Course à mort : l'ultime solution

Was an interesting experience to rewatch this 1981 early cable staple in 2022.

Lee Majors stars as a retired race car driver in a future where gas is outlawed, there are no cars and people rely strictly on mass transit. Fed up with living under a stifling regime he rebuilds his Porsche and heads to 'free America' in California aided by a hacker revolutionary, Chris Makepeace.

In '81 it was pretty mundane 'near future' sci-fi about a U. S. that has given up its dependence on oil and gas powered vehicles. 40 years ago the future was represented as the struggle between an environmentally balanced nation and individuality/ freedom of choice.

I think the movie is actually more prescient today when the pandemic and Ukraine war have pushed gas prices over $5 a gallon and California just introduced legislation that by 2035 all cars must be electric powered. It is interesting to see the environmentalist government portrayed as fascists hell bent on stopping Lee Majors from inspiring an uprising for freedom of choice.

Also, I was a big fan of Chris Makepeace when I was a kid and wish he had continued making movies.

With a silliness index comparable to that of Death Race 2000, and none of the political insight, The Last Chase starts off with two strikes against it. Nevertheless, this film scored a base-hit with me and earned the "somewhat watchable" rating of 5.

If you have ever wanted to see Lee Majors siphoning regular gas from tanks abandoned 40 years ago and using it in a Formula I Car while chased by Burgess Meredith in a Sabre Jet, this is the film for you. I'm afraid that if you have never had this particular fantasy, you might want to avoid this film. Majors plays a professional race car driver forced to give up his career and dismantle his car by a US government which has outlawed petroleum use. Now let's just play along here and lets ignore the fact that the petroleum and defense industries have been the most valuable players in the election of most of the US's recent right-wing executives, and a few of the lefties too - so let's ignore this impossibility of the basic premise - and let's not even ask how these people are generating electricity, etc. I didn't notice any nukes.... Anyway. Steve Austin...ummm sorry.... Lee Majors' character decides to leave for, of all places, California, where people have not realized that petroleum use is a desire, not a right, and are carrying on the same sort of destructive culture the rest of the USA has apparently disavowed. Believability is, of course not an issue here, as the viewer is never challenged to accept any of this absurdity.

Instead, you just let it go along from ridiculous scene to ridiculous scene. And if you start to wonder how Mr. Majors kept such a straight face throughout this film, just think back on his run in The Six Million Dollar Man. And when you get bored with the Roger Corman-like 2 minute pans across screen following the ancient Burgess Meredith and his Sabre Jet, just imagine him cackling like the Penguin, or focus on the other bizarre animal noises he keeps uttering in his aerially induced euphoria.

This film is remarkably good for what it is. The script is not bad, the directing and editing are fine, the acting is decent, and the soundtrack is even acceptable. It does get boring at times, but, given the utterly ludicrous plot, it's not nearly as bad as it should have been.

I started watching this movie on svod because of the title and Lee Majors. I was on the verge of giving up when there was this scene with quarantine and epidemic. No more cars. Well it was dystopian in '81. No more in 2020. So not the best movie ever, but worth a try.

First of all, it has a great score by Gil Melle. He did cool synthesizer stuff with stuff like The Questor Tapes and Kolchak: The Night Stalker, and he doesn't disapppoint here. Even at the dullest moments, you can count on the score to give you a jolt or two.

The main problem is that everything in this movie is just...slightly off-key. Give it a better actor than Lee Majors as the "hero," and a better old fogey/jetfighter than hammy Burgess Meredith, and do a little more than just rehash Farenheit 451 with gas instead of books, and this might have worked. Chris Makepeace is okay (although the juvie bad boy/computer hacker stereotype was already overdone by '81), and the plane vs. car action sequences aren't too badly done.

*shrug* I liked it. It wasn't better than Cats, but otherwise it works for me.

OK, I'll be the first to admit that this film is nothing special in the grand scheme of millions of movies ever made. However, did you ever see a movie that was barely OK production & acting wise but held your interest? That movie is "The Last Chase." Sometimes you don't want a movie to be technically correct with perfect continuity and a flawless believable story line. This again is "The Last Chase". Sometimes you see a movie at a certain point in your past and watching it again brings back great memories from that time in your life. The Last Chase has characters that you can identify with. Lee Majors plays Franklin Hart an ex-race car driver living in a futuristic Boston who is tired of the laws of an America without oil. Chris Makepeace (Meatballs) plays a brainy student who tags along and gives Lee someone to talk to in the film. Longing for the days when America has gasoline and he could race his car and be a recognized sports figure Frank sees an illegal television broadcast from California (A Free State) and decides that Boston is no longer the place he wants to be. Set in the United States and filmed in Canada, the Last Chase is a fun albeit silly romp that converts an interesting story to film. If it's listed, record it. This one's very tough to find in any format. Made by Crown International Pictures Canada, I'd plead for the DVD, but that request would fall on deaf ears as almost no one would ever remember this one. But I liked it. The Gil Melle score is terrific!