Le Mystère de l'île des monstres
Original title: Misterio en la isla de los monstruos
- 1981
- Tous publics
- 1h 45m
IMDb RATING
3.9/10
1.1K
YOUR RATING
A young man and his traveling buddy embark on a global journey onboard their ship, only to be shipwrecked on a desolate island teeming with prehistoric creatures and gold-hunting bandits.A young man and his traveling buddy embark on a global journey onboard their ship, only to be shipwrecked on a desolate island teeming with prehistoric creatures and gold-hunting bandits.A young man and his traveling buddy embark on a global journey onboard their ship, only to be shipwrecked on a desolate island teeming with prehistoric creatures and gold-hunting bandits.
Ian Serra
- Jeff Morgan
- (as Ian Sera)
Frank Braña
- Birling
- (as Frank Brana)
Featured reviews
Let me begin by saying that I had read Jules Verne's original source novel BEFORE seeing this movie... and the source is NOT "The Mysterious Island", as most of the would-be intellectuals who reviewed the film would make you believe.
While "L'Ile Mysterieuse" ("The Mysterious Island") was written in 1874, the source of this film is actually "L'École des Robinsons" (which could be translated as "The Robinson School"), first published in 1882... and the entire "plot twist" criticized by the others before me is actually Jules Verne's original idea... it seems he used the "plot twist" before M. Night Shyamalan! Seriously, people... this is a fantasy, a farce, lighten up! Jules Verne himself was winking at his readers throughout the pages of his novel, and the movie only took it further. Since I knew the source of the film, it was a great fun ride to watch a retelling by a director who thought his viewers would laugh with him, not at him (probably just as foolishly as Ed Wood, but that's another story!) I enjoyed this bizarre flick, it was just as fun as some Russian fantasy movies I'd seen as a child, except that it had the brazen attitude of a more adult-oriented fare, but without becoming a "Gwendoline"...
Also, movies are not created and do not exist in a void. When this film was released, in 1981, the era of the blockbuster was not yet upon us, Reagan and Thatcher had just been sworn in, and the Cold War was entering its fourth decade, flaring up again... The great era of the '70s, which had given us so many introspective and serious movies, was over, and people felt they needed more comedies, even hysterical comedies. It all probably started with "Airplane!" in 1980, and the ball just rolled on. There was at least one other title that came out in 1981, blending comedy, spoof and horror as a perfect companion for "Monster Island" - I'm thinking of "Saturday the 14th"...
All in all, the criticisms leveled here don't surprise me. Truly, it's probably not the kind of film appreciated in the U.S. culture.
While "L'Ile Mysterieuse" ("The Mysterious Island") was written in 1874, the source of this film is actually "L'École des Robinsons" (which could be translated as "The Robinson School"), first published in 1882... and the entire "plot twist" criticized by the others before me is actually Jules Verne's original idea... it seems he used the "plot twist" before M. Night Shyamalan! Seriously, people... this is a fantasy, a farce, lighten up! Jules Verne himself was winking at his readers throughout the pages of his novel, and the movie only took it further. Since I knew the source of the film, it was a great fun ride to watch a retelling by a director who thought his viewers would laugh with him, not at him (probably just as foolishly as Ed Wood, but that's another story!) I enjoyed this bizarre flick, it was just as fun as some Russian fantasy movies I'd seen as a child, except that it had the brazen attitude of a more adult-oriented fare, but without becoming a "Gwendoline"...
Also, movies are not created and do not exist in a void. When this film was released, in 1981, the era of the blockbuster was not yet upon us, Reagan and Thatcher had just been sworn in, and the Cold War was entering its fourth decade, flaring up again... The great era of the '70s, which had given us so many introspective and serious movies, was over, and people felt they needed more comedies, even hysterical comedies. It all probably started with "Airplane!" in 1980, and the ball just rolled on. There was at least one other title that came out in 1981, blending comedy, spoof and horror as a perfect companion for "Monster Island" - I'm thinking of "Saturday the 14th"...
All in all, the criticisms leveled here don't surprise me. Truly, it's probably not the kind of film appreciated in the U.S. culture.
Mr Kolderup (Peter Cushing) buys a tropical island for five million dollars. His rival Taskinar (Terence Stamp) also wanted the island - because he knows a gold treasure is hidden there. Still he couldn't make a higher bid than Kolderup. When Kolderup sends young Jeff (Ian Sera) to the island along with his teacher (David Hatton), because the lad looks for adventure, wants to become a man et cetera, Taskinar plans to make that adventure much more dangerous than intended...
Well, it's innocent fun with the typical ingredients: shipwrecked on a mysterious island, the heroes meet monsters and unknown enemies, a beautiful lady in distress, and last not least a monkey for comic relief. "Mystery On Monster Island" is not among the classics of the genre, but definitely less boring than most stuff they show on TV in the afternoon.
Well, it's innocent fun with the typical ingredients: shipwrecked on a mysterious island, the heroes meet monsters and unknown enemies, a beautiful lady in distress, and last not least a monkey for comic relief. "Mystery On Monster Island" is not among the classics of the genre, but definitely less boring than most stuff they show on TV in the afternoon.
"It's the worst movie ever" is an oft-used phrase. "It's a real turkey" has just about lost its punch. How about this for a plug line: "MONSTER ISLAND isn't a movie; it's punishment for a lifetime of horrible deeds."
I taped it for my 6-year-old son and we just got through watching the thing; I had to have a bath afterwards in case any stray remnants of this cheesy, inept, incompetently-directed, over-the-top spectacularly bad acting, ill-conceived design, Jules-Verne-insulting, direct-attack-on-filmmaking pile managed to shoot through the pixels and land on me. The looping was apparently done by performers for whom 'human' is a second language. Truly excellent actors Peter Cushing and Terence Stamp were fortunate because while top-billed, they barely had any screen time at all. I'm still floored by having to witness one of the most baroquely florid and horrendously just plain bad performances in the history of cinema: that of the estimable David Hatton as Professor Artelect. It all makes sense in a way: he must have been the title Monster; his victim the acting profession.
In summation, this is a reprehensibly dreadful z-budget debacle. Suffice it to say my young son found it unbelievably bad and he's about as easy an audience as they come. Don't just avoid this one: work hard to help find a cure for it.
I taped it for my 6-year-old son and we just got through watching the thing; I had to have a bath afterwards in case any stray remnants of this cheesy, inept, incompetently-directed, over-the-top spectacularly bad acting, ill-conceived design, Jules-Verne-insulting, direct-attack-on-filmmaking pile managed to shoot through the pixels and land on me. The looping was apparently done by performers for whom 'human' is a second language. Truly excellent actors Peter Cushing and Terence Stamp were fortunate because while top-billed, they barely had any screen time at all. I'm still floored by having to witness one of the most baroquely florid and horrendously just plain bad performances in the history of cinema: that of the estimable David Hatton as Professor Artelect. It all makes sense in a way: he must have been the title Monster; his victim the acting profession.
In summation, this is a reprehensibly dreadful z-budget debacle. Suffice it to say my young son found it unbelievably bad and he's about as easy an audience as they come. Don't just avoid this one: work hard to help find a cure for it.
I might have been better off watching Godzilla on Monster Island, but Paul Naschy wasn't in that one, and I'm a Naschy completest. So, let's be honest upfront; I am only here for the Naschy! Starring Peter Cushing as the uncle of adventurer Jeff (Ian Sera), who is off to make his way in the world accompanied by the hilarious David Hatton.
It's a silly Jules Verne adventure with lots of animal laughs and pratfalls.
The silly looking monsters, the guns that never seem to do any damage or run out of bullets, stupid homemade weapons, bombs that don't kill anyone, and the incessant whining of the professor (Hatton) begins to wear you down to the point that only a five-year-old would appreciate this film. The turkey bit was the last straw!
As for Naschy, I never saw him except for a brief time in the beginning.
It's a silly Jules Verne adventure with lots of animal laughs and pratfalls.
The silly looking monsters, the guns that never seem to do any damage or run out of bullets, stupid homemade weapons, bombs that don't kill anyone, and the incessant whining of the professor (Hatton) begins to wear you down to the point that only a five-year-old would appreciate this film. The turkey bit was the last straw!
As for Naschy, I never saw him except for a brief time in the beginning.
Yet another fascinating motion picture extravaganza from prolific Spanish director Juan Piquer Simon. In this one, Mr. Simon actually got some name actors to appear, namely Peter Cushing and Terrance Stamp, who most will remember as old guys in various Star Wars movies. Luckily, they only appear in a couple of scenes, leaving the leading man duties to Ian Sera, who was memorable as the "It Stinks!" guy in "Pod People" and the guy who gets his crotch crushed in "Pieces". Frank Brana, another venerable Simon regular, has a brief appearance as well (too brief- he doesn't get any ridiculous dialog like he did in "Slugs").
Anyway, Sera has been stranded on a deserted island with a really annoying sidekick who constantly screams and falls over and wets himself in the most disgraceful performance since Jerry Lewis repelled movie goers in the sixties. Sera and his grating companion face every deserted island cliché ever as they build a fort, forage for supplies, befriend a precocious chimp, and team up with an offensive black native stereotype who has to constantly save our "heroes" from their own stupidity. We get to see them in seemingly endless musical montages which are mostly taken up by the constant mugging of the painfully unfunny sidekick, as he manages to drop every possible object on the island on his toe.
But remember, they were unfortunate enough to land on Monster Island, and this flick certainly doesn't skimp on said monsters. First their boat is attacked by green fish monsters whose eyes seem to be painted on. Then it's a giant dinosaur who can't close his mouth, some lumbering seaweed men with no discernable powers to attack with, and some cute, steam blowing caterpillars. It should be noted that our hero repeatedly discovers that bullets can't stop the monsters, but doesn't stop unloading clip after clip at them, wasting his limited ammunition supply.
Despite the aggravating comic relief guy and a couple of racist caricatures, this would be a pretty good movie for kids- the monkey is great, and the effects are competent enough, and things move along fast enough to hold a youngster's interest. Unfortunately, there is a completely ridiculous plot twist towards the end that sends this flick into the simply idiotic file. I won't spoil it here, but needless to say, "The Game" this ain't.
Anyway, Sera has been stranded on a deserted island with a really annoying sidekick who constantly screams and falls over and wets himself in the most disgraceful performance since Jerry Lewis repelled movie goers in the sixties. Sera and his grating companion face every deserted island cliché ever as they build a fort, forage for supplies, befriend a precocious chimp, and team up with an offensive black native stereotype who has to constantly save our "heroes" from their own stupidity. We get to see them in seemingly endless musical montages which are mostly taken up by the constant mugging of the painfully unfunny sidekick, as he manages to drop every possible object on the island on his toe.
But remember, they were unfortunate enough to land on Monster Island, and this flick certainly doesn't skimp on said monsters. First their boat is attacked by green fish monsters whose eyes seem to be painted on. Then it's a giant dinosaur who can't close his mouth, some lumbering seaweed men with no discernable powers to attack with, and some cute, steam blowing caterpillars. It should be noted that our hero repeatedly discovers that bullets can't stop the monsters, but doesn't stop unloading clip after clip at them, wasting his limited ammunition supply.
Despite the aggravating comic relief guy and a couple of racist caricatures, this would be a pretty good movie for kids- the monkey is great, and the effects are competent enough, and things move along fast enough to hold a youngster's interest. Unfortunately, there is a completely ridiculous plot twist towards the end that sends this flick into the simply idiotic file. I won't spoil it here, but needless to say, "The Game" this ain't.
Did you know
- TriviaJames Stewart was originally considered for the role Peter Cushing plays in the movie.
- ConnectionsEdited into Manoa, la ciudad de oro (1999)
- How long is Mystery on Monster Island?Powered by Alexa
Details
- Release date
- Countries of origin
- Languages
- Also known as
- Le Mystère de l'île aux monstres
- Filming locations
- Production companies
- See more company credits at IMDbPro
- Runtime
- 1h 45m(105 min)
- Sound mix
- Aspect ratio
- 1.66 : 1
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