Gallipoli

There is not a lot wrong with this movie. The entire thing seems authentic - meaning you feel like you're in Australia in 1915. You are living on a farm, running in a race and ultimately in a war.

What is also very extraordinary is that there is not really a lot that happens, there is barely a plot. But it doesn't matter, because Peter Weir is a master storyteller. The actors are all superb and your heart may hurt at the climax - mine did.

Unforgettable, like all great movies.

"Gallipoli" is a great little war film that is rarely mentioned, but one that can certainly stand up to the likes of "Saving Private Ryan" and movies of the big budget blockbuster kind. It tells the story of Archy (Mark Lee), a young Australian runner, and Frank Dunne (Mel Gibson), another runner. Both of them have great potential as runners, and they meet at a race where Archy beats Frank. Archy is running off to join World War I, and when it is revealed at the enlistment office that he is underage, Frank takes him to Perth to sign up there. Frank has no intention of joining the war, because he doesn't want to die for a cause that isn't really an Australian one. (An early Mel Gibson movie that takes an anti-British stance) Eventually he decides to join, and the rest of the story follows the two men in their various encounters throughout the war.

The story is well told, focusing on the development of the two main characters rather than battle sequences. The two contrast each other. Frank is worldly, and cynical, not ready to die for a foolish cause, while Archy is naive and idealistic. It is an excellent study the way the two personalities react to the war.

"Gallipoli" will rarely be mentioned in the same breath as most of the most famous war movies, but it is certainly one of the best at revealing the humanity that exists at the front lines. It is a well made film, and an extremely moving story.

Filmed in a period of cinematographic transition, between, on the first hand, the old Hollywood productions like The Longest Day (Ken Annakin and 4 others, 1962), A Bridge Too Far (Richard Attenborough, 1977) or The Great Escape (John Sturges, 1963) sometimes completely disconnected from the reality and the atrocities perpetrated on the battlefield by both sides and, on the other hand, darker and immeasurably more realistic productions from the late 70s, such as Come and See (Elem Klimov, 1985), The Deer Hunter (Michael Cimino, 1978), Das Boot (Wolfgang Petersen, 1981) and Le vieux fusil (Robert Enrico, 1975).

Indeed, if the first part of this movie is of a distressing insouciance, the two main protagonists striving to leave Australia to join the peninsula of Gallipoli, Turkey, like two children expecting their next summer camp, the second part is cold and raw, unbridled and cruel. In this respect, the film is appropriately lulled by the album Oxygène (Jean-Michel Jarre, 1976) for the sequences full of hope and carefree, camaraderie and friendship and the adagio of Albinoni (Remo Giazotto, 1945) for the poignant sequences of courage and sacrifice.

A moving film with a neat realization and an excellent cast.

Terrific film that so succinctly sums up the passion and the innocence of the Aussie soldiers as they gave their lives up for a cause not their own, believing to the end that duty demanded that they make a good showing of themselves. This story is based in historical fact and is still discussed today as one of the most terrible follies foisted upon young men by totally incompetent military leaders. There are even worse stories that are told about the wars outcome in France and Belgium but this film captures enough of the tragedy to drive home the point of how mad all wars are.

The very young and handsome and Aussie sounding Mel Gibson is very convincing as are the entire cast. Peter Weir crafted a heart wrenching film which ends with a moment that you just can not shake from your mind. Great film and very moving.

I taught HS history and used very few commercial movies in teaching...the exceptions included GALLIPOLI and PATHS OF GLORY and the newer remake of ALL QUIET. I've never watched a film that builds plot, mood and theme any better than Gallipoli. While there are many light-hearted and humorous forays which add to character development, the ongoing drum-beat of the film is war, war, war--attack, attack, attack. I can't imagine any better musical score or musical editing:the juxtaposition of elegant Strauss waltzes the night before debarkation with the funereal Adagio as the troops cross the water is genius. I'm surprised that we haven't seen more of Marc Lee-the idealistic Archie. He does a wonderful job along with a VERY young Mel Gibson. When I showed the movie to my classes I was careful to watch THE STUDENTS as the final scenes arrived rather than the film. Now THAT was telling! I absolutely commend this film to all! (ADDED)BTW...Brits---try not to take the criticism of the military operation as criticism of YOU...I think the entire film was meant to be an indictment of war as an instrument of national policy. Your very own John Keegan observed that once wars begin, they have a way of creating their own momentum and justification. It's for this reason that Herodotus said that "all wars are popular in their inception". The film, as I viewed it, was about the futility of war, the fixation of military commanders to fix the "previous war" and the price we pay for stupidity. The lesson should not be lost on the US in Iraq either.