Rayons X

Made by Canon around the time that Golan and Globus looked as though they might just be able to break into the big leagues, X-ray/ Hospital Massacre hits above expectations.

Intended and made as an American slasher to cash in on the video market of the time, this actually plays a lot like the Italian Gialli being produced around the same time, which I for one consider a great plus point!

The use of light and shadow to introduce interesting visuals and atmosphere to innocuous places such as staircases fits more with the low budget films of Italy rather than America, as does the use of a dissonant score that would almost act as a Greek chorus if either budget or imagination hadn't led to the repetition of a number of cues.

Although the kill rate is high enough to qualify as a slasher, each murder is directed towards an (admittedly crazy) goal, with nobody except the victim even believing that they are happening, which again I would say takes us closer to giallo territory than your standard slasher.

Add that to a motive of revenge for a childhood slight and a prioritization of feeling over logic in the action and you've got almost all the elements there.

Replace the latex gloves with black leather and it would only be the synchronization of the sound that differentiates it from a giallo of the same period, would recommend to anyone that has a fondness for Italian films of the period.

Early entry into the 80s slasher film craze is surprisingly decent and is one of the few times Golan-Globus Productions ("Invasion U.S.A," "Breakin'," "Revenge of the Ninja," etc.) made a slasher picture. The opening prologue has an unpopular boy named Harold leaving a Valentine's Day card on the doorstep for pretty girl Susan. Susan and her friend find the card, laugh about it, and crumple up the Valentine. Unbeknownst to them, Harold has been watching the whole time. While Susan is getting some cake from the kitchen, she returns to her friend murdered while the creepy Harold stares at her through the window before running off. That's all the set-up you need for this slasher film, which the adult Susan, played by former playmate Barbi Benton, visits the hospital one day for some test results where she is stalked by an adult Harold who is still in love with her. From there, the bodycount continues to grow and just about every male in the hospital might be Harold (it seems like this hospital almost exclusively hired by creepy dudes). Directed and co-written by schlockmeister Boaz Davidson, who's made charming garbage since the 70s like "The Last American Virgin" all the way until today with lame films like "Mega Snake" and "Leatherface" (though he's also produced some classier films like "The Expendables," Rambo 4," and the underrated "Drive Angry"). The plot, characters, and story are pretty non-existent, but Davidson does deliver a good number of suspenseful and creepy hospital themed horrors, particularly an uncomfortable exam of Benton by a creepy doctor that seems to last forever. The film's bloody finale is also quite memorable. There are some slow parts in the second act of the film that drag, but it's not a bad film if you're in the mood for a throwback style slasher that you may have missed. FUN FACT! The film was photographed by Nicholas Josef von Sternberg, son of famed director Josef von Sternberg ("The Blue Angel" "Morocco" "Shanghai Express").

Hospital Massacre (1982)

** 1/2 (out of 4)

Incredibly strange, over-the-top and at times downright crazy slasher about a young woman who sees her best friend murdered after they laugh at a boy who left her a Valentine's Day card. Flash-forward nineteen years and the now woman (Barbi Benton) is at the hospital for a check up when a madman begins killing everyone trying to get to her. HOSPITAL MASSACRE, also known as X-RAY and several other titles, is a pretty poor movie that has so many unintentionally laughable moments that you really can't help but have fun with it. Director Boaz Davidson has said that he didn't know too much about the genre and had never made a slasher so he was pretty much just throwing everything in that he could. This includes all sorts of silly "jump" sequences, which are just downright silly at times and even worse is how everything gets drawn out to the point where you just get tired of watching it. There are simply way too many sequences where scenes keep on going and going when they should have been much shorter. A bit more editing probably would have made the film much more entertaining. There are some things here that are good and this includes the gore. The film contains a pretty large amount of blood especially for a film of this era when most were being cut up by the MPAA. Another memorable thing is the "performance" as the killer because it's just so crazy and over-the-top that you can't help but laugh at times. Still, the weirdness of the character certainly makes you remember him. Benton is decent in the role and manages to show off her Playmate breasts during a rather awkward examination sequence. The rest of the performances are certainly below par but they add to some of the laughs. HOSPITAL MASSACRE is mainly going to appeal to those who enjoy those bad slashers of the decade. You have to leave it to Cannon as they really did deliver a pretty wild little film.

They could have left the killer out of the movie and it would have been just as good! It's so stupid that it's funny. Every scene is bizarre with the half wit doctors and staff. Thankfully none of these things could actually happen in a real hospital. I wasn't expecting much when I watched this and that's exactly what I got. Still, the craziness that occurs is worth a laugh. Watch this when you have nothing else to watch!

Of all the slasher films that came out in 1981, this is definitely one of them. That said, for some small reason this film sticks out as a perfect example of the slasher film. With it's goofy plot revolving around the identity of the killer, and gratuitous Benton nudity, one really can't go wrong with this title. It's not a great film, but it's got all the key elements of the slasher film, and for that, at least it succeeds on those terms.