Harry's War

First, the IMDb rating for this movie (at the time of this writing) of only 5.7 is a sham. If one takes the actual rating average from the 193 voters, then the rating average is actually 7.16, and if you take the number of stars from those who wrote reviews (and included stars) it has a 9 star rating. So why the 5.7? Well, it appears that if IMDb disagrees with the vote, then they simply change it to whatever they think it should be, and they also clearly state that they will not tell you how they came to that decision. So, in summary, your vote does not count unless they (IMDb) agrees with it, thereby, rendering the movie average that they display as practically useless.

How appropriate a treatment for this very movie, where the governing who disagree simply change the rules to their satisfaction.

This movie is worth seeing for those who wish to see a film regarding an ever growing issue in the US. It is hard to find, but with diligence you can come across DVD copies on the internet. It is certainly better than 5.7.

The protagonist, Harry, attempts to remedy a situation where his friend is about to have her property confiscated for back taxes, taxes that she actually does not owe. He attempts to talk with the IRS director, to no avail. He goes to the kangaroo tax court, only to learn that he lost before ever entering the court room. He quickly finds out that the system is designed to squelch noncompliance, which also results in the death of his friend in the tax court. The property, having been willed to Harry, now becomes his fight, which he does with a method of last desperation with seemingly no other alternative.

Although the film is a bit lighthearted and meant to be a comedy, the subject matter is quite serious. The end scene is darkly prophetic of the tragic incident involving the US government in Waco, Texas, 12 years after the movie was made.

I had never heard of this movie and just today (20121215) came across it on Netflix.

So, for those looking to watch it, you have the opportunity. (and this is where my review would end, were it not for the 10-line minimum rule! So, on to the blathering...)

Casting (or, possibly, makeup) and score selections were slight distractions. Less cartoonish portrayals of 'Aunt' Beverly and Billy would have helped the audience relate more with these characters, who represent a genuine compassionate, charitable neighbor to everyone and a war veteran. As it stands, they are presented as kooks and the antagonists (I'll let you figure out who they are) are presented as the sane, "normal," most-easily-related-to folks. That may have been the only way to get the film made, however. Sort of like Churchill being forbidden from writing about Hitler - he still did it, using animal abstractions, but people read between the lines and understood.

I've also never been a huge fan of scores that include whimsical flute playing. I understand the link to our nation's history, but the sound just doesn't strike the right chord for such a serious topic.

The presentation of the story is typical for the 80s. Not quite the gritty "French Connection/Dog Day Afternoon/Dirty Harry" quality of the 70s films and not the over-the-top "Dumb and Dumber/Scary Movie" silliness of the 90s/00s. Somewhere in the middle.

If this film were made today, it would be darker (truer?), and the omnipresence of the IRS, while significant, would be but a mere shadow of its true power. Still, I think you'll get the intended feelings when watching the current film.

A fascinating memento of the zeitgeist of the early eighties, made when Ronald Reagan was running for President and released after his inauguration declaring that government was the problem and taxes were evil (a mindset that has remained the received wisdom for the past forty years and is one reason the richest nation on earth was so woefully unprepared for the current coronavirus pandemic). Yet when one of the characters collapses in court it's paramedics paid out of tax dollars that are called in to aid the stricken victim.

The film has been compared to Capra, and while Geraldine Page's crazy old aunt (and her eccentric family) are far weirder than Lionel Barrymore's brood in 'You Can't It With You', it uses Capra's device of giving the task of stating the case for taxation to shifty-looking spokesmen (in Capra's film hawk-faced Charles Lane, in 'Harry's War' a smarmy David Ogden Stiers) easily rebutted by an Everyman figure (here ironically named 'Johnson' like the great reforming president of the sixties) declaring that "Hitler would've loved the IRS" rather than the cold-eyed plutocrats that are the real winners when taxes are low.

I saw this moving when it first came out in the movie theater, on the big screen. In all the study I've done on the IRS, what little facts the agents spill, are accurate. The IRS does run on bluff. At the end of the movie, I witnessed something I've never seen in a movie theater, although I admit I don't go to many movies. The entire audience stood to their feet and applauded and cheered. This movie tells the truth, and elicits the Americans' true feelings about being robbed and brutalized by the IRS. It took me a long time to find this on video, and now I am having trouble finding it on DVD. The reason? The IRS doesn't want this information out there available to the public. That said, I want everyone to know that the income tax is only applicable to "US citizens," and the Internal Revenue Code defines the United States as "Washington D.C., Puerto Rico, Virgin Islands . . ." and other US territories. However, the US uses forms to get us to check off that we are "U.S. citizen," which we are not, so you are actually volunteering to pay taxes when you mistakenly state you are a "US citizen." Stop doing that! You are a state citizen.

Regular viewers of The History Channel will quickly recognize Ed Hermann as the host and narrator of many of their programs, and as a spokesman for Chrysler/Dodge commercials. It's easy to forget that he's a prolific and talented actor. "Harry's War" is one of his best. Harry Johnson does something we've all wanted to do: level the big guns at the IRS! David Ogden Stiers is great as the IRS supervisor who has forgotten the "servant" part of Public Servant. "I'm the United States Government, Johnson. Who are you?" he says. Like so many other bureaucrats, he's forgotten who he really works for, and Harry sets out to remind him. This little gem of a film should be broadcast every year at tax filing time. Good luck trying to find a copy on tape!