gross worldwide
- $29,916,207
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