Honky Tonk Freeway

VERY memorable comedy. It's fun to watch the many situations develop and finally converge after a long journey on that greatest collection of eclectic humanity (and the world's largest honky-tonk) - the great American Freeway. Like "...mad, mad world" it's got loads of contemporary talent, old-boy politics, good comedic action and dialog. Unlike that one it is the target that seeks, not the unwitting seekers - they have no idea what they really want as they drift along America's great road. Nor does it carry the weight of having a great fall guy who is saved only in the end by a great belly-laugh. But the ending stunt sequence is nothing short of spectacular with excellent film editing, humor and timing, and the big city bank scene is hilarious with very original acting by one very talented character in particular. The total aplomb of the city dwellers in the face of chaos leaves one feeling like the proverbial fly on the ceiling. The slapstick is funny, but Honky Tonk Freeway deserves to be heard and seen closely because it is surprisingly loaded with nuance and character reactions that are easily missed. All in all a very funny reflection of who we were and are, good or bad, and the goofy situations we find ourselves in. It was just meant to be FUNNY and it is!

The obsession of modern society with the ownership of a personal automobile is a very appropriate subject for satire. One could consider the role of private vehicles as one of the important elements in population control (although limited in its value by the associated medical costs!). Alternatively one could assess the role of the automobile in the atmospheric pollution that threatens dramatic changes of climate which will have a devastating effect on the lives of all of us; or one could look at the long term impact of more and more fertile agricultural land becoming sterilized by the construction of wide concrete freeways. There is plenty of scope for the inventive film maker to deal with such major themes. Instead most of the films dealing with this issue which have been released so far, raise only such trivial concerns as the infatuation of teenagers with acquiring ownership of their own vehicle, or occasionally with the problems associated with 'driving under the influence'. The film Honky Tonk Freeway is a noble exception to this collection of triviata. In it, the director John Schlesinger takes a long and very devastating look at yet another aspect of the automobile culture, the need for small towns to be closely connected to a major highway network if they are not to just fade away.

The film features Ticklaw, a Florida town that has become largely dependent upon the income brought in by short stay tourists heading towards the nearby coast. A new freeway under construction does not provide a promised access junction and the long term implications for the town are serious. The story line is the series of increasingly dramatic steps taken by the town to ensure that it remains an attractive stopping off point for through travellers. The film is a comedy with an edge and with very sharp characterisation. Unfortunately much of it is overdrawn to the point where it almost becomes pure slapstick, and for me this detracts a lot from the message of the film. However, although overlong, it remains quite enjoyable to watch; and the sequences showing an elephant being trained to waterski to entertain the visitors are almost etched in my memory. This could have been a really great film, but unfortunately much of it was so overdrawn that I can only recognise it as a near miss.

Unappreciated in a way MAD MAD WORLD was celebrated, HONKY TONK FREEWAY is an international view of crass funny Americana. A megaton flop in its day, it does deserve reappraisal and basically awe for the extravagant scope and cost of the production. Also like NASHVILLE or THE BIG BUS or even RAT RACE it is an ensemble comedy cruelly harpooned by dumb critics of the day who only reviewed the excess and the cost. This must have been an unappreciated accounting legend, like CLEOPATRA, or 1941 (which I love), HEAVENS GATE, LUCKY LADY or later THE BLUES BROTHERS as demented American films that are clever and made with vision, especially when one considers the cost and failure of Mall releases of today. A DVD reissue with the sort of 3rd disc that Cleopatra has will be very welcome.

I remember watching this movie over and over again when I was a kid. I loved it. Whilst I haven't watched it recently, I am sure I would enjoy it just the same today. Its a very light funny movie guaranteed to make anyone laugh. The situations with each one of the characters were so funny and imaginative! I particularly liked the one with the girl traveling with her mother's ashes (who ends up picking them up on the highway after the explosion) , the robbers and the nuns. This nice humour style is much missed these days. Also, this movie proved that actor Paul Keenan (Dynasty/Days of our Lives) was off to a great start. I recommend it to anyone lucky enough to find it in their local video shop.

HONKY TONK FREEWAY involves a small Florida tourist town named Ticaw and the people who live there, led by William Devane playing the part of the Mayor/Preacher Kirby T. Calo who also operates a hotel and tiny wildlife safari park. The town's major draw is a water-skiing elephant named Bubbles. When the state highway commission builds a freeway adjacent to the town, Devane slips an official 10,000 dollars to assure an off ramp. The off ramp doesn't come so the townsfolk literally paint the town pink to attract visitors. Meanwhile, we are introduced to several characters from various parts of the United States all for one reason or another are heading to Florida. We know they will all end up in Ticaw but finding out why and how is half the fun. There are bank robbers from New York (George Dzundza, Joe Grifasi) who pick up a cocaine dealing hitchhiker (Daniel Stern), a Chicago copy machine repairman and wannabe children's author Duane Hansen (Beau Bridges) who picks up a waitress Carmen Odessa Shelby (Beverly D'Angelo) who is carrying her mother's ashes to Florida, a dentist and his family (Howard Hesseman, Teri Garr, Peter Billingsly) vacationing cross country in their RV, an elderly woman Carol (Jessica Tandy) with a drinking problem and her loving husband Sherm (Hume Cronyn, of course), two nuns (mother superior Geraldine Page, novice nun Deborah Rush), a wannabe country song writer hauling a playful rhino and other wild animals to Ticaw, and more. This is a very funny movie with quirky interesting characters, good actors, a great director (John Schlesinger who helmed Midnight Cowboy, Marathon Man and The Falcon and the Snowman) and a mix of slapstick comedy in the tradition of It's a Mad Mad Mad Mad World and biting satire of American small towns such as Cold Turkey. Think Mayberry meets Picket Fences, or Hal Needham meets Robert Altman. A fun film with where half the fun is to see who's going to show up in the film and what's going to happen next.