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6.0/10
7.6K
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Five young people venture into the backwoods of Oregon to claim a property, and find themselves being stalked by a hulking, machete-wielding psychopath.Five young people venture into the backwoods of Oregon to claim a property, and find themselves being stalked by a hulking, machete-wielding psychopath.Five young people venture into the backwoods of Oregon to claim a property, and find themselves being stalked by a hulking, machete-wielding psychopath.
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Silver Falls State Park, Oregon, is the magnificent location where "Just Before Dawn" was filmed. Waterfalls, rock formations, and a lush green forest were used to great advantage. The photography is absolutely stunning for this type of low budget, backwoods, slasher, and adds immeasurably. Acting is totally acceptable, and while the two inbred "knuckle draggers" never speak, there is a menacing tone that permeates the movie. Do not mistakenly believe that this is just another attempt to tag an inferior film onto a single name actor like George Kennedy. This is extremely well made and highly recommended. I'll even go so far as to say, one of the best of it's type, and proves that you don't need buckets of blood to make a great horror film. - MERK
The kids-in-the-woods genre isn't a hard one to rise to the top in, yet this film succeeds on its own. A genuinely well-made horror movie with several truly original, creepy images (the man coming out the waterfall!) and an excellent hand-to-hand combat finale. Shot on a genuine shoestring, this film betters by miles any of the studio-financed atrocities that came in the wake of the first Friday. I found the acting and dialogue convincing, at least for horror movie standards. And the photography is grainy and low-fi in an ominous way, without looking unprofessional. This is one of the best horror films of the 1980's, seriously underrated.
22 years or so before the original Wrong Turn film was this rather well acted yarn of campers being stalked by inbred killer hillbillies.
A 'cut' above other similar films of the time, thanks to the casting of able players giving it a more believable atmosphere which helps to make it much more gripping than it could have been. This film features possibly the niftiest resolution to a 'slasher' film in cinema history.
A 'cut' above other similar films of the time, thanks to the casting of able players giving it a more believable atmosphere which helps to make it much more gripping than it could have been. This film features possibly the niftiest resolution to a 'slasher' film in cinema history.
Very scary backwoods slasher is much better than others, such as "The Prey" and some of the later "Friday the 13th" sequels. The story has to do with five teenager campers running afoul of a pair of psychotic, machete-wielding hillbilly twins. One by one they are dispatched by the murderous giants (who giggle as they slaughter their prey). This has some great photography of the Oregon wilderness, a creepy musical score, and some of the best shocks ever put into a horror/slasher film. I really enjoy the scene where Daniel and Megan are menaced by one of the killers. A classic that deserves a video re-release. I actually stumbled across this one for four bucks at a resale shop in Northern Michigan.
Liebermans' entry in the original slasher craze is definitely more well made and intelligent than some. In fact, in making it he wasn't so much inspired by "Friday the 13th" as he was "Deliverance". He and his crew make this a powerfully atmospheric outing, utilizing the real Oregon woods to great effect, and turn it into a fun survival-of-the-fittest yarn, even developing the two main characters in interesting ways.
Five young adults venture into the Oregonian mountains to do some camping and check out the local land that one of them has supposedly inherited. Before long they begin to be victimized by a stealthy, heavyset psychopath.
Slasher movie fanatics who watch this sort of thing for gore and/or nudity will be quite disappointed with Liebermans' film, as it's clear he has a different agenda going on. That's not to say, of course, that the women aren't attractive, or that there isn't some effective nastiness to be enjoyed. But what the director really wants to convey is the need to have a respect for nature - because it CAN kick your ass if you're not prepared. He begins with an intense opening set piece and generates some truly unnerving suspense; this is the kind of film that can have a viewer literally on the edge of their seat. It's also stylishly done; take note of one scene transition in particular. Brad Fiedel, who a few years later gained his fame with his theme for "The Terminator", supplies a music score that is chilling in its subtlety. (The whistling is a really nice touch.)
The better than usual cast features some very familiar actors: Gregg Henry, Ralph Seymour, Jamie Rose, Mike Kellin, Chris Lemmon (Jacks' son), and George Kennedy as the veteran forest ranger who's aware that the area is fraught with danger. The gorgeous Deborah Benson, who really should have been able to enjoy a much more visible career, is a standout as the female lead who starts out as a rather tentative character, starts to cut loose, and ultimately finds her inner strength. John Hunsaker is extremely creepy as the killer.
There's one well executed plot twist along the way, and at the end an innovative and memorable way of dispatching our villain. The pacing is deliberate, the camera-work and cinematography excellent, and the scenery beautiful, in what has to be one of the more unheralded horror films of its time. It comes highly recommended.
Eight out of 10.
Five young adults venture into the Oregonian mountains to do some camping and check out the local land that one of them has supposedly inherited. Before long they begin to be victimized by a stealthy, heavyset psychopath.
Slasher movie fanatics who watch this sort of thing for gore and/or nudity will be quite disappointed with Liebermans' film, as it's clear he has a different agenda going on. That's not to say, of course, that the women aren't attractive, or that there isn't some effective nastiness to be enjoyed. But what the director really wants to convey is the need to have a respect for nature - because it CAN kick your ass if you're not prepared. He begins with an intense opening set piece and generates some truly unnerving suspense; this is the kind of film that can have a viewer literally on the edge of their seat. It's also stylishly done; take note of one scene transition in particular. Brad Fiedel, who a few years later gained his fame with his theme for "The Terminator", supplies a music score that is chilling in its subtlety. (The whistling is a really nice touch.)
The better than usual cast features some very familiar actors: Gregg Henry, Ralph Seymour, Jamie Rose, Mike Kellin, Chris Lemmon (Jacks' son), and George Kennedy as the veteran forest ranger who's aware that the area is fraught with danger. The gorgeous Deborah Benson, who really should have been able to enjoy a much more visible career, is a standout as the female lead who starts out as a rather tentative character, starts to cut loose, and ultimately finds her inner strength. John Hunsaker is extremely creepy as the killer.
There's one well executed plot twist along the way, and at the end an innovative and memorable way of dispatching our villain. The pacing is deliberate, the camera-work and cinematography excellent, and the scenery beautiful, in what has to be one of the more unheralded horror films of its time. It comes highly recommended.
Eight out of 10.
Did you know
- TriviaDirector Jeff Lieberman cited "Délivrance (1972)" as the film's primary influence.
- GoofsAt 50:19, When Daniel approaches the cemetery to take pictures a boom mic is visible for a few seconds in the top left of the screen before it is realized and then pulled out of the frame.
- Alternate versionsInterglobal Video released a cut version with most of the explicit gore removed. The uncut version was released by Paragon Video.
- ConnectionsFeatured in Just Before Dawn: Lions, Tigers and Inbred Twins (2005)
- SoundtracksHeart Of Glass
Written by Debbie Harry and Chris Stein
Performed by Blondie
©(1979) Courtesy of Chrysalis Records, A Division of EMI
Under License from EMI-Capitol Music Special Markets
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