A ragtag spaceship crew sent on a rescue mission encounter a formidable enemy, their worst fears projected by their own imaginations.A ragtag spaceship crew sent on a rescue mission encounter a formidable enemy, their worst fears projected by their own imaginations.A ragtag spaceship crew sent on a rescue mission encounter a formidable enemy, their worst fears projected by their own imaginations.
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What Galaxy of Terror lacks in plot cohesion or character, it makes up for in memorability and shock
Following a failed voyage to the planet Morganthus, the spaceship Quest is dispatched from the Planet Xerxes for a rescue mission. Once there, the crew discovers the remains of the crew of the doomed voyage as well as a strange pyramid containing unspeakable horrors.
Galaxy of Terror is a 1981 sci-fi/horror film from producer Roger Corman. The film saw him attempt to cash in on the success of Alien much in the same way Battle Beyond the Stars was his answer to Star Wars. Once again using the talents of James Cameron who provided the impressively improvised effects, with Cameron hired as an art director and effects supervisor alongside Robert Skotak. The movie has carved quite a legacy for itself (one of infamy as well as curiosity) and while I can't say much for quality of its writing, from an atmospheric and technical perspective it's undeniably memorable.
Starting off, the writing of Galaxy of Terror is often very confused and muddled with the nature of elements such as Xerxes' "Master" or the borderline Darwin Award behavior of the some of the crewmembers making it pretty obvious plot is not this movie's strong suit. Rather than creating a streamlined narrative Galaxy of Horror is mostly a showcase of impressive effects work in both creature design and gore work and both the curiosity factor of seeing James Cameron's humble beginnings as well as the grotesque nature of the kills and creatures has given the film a lasting legacy (such as the forceful nonconsensual sexual escapades of a certain giant worm).
As far as Alien rip-offs go Galaxy of Terror is certainly memorable in its exploitation and nastiness value even though with its thin characters and borderline nonexistent story that's the only real selling point. Depending on what you're looking for Galaxy of Terror might satisfy those trashy cravings we all deny having in spite of our knowledge to the contrary.
Galaxy of Terror is a 1981 sci-fi/horror film from producer Roger Corman. The film saw him attempt to cash in on the success of Alien much in the same way Battle Beyond the Stars was his answer to Star Wars. Once again using the talents of James Cameron who provided the impressively improvised effects, with Cameron hired as an art director and effects supervisor alongside Robert Skotak. The movie has carved quite a legacy for itself (one of infamy as well as curiosity) and while I can't say much for quality of its writing, from an atmospheric and technical perspective it's undeniably memorable.
Starting off, the writing of Galaxy of Terror is often very confused and muddled with the nature of elements such as Xerxes' "Master" or the borderline Darwin Award behavior of the some of the crewmembers making it pretty obvious plot is not this movie's strong suit. Rather than creating a streamlined narrative Galaxy of Horror is mostly a showcase of impressive effects work in both creature design and gore work and both the curiosity factor of seeing James Cameron's humble beginnings as well as the grotesque nature of the kills and creatures has given the film a lasting legacy (such as the forceful nonconsensual sexual escapades of a certain giant worm).
As far as Alien rip-offs go Galaxy of Terror is certainly memorable in its exploitation and nastiness value even though with its thin characters and borderline nonexistent story that's the only real selling point. Depending on what you're looking for Galaxy of Terror might satisfy those trashy cravings we all deny having in spite of our knowledge to the contrary.
I really wanted to see this film, especially because my kids liked it years ago and I never saw it. Of course, it probably was okay then but it is far too simple to enjoy it now. It is not boring because there is something happening all the time but it is not interesting and really only the sex and violence stands out today. I still love the poster.
I first saw this in the early 90s on a vhs n had a solid wtf reaction regarding the notorious rape scene of the buxom babe.
Revisited it recently.
The plot is basically a rip off of Alien but the film has some well known horror veterans, Sid Haig n Robert Englund. It also has erotic film director Zalman King.
Inspite of the film being a Roger Corman production, it has some well done effects due to the involvement of a very early James Cameron.
Cameron must be laughing at the thrusting movement of the giant worm.
I can still remember watching this film in the wee hours of the morning at about 13 yrs old; I wanted decadent, late night cable programming, and this one delivered. Twenty years later, I still remember it for one scene: a giant maggot raping a woman. It was a completely gross, bizarre, yucky, surreal moment in cinema, but unlike anything I had ever seen. I still can't get over how weird it is and how something like that made it into a film. The rest of the film contains a few other bizarre scenes but beyond this, the film is really just a waste of time. However, the production design (James Cameron) for this film was actually pretty original and well done for the time/budget (the planet the crew is trapped on has a kind of strangely dim lighting and claustrophobic feeling).
I recently came across the Robert Englund and Sid Haig cult classic Galaxy of Terror (1981) on MAX. The story follows a spaceship crew that stumbles upon a vessel with a missing crew. As they investigate, hoping to find survivors, they instead encounter alien creatures that begin picking off the members of their own ship one by one.
The film also stars Erin Moran (Happy Days), Ray Walston (The Stand), and Edward Albert (Power Rangers), and is directed by Bruce Clark (Ski Bum and The Hammer).
It's clear that Galaxy of Terror was aiming to capitalize on the success of Alien, which had been released two years earlier. However, the special effects and action sequences here are far from the quality of Alien, and often come off as a bit cheesy. Despite being released in 1981, the film has more of a '70s sci-fi feel. Overall, it's an average to below-average entry in the sci-fi genre that might only appeal to diehard fans of Englund or Haig. I'd rate it a 5/10.
The film also stars Erin Moran (Happy Days), Ray Walston (The Stand), and Edward Albert (Power Rangers), and is directed by Bruce Clark (Ski Bum and The Hammer).
It's clear that Galaxy of Terror was aiming to capitalize on the success of Alien, which had been released two years earlier. However, the special effects and action sequences here are far from the quality of Alien, and often come off as a bit cheesy. Despite being released in 1981, the film has more of a '70s sci-fi feel. Overall, it's an average to below-average entry in the sci-fi genre that might only appeal to diehard fans of Englund or Haig. I'd rate it a 5/10.
Did you know
- TriviaThe set dresser on this film was Bill Paxton, before he took to acting. He was employed by the film's Art Director, and future frequent collaborator, James Cameron.
- GoofsWhen the captain engages the hyper-drive, she stands at the control panel. A montage of the crew members strapped into their seats follows, including the captain. When hyper-drive disengages a few seconds later, she is still standing at the control panel in exactly the same spot.
- Crazy creditsEnd credits roll over the pyramid which glows blue as the wind can be heard blowing.
- Alternate versionsThe 1986 UK Warner video release was cut by 14 secs by the BBFC to reduce the rape of Dameia by a giant maggot. The cuts were fully waived for the 2002 ILC DVD.
- ConnectionsEdited from Les mercenaires de l'espace (1980)
- How long is Galaxy of Terror?Powered by Alexa
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- $700,000 (estimated)
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