Modern Problems

Jealous, harried air traffic controller Max Fiedler (Chevy Chase), recently dumped by his girlfriend, comes into contact with nuclear waste and is granted the power of telekinesis, which he uses not only to win her back, but to gain a little revenge.

The bloody nose scene goes from mildly amusing to rather revolting, and that made it something I could have done without. But that was the only really bad part of the film.

Fans of Chase may not have seen this one, as it is not well known. Younger fans (those who now know him best from "Community") will definitely not have heard of it. Check it out. Please.

Sheesh, I have read a lot of the reviews posted here and many are unfavorable...bad acting, poor directing, (not so) special effects, mono sound, blah photography....so I understand that after I post my (favorable) review I will probably not be able to run successfully for high public office. Of course, that deal was sealed long ago...its only a matter of time until they dig up and publish my history of my porn site visits in Google archives...so what the heck, here goes.

I could NOT stop laughing. Did the other reviews mention casting? It is brilliant...who better to cast as a moody, feckless scorned lover (who happens to be an air traffic controller) than Chevy Chase...add to his performance that of Mitch Kreindel as the more feckless foil and you have a recipe for doubled-over laughter that would make you glad you wore your depends that day, if only they had them back in the 80's when this film was first screened. I loved the telekinesis device, especially the moment when an airplane ashtray complete with roaring engines and laden with cigarette butts, flies across the airport employee lounge and crashes in flames into a wall poster featuring some alpine peak. This is our first clue that Chevy has developed special powers, the rest is charming and fun (thanks to the great cast including Dabney Coleman, Mitch Kreindel, Patti D'Arbanville, and Nell Carter). Detractors will say (have said) otherwise. All that critical nit picking is only detail. Years later, when I think of this film, I smile. How bad can that be?

MODERN PROBLEMS is one of those films that is ALWAYS on cable -- and yet no one would ever want to watch in its entirety. Blame Comedy Central. Probably Chevy Chase at his lowest. Although his career has had so many low points, it's hard to say. He must be a masochist who deliberately chooses godawful movies to destroy his career. Or he's a sadist who enjoys inflicting these turkeys on the rest of us. Don't listen to anyone who claims, "Actually, it's not that bad;" they didn't actually sit through it.

For whatever reason, many people abhor this movie. Hence, my need to provide you with an alternative opinion. First, don't watch it expecting belly laughs as you will be, at the least, very disappointed. The modern problems confronting Chevy Chase in 1981 are still for many the problems of today - the problems of love, hate, jealousy, and revenge. But don't start thinking this is a heavy or serious movie disguised as a comedy. It is in fact a comedic journey of self-discovery that one man endures - with a little help from some nuclear waste.

Guys: It is worth watching if for no other reason than to watch Barry (Mitch Kreindel) get his just desserts in the restaurant.

Girls: It is worth watching if for no other reason than to see how true love can obliterate a man's insecurities.

I have to mention Dabney Coleman because I think he gives one of his best ever comedic performances. He's not too far removed from the part he played as the Boss in 9 to 5. And it is fun to watch him get his come-uppance.

All in all, this is not a great movie, granted. But I could think of a lot worse ways to spend two hours on a Sunday afternoon.

First of all, it is worth nothing that director Ken Shapiro seemingly hasn't been employed since this near-catastrophe was released in 1981. It's pretty safe to say that's a bad sign. Secondly, even a stellar cast cannot make a movie very good (what I like to call "Mars Attacks!" syndrome). Now that I have gotten that out of the way, a quick synopsis : Chevy Chase (that in itself is a bad sign) stars as an air traffic controller who, after an encounter with nuclear waste, acquires telekinetic powers, which he uses against his romantic rivals. The premise in itself is engaging and open to the possibility of great comedy. So what happened?

Well, Ken Shapiro could be blamed. The direction is sloppy; actually it is downright pathetic. The pacing is WAY too slow, the action is ineptly handled, and many of the actors seem bored. And worst of all, the special effects are woeful...I haven't seen so much camera equipment on-screen since the glory days of Ed Wood. Case in point...the scene with the Flying-Airplane-Ashtray (don't ask), where some strange, large object is obviously present in the close-ups, holding up the Ashtray next to the camera. I've made home movies with better effects.

What about the actors? Well, Nell Carter is an absolute hoot; she deserves better. And Dabney Coleman is entirely in his element here as a shady, egotistical author. Brian Doyle Murray and Mary Kay Place are also entertaining. Patti D'Arbanville is a bit lacking in comedic talent; she is given nothing more to do than pout and screech. But the real problem here is Chase. He is just going through the motions here, playing the hapless bumbler bit to death and looking very bored doing it. There is no life to his performance, and it grinds the movie to a halt.

True, there are some funny moments here...Nell Carter gets most of the laughs in a woefully small role, the scenes involving Chase's romantic rival Barry (Mitch Kreindel) are pretty amusing, and one reviewer here has already mentioned Chase's throwaway line "Smells like feet," which for some reason made me laugh hysterically...but the funny moments are few and far between. There is so much BAD to sort through to get to the GOOD stuff, and it just isn't worth the time and trouble. Perhaps in better hands, "Modern Problems" could have been a good movie. This certainly isn't it.