L'amant de lady Chatterley

I read one of D. H. Lawrence's novel in university as part of an English course I was taking, and I found it utterly boring and not making me want to seek out his other works. The only reason why I rented this Lawrence adaptation was that it was produced by famed schlockmeisters Menahem Golan and Yorman Globus, who made some really entertaining trashy movies. This was one of the few times they tried for "respectability", though they chose a story that could also be mined for exploitation material.

But the movie fails both at its serious attempts and with its attempts at exploitation. The script has too many faults that distance the audience. The setup of the situation at the beginning of the movie goes so fast that there's no time to set up characters and make us see what they are feeling. This flaw with the characters continues as the movie goes on, and I was not sure why many times characters did what they did. Oddly, there are also a number of scenes that serve no purpose - if they had eliminated those scenes, and used the extra few minutes to pump up the characters, I'm pretty sure the movie would be a lot better.

As for the erotic element of the movie, it's not there. Even for 1981, the idea of taking a lover must have seem old hat to audiences. The nudity and sex in the movie is not the least bit erotic despite full frontal nudity and explicit sex scenes. Some of this might be blamed on the below average production values - the movie has a murky look throughout, and there's not much effort to beef up the backgrounds with extras or anything that might have taken time and expense to make.

Even if you are a Golan/Globus fanatic like I am, odds are you'll find this as dreary as I did.

Lady Chatterley's Lover is understandably controversial but it is also a compelling read, though not a personal favourite. This film is not exactly terrible as there are some good things to see on display but the maligning it has gotten is as understandable as the book being controversial. The photography mostly has a nostalgic quality to it while the costumes and sets are exquisite in colour and detail. The score is seductive and hauntingly beautiful, Sylvia Kristel is a real beauty, the second half is an improvement over the first half with some appropriately steamy moments and Nicholas Clay as well as being astonishingly handsome and sexy is quite good as Oliver. Unfortunately Kristel's acting talents do not translate here, throughout she is very wooden and bland, while on the other side of the scale Shane Briant's hammy over-acting grates after a while. The supporting cast, and there are some talented actors here, are unable to do much with characters that are written to caricatures(blander than that in some cases). Some of the sexy moments are sensual but too many and most of them verge on lowbrow and too much like a porn film, the book is an explicit one but it's not that trashed up. The script is very underwritten and banal, it is difficult to take seriously anything that the actors say, while the storytelling is really dull with non-existent passion in the first half, the main reason being that while the basic story of the book is intact, the prose, characterisations and passion(mostly) are barely scarce. Some of the editing looks hastily-put together too. All in all, Lady Chatterley's Lover looks good but it is dull and underwritten, and takes the sexual nature of the book to extremes, well at least to me it did. 4/10 Bethany Cox

The plot of D.H. Lawrence's famous novel of passion and mores is lifted mostly intact, but everything has a dumbed-down and trashed-up quality that makes the resulting adaptation anything but faithful. Sylvia Kristel once again proves inadequate to the task of carrying a movie, and what's more looks much older than her real age (28), as well as that of the even younger character Lady Chatterley. Instead of smoldering with forbidden passion, she seems listless and uninterested in the affair that is central to the story's power. Nicholas Clay also seems unconvincing as the virile but coarse Mellors. Why he would be the object of romantic fascination for any woman of class seems a mystery not worth investigating. The pastoral look of the film is pretty nice, plus it also features good period detail and costumes, but the script is extremely weak and the dramatics - especially among the supporting performances - are just not sharp enough to properly drive a story of class betrayal and social scandal.

Approach with extreme caution.

Pretty typical Golan & Globus production with better than average art direction and cinematography. The estate is beautiful--as is Sylvia Kristel--but the adaptation is flat and whole thing feels flabby.

A bit of sex goes with the story, of course, and it's done well enough; but it's nothing like Kristel's soft core films. The acting is competent thruout, and the filmmakers take pains to maintain the essence of the English class struggle. But some of the jealousy and social indignation feels contrived.

I loved Lord Chatterly's gas-powered wheelchair for zipping around the grounds, altho why he didn't install an elevator in the mansion is a mystery.

Not good, not bad, just ok.. Ive always enjoyed watching Sylvia Kristel. I keep waiting for her to do a slow sensual strip, twerk and really get it on but I guess that'll never happen. The worst actor in the movie was the nurse. She was pretty wooden all the way through. Otherwise it was just an ok way to spend a Thursday pandemic night.