Une nuit infernale

Linda Blair stars as one of four college pledges who must spend the night in the creepy old mansion(reputed to be haunted, with a murderous history) in order to join the sorority and fraternity. Seniors plan to pull pranks on them for fun, but discover to their dismay that "reputed" turns out to mean "factual"...

Surprisingly effective thriller may not be original, but has good performances and direction, which create characters you come to care about, and a genuinely spooky atmosphere, especially when it moves underground. Scary and (reasonably) smart, this one stands out from the usual "slashers" of the period, and results are above average, with a memorable ending.

Basic Plot = four pledges must spend the night in Garth Manor, twelve years to the day after the previous resident murdered his entire family. Two of the pledges, Marti (Linda Blair, The Exorcist) and Jeff (Peter Barton), ignore the rumours that the now-deserted mansion is haunted by a crazed killer, until one-by-one, members of their group mysteriously disappear. Could this be part of the fraternity prank or is it a demented former tenant seeking revenge? When the seemingly innocent rite of passage turns deadly, these college students will do anything to survive Hell Night." Hell Night is a fun way to waste a couple of hours, a definite popcorn flick which isn't a bad thing, the cast are clearly having fun with they're roles, Suki Goodwin, as Denise, is a scream; providing the film's main comedy moments without really grating. She sails through the film on a wave of booze, Quaaludes (whatever happened to those?) and double-ententes. Linda Blair is also as effortlessly likable as you'd imagine, as the slightly tomboyish girl (with the handy mechanic skills).

Hell Night never fails to be entertaining,It's the fun early 80's slasher flick - designed for retro thrills, fun scares and popcorn munching. It takes itself seriously enough to stop from descending into self-parody funny to talk about innocence in a film where a bunch of people get carved up in creative ways, but HELL NIGHT is a perfect twilight genre example of the slasher flick before it descended into self parody and rapidly shrinking budgets.

Four college kids are sent to an abandoned mansion to fend for themselves during a hazing ritual gone wrong in "Hell Night." During their stay at Garth Manor, the group deal with pesky pranks from their peers and face off against a "gork" dubbed Andrew. We never find out what a gork is exactly, but it sounds relatively un-PC. At any rate, Andrew "Gork" Garth is a deformed child who has been left alone to his own devices. Now that he's all grown up, he's hellbent on murdering anyone who steps foot onto his property. That's unfortunate for Linda Blair and company, who lack the benefit of something like TripAdvisor. One thing's for sure, though; if they live through the night, this place is getting a dismal one-star review.

"Hell Night" came out in 1981, just as the slasher genre was gaining traction. It is at times derivative, and at others, it surprisingly deviates from the beaten path. The initial set up of four characters who alternate between horny, funny, smart and sympathetic is one we've seen countless times in the genre, but "Hell Night" puts a refreshing spin on things. For starters, its cast has a chemistry and a shared likability rarely seen in the slasher subset. An all-grown-up Linda Blair leads the cast with her charming girl-next-door presence, while pretty-boy Peter Barton ("Friday the 13th: The Final Chapter") plays her good-guy boyfriend. In the next room are the Spicoli-esque surfer dude and his hilariously charming and sexy girlfriend, played by Vincent Van Patten (son of Dick) and Suki Goodwin respectively. Goodwin in particular is a real firecracker, an endless ball of charm. It's a shame she quit acting shortly after this film came out. Her comedic chemistry with Van Patten jumps off the screen and nearly steals the show. That being said, all four actors are quite solid and work together to keep the film going, even through it's duller moments.

Speaking of dull moments, there's more than a few of those here. Since the film is about 15-20 minutes longer than the average slasher, it's only natural this would happen. The atmosphere is pretty well established early on, and while the characters are never a chore to visit, the often-protracted stalking sequences can sometimes feel endless or even pointless. Having said that, when the jump scares hit, they hit hard. The film is a bit of a workhorse in that regard, as by the end, we are treated to a big jump seemingly every other minute. Tim DeSimone, who had previously worked in the adult film industry under the impossibly awesome psuedonym of Lancer Brooks, apes the likes of "Friday the 13th" and "Halloween" quite competently here. There are moments midway through the film that feel like someone traced over John Carpenter's work, right down to the sparse, synth-led score. Yet, for all that it borrows, it never feels entirely redundant. One digression in particular, where a lead character escapes the mansion and goes off to find help, is a welcome curveball. It's little moments like this that give the film its own unique flavor.

While one could probably spend the bulk of its running length nit-picking it to death, there's just something undeniably charming about the way "Hell Night" plays out. It feels familiar, but at the same time, keeps us on our toes. With characters that you actually want to see survive and a killer who is not wearing a mask or wielding a chainsaw, "Hell Night" at least offers something you won't always find in '80s slashers. It's not a classic by any stretch of the imagination, but necessary viewing for any fan of the genre. "Hell Night" is, like the ritual itself: a rite of passage everyone should go through at least once.

Linda Blair and her friends are stranded in a remote mansion with a homicidal maniac, who loves to hack peoples heads off and slash their throats. Sound like a simple, predictable premise? Yeah, it pretty much is. But, the direction is smooth and on target, and the acting is very good. There is a little gore, but not too much, and there is plenty of good suspense. You grow to like the four teens tormented in Garth Manor. A successful, highly watchable slasher movie.

What impressed me the most about this "slasher" movie is I honestly cared about the characters and felt bad when they died! That never happens with me & horror movies-- usually the characters are annoyingly lamebrained oversexed fools and I can't wait for them to get axed. HELL NIGHT has much going for it, including an amiable atmosphere, enthusiastic & easy-going performances (especially by the Boom Mic, who I thought deserved an Academy Award for his brief but frequent appearances), decent sets (including the outdoor ones, a bit reminiscent of The Shining), and villains who I swear looked straight out of SCOOBY DOO. (Not that that's a BAD thing, but it's just not too scary.) I honestly thought the script was well-constructed and funny and character exposition was given in an unobtrusive but helpful way (i.e. Linda Blair working as a mechanic.) There is absolutely nothing new or groundbreaking in HELL NIGHT, but it's a sterling example of how to polish up an old apple and make it look appealing and new-- and taste good. (Sorry for that awful metaphor...) Contrary to what others might tell you, Vincent Van Patten really grew on me, and I loved that surfing scene. He's my boy! Rating: 7/10.